Ten years ago, Dr. Gerd Heuschmann rocked the equestrian world with his international bestseller Tug of war, a searing indictment of modern training and riding techniques that are sometimes used to the detriment of the horse. Now Dr. Heuschmann returns with this new book: a critical examination of two conceptsflexion and bendthat are necessary to understand in absolute terms when the goal is to achieve collection on horseback. Citing the many masters of classical dressage who wrote essays and even entire books about flexion at the horse's poll and longitudinal bend of the horse's body, Dr. Heuschmann strives to conflate the often complex classic literature with the results of his own studies as an expert in equine anatomy and biomechanics, supporting his explanations with precise illustrations and numerous photographs. The outcome is a book that finally makes the concepts of flexion and bendand ultimately, collectioneasy to understand, promising more correct, conscientious riding, better results in training and competition, and happier, healthier horses in the long run.

Ten years ago, Dr. Gerd Heuschmann rocked the equestrian world with his international bestseller Tug of War, a searing indictment of modern training and riding techniques that are sometimes used to the detriment of the horse. Now Dr. Heuschmann returns with this follow-up book: a critical examination of two concepts—flexion and bend—that are necessary to understand in absolute terms when the goal is to achieve collection on horseback. Citing the many masters of classical dressage who wrote essays and even entire books about flexion at the horse’s poll and longitudinal bend of the horse’s body, Dr. Heuschmann strives to conflate the often complex classic literature with the results of his own studies as an expert in equine anatomy and biomechanics. He meticulously describes various movements used, their desired effects, and the truth behind the rider’s role in each. In addition, he unveils his recommendations for dealing with the horse’s “natural crookedness” and “false bend,” providing basic guidelines for schooling that ensure correct gymnasticization with the end-goal of a more athletic, collected horse in mind, and happier, healthier horses in the long run.

Ever watch the circus and wonder, "how do they do that?" Find the answers in this book! Readers will learn about some of the most mind-bending circus acts, from contortionists to human pyramids, and the science that makes them possible. Short, simple activities help demonstrate the science for readers.

Grounded in the strengths of its first edition, this book has been restructured to include new papers and recent articles, and presents front-running theory and practice as it addresses the relationships of museums and galleries to their audiences.

Numerous figures, illustrations, and tables; integration of new literature and concepts into field of primatology; emphasis upon both behavioral and cognitive mechanisms.

Nominee for the 2021 NAACP Image Award in Poetry An elegiac and moving meditation on the ways in which we witness "bodies" of grief and healing. Poems and photographs collide in this intimate collection, challenging the invisible, indefinable ways mourning takes up residence in a body, both before and after life-altering loss. In radiant poems—set against the evocative and desperate backdrop of contemporary events, pop culture, and politics—Rachel Eliza Griffiths reckons with her mother’s death, aging, authority, art, black womanhood, memory, and the American imagination. The poems take shape in the space where public and private mourning converge, finding there magic and music alongside brutality and trauma. Griffiths braids a moving narrative of identity and its possibilities for rebirth through image and through loss. A photographer as well as a poet, Griffiths accompanies the fierce rhythm of her verses with a series of ghostly, imaginative self-portraits, blurring the body’s internal wilderness with landscapes alive with beauty and terror. The collision of text and imagery offers an associative autobiography, in which narratives of language, absence, and presence are at once saved, revised, and often erased. Seeing the Body dismantles personal and public masks of silence and self-destruction to visualize and celebrate the imperfect freedom of radical self-love.

In this book, James B. Greenberg and Thomas K. Park take an anthropological approach to the economic history of the past one thousand years and define credit as a potentially transformative force involving inequalities. Traveling through the Mediterranean and Europe, from the medieval period to the modern day, Greenberg and Park reorient financial history and position social capital and ethical thought at its center. They examine the multicultural origins of credit and finance, from banking to credit cards and predatory lending to the collapse of global credit markets in 2007–2008. This book is recommended for scholars of anthropology, history, economics, religion, and sociology.