This book, a collection of ancient cultural relics from the Sui, Tang, and Five Dynasties, 581 to 960, covers calligraphy, jade and bronze ware, gold and silver ware, pottery, porcelain, painting, calligraphy, stone carving and handicrafts. In 589, the Chen Dynasty which governed the areas south of the lower reaches of the Yangtze River was destroyed by what became the Sui Dynasty, finally putting an end to a history of separate states covering 300 years from the late Eastern Han Dynasty and re-establishing national unification and order. The year 618 saw its replacement by the Tang Dynasty that has gone down in history as a time of grander political and military achievements. During the mid and late period political storms repeatedly occurred. The military governors, eunuchs and different cliques brought about one disaster after another, finally resulting in its collapse and giving rise to the independent regimes of the Five Dynasties and Ten States. The united Sui and Tang Dynasties developed and improved various state systems in the fields of politics, economy, law, military affairs, education and ethics, ensuring that the economy flourished. In particular, the economy in the areas south of the lower reaches of the Yangtze River gained rapid progress and the development level of agriculture, the handicraft industry and commerce in these areas was unprecedented. The Sui, Tang and Five Dynasties were times of great elegance and beauty. Various minds of arts and craft. including jade articles, tri-coloured glazed pottery. porcelain. painting calligraphy, stone carving and sculpture achieved peaks in their respective development history, which was really a great wonder. This book, the fifth in a ten-volume collection, brings to the English-speaking world a series of books from China which has been complied by an Expert Committee of the Chinese Society of Cultural Relics. There are 379 descriptions.

China's Cultural Relics provides an illustrated introduction to ancient Chinese artifacts and the preservation of these relics in modern times.

Worldwide research on ancient glass began in the early 20th century. A consensus has been reached in the community of Archaeology that the first manmade or synthetic glasses, based on archaeological findings, originated in the Middle East during the 5000-3000's BC. By contrast, the manufacturing technology of pottery and ceramics were well developed in ancient China. The earliest pottery and ceramics dates back to the Shang Dynasty - the Zhou Dynasty (1700 BC-770 BC), while the earliest ancient glass artifacts unearthed in China dates back to the Western Han Dynasty. Utilizing the state-of-the art analytical and spectroscopic methods, the recent findings demonstrate that China had already developed its own glassmaking technology at latest since 200 BC. There are two schools of viewpoint on the origin of ancient Chinese glass. The more common one believes that ancient Chinese glass originated from the import of glassmaking technology from the West as a result of Sino-West trade exchanges in the Western Han Dynasty (206 BC-25 AD). The other scientifically demonstrates that homemade ancient Chinese glass with unique domestic formula containing both PbO and BaO were made as early as in the Pre-Qin Period or even the Warring States Period (770 BC-221 BC), known as Yousha or Faience.This English version of the previously published Chinese book entitled Development History of Ancient Chinese Glass Technology is for universities and research institutes where various research and educational activities of ancient glass and history are conducted. With 18 chapters, the scope of this book covers very detailed information on scientifically based findings of ancient Chinese glass development and imports and influence of foreign glass products as well as influence of the foreign glass manufacturing processes through the trade exchanges along the Silk Road(s).

The Liangzhu Culture (3,300-2,300 BC) represented the peak of prehistoric cultural and social development in the Yangtze Delta. With a wide sphere of influence centred near present-day Hangzhou City, Liangzhu City is considered one of the earliest urban centres in prehistoric China. Although it remains a mystery for many in the West, Liangzhu is well known in China for its fine jade-crafting industry; its enormous, well-structured earthen palatial compound and recently discovered hydraulic system; and its far-flung impact on contemporary and succeeding cultures. The archaeological ruins of Liangzhu City were added to the UNESCO World Cultural Heritage List in July 2019. Liangzhu Culture contextualises Liangzhu in broad socio-economic and cultural backgrounds and provides new, first-hand data to help explain the development and structure of this early urban centre. Among its many insights, the volume reveals how elites used jade as a means of acquiring social power, and how Liangzhu and its centre stand in comparison to other prehistoric urban centres in the world. This book, the first of its kind published in the English language, will be a useful guide to students at all levels interested in the material culture and social structures of prehistoric China and beyond.

This book presents cutting-edge archaeological materials from Xinjiang, from the Bronze Age to the early Iron Age. Through a systematic topological study of major archaeological cemeteries and sites, it establishes chronologies and cultural sequences for three main regions in Xinjiang, namely the circum-Eastern Tianshan region, the circum-Dzungarian Basin region and the circum-Tarim Basin region. It also discusses the origins and local variants of prehistoric archaeological cultures in these regions and the mutual relationships between them and neighboring cultures. By doing so, the book offers a panoramic view of the socio-cultural changes that took place in prehistoric Xinjiang from pastoral-agricultural societies to the mobile nomadic-pastoralist states in the steppe regions and the agricultural states of the oasis, making it a must-read for researchers and general readers who are interested in the archaeology of Xinjiang.

Urban planning, regeneration and design is an essentially cultural practice with the outcomes often depending upon an understanding of and engagement with the past. As cities in China strive to be competitive and attractive on the world stage, their decaying historical urban fabrics are being transformed into vibrant places through historical-cultural led urban regeneration, however, the impact of their rapid development has escaped serious scrutiny. Heritage-led Urban Regeneration in China presents the detailed evolution of three well-known historic streets in China: the Southern Song Imperial Street in Hangzhou; the residential Pingjiang Street in Suzhou; and the commercial Tunxi Old Street in Huangshan. From their original formation to their more recent regeneration, this book offers a critical evaluation of historical-cultural led urban regeneration projects in China and provides theoretical guidelines for contemporary practice in relation to its tangible and intangible urban heritage. Using interdisciplinary research in architecture, urban design, history and cultural studies, Jing Xie and Tim Heath provide a detailed analysis of the conservation and regeneration efforts of China as an emerging and pivotal world power. An invaluable resource for urban designers, urban planners and architects interested in and working in China, Heritage-led Urban Regeneration in China helps its readers to engage with the essential and invisible factors that produce these revitalised places while forming a critical view towards these projects.