The work of a highly significant figure in the renaissance of Gaelic poetry in the twentieth century is gathered together for the first time in one authoritative volume. George Campbell Hay's complete original poems, in Gaelic, Scots, English, French, Italian and Norwegian, are presented chronologically with accompanying English translations and annotations to each poem. This edition also includes a detailed biography, drawing on Hay's own correspondence, which sheds new light on the social, political and literary context of his work; an outline of Hay's main poetic concerns in theme and in form; and some of Hay's own musical settings.Hardback still available in deluxe 2-volume set

The work of a highly significant figure in the renaissance of Gaelic poetry in the twentieth century is gathered together for the first time in one authoritative volume. George Campbell Hay's complete original poems, in Gaelic, Scots, English, French, Italian and Norwegian, are presented chronologically with accompanying English translations and annotations to each poem. This edition also includes a detailed biography, drawing on Hay's own correspondence, which sheds new light on the social, political and literary context of his work; an outline of Hay's main poetic concerns in theme and in form; and some of Hay's own musical settings.Hardback still available in deluxe 2-volume set

This study is the first exploration of the impact of World War Two on Scottish poets of both the front line and the home front. World War One has always been thought of as a poet’s war, one of horror and futility. The poetry of World War Two, by contrast, has long languished in its shadow, though there was a much greater amount of it written. This book asks whether these poets felt they were grown for war or rather that they grew through war experience, with an emphasis on the possibilities of the future instead of cataloguing the senseless horror of the battlefield. How were the hopes of Scottish poets different from their English counterparts? How was their poetry different, and how did it impact on their later lives?

The most wide-ranging anthology of twentieth-century poetry in English and Scots available.

This book, written by a team of experts from many countries, provides a comprehensive account of the ways in which translation has brought the major literature of the world into English-speaking culture. Part I discusses theoretical issues and gives an overview of the history of translation into English. Part II, the bulk of the work, arranged by language of origin, offers critical discussions, with bibliographies, of the translation history of specific texts (e.g. the Koran, the Kalevala), authors (e.g. Lucretius, Dostoevsky), genres (e.g. Chinese poetry, twentieth-century Italian prose) and national literatures (e.g. Hungarian, Afrikaans).

This volume considers the major themes, texts and authors of Scottish literature of the twentieth and, so far, twenty-first century. It identifies the contexts and impulses that led Scottish writers to adopt their creative literary strategies. Moving beyond traditional classifications, it draws on the most recent critical approaches to open up new perspectives on Scottish literature since 1900. The volume's innovative thematic structure ensures that the most important texts or authors are seen from different perspectives whether in the context of empire, renaissance, war and post-war, literary genre, generation, and resistance. In order to provide thorough coverage, these thematic chapters are complemented by chronological 'Arcade' chapters, which outline the contexts of the literature of the period by decades, and by 'Overview' chapters which trace developments across the century in theatre, language and Gaelic literature. Taken together, the chapters provide a thorough and thought-provoking account of the century's literature.