Publisher description

America’s most celebrated writer returns with a definitive edition of his essential statements on literature, his controversial novels, and the writing life, including including six pieces published here for the first time and many others newly revised. Throughout a unparalleled literary career that includes two National Book Awards (Goodbye, Columbus, 1959 and Sabbath’s Theater, 1995), the Pulitzer Prize in fiction (American Pastoral, 1997), the National Book Critics Circle Award (The Counterlife, 1986), and the National Humanities Medal (awarded by President Obama in 2011), among many other honors, Philip Roth has produced an extraordinary body of nonfiction writing on a wide range of topics: his own work and that of the writers he admires, the creative process, and the state of American culture. This work is collected for the first time in Why Write?, the tenth and final volume in the Library of America’s definitive Philip Roth edition. Here is Roth’s selection of the indispensable core of Reading Myself and Others, the entirety of the 2001 book Shop Talk, and “Explanations,” a collection of fourteen later pieces brought together here for the first time, six never before published. Among the essays gathered are “My Uchronia,” an account of the genesis of The Plot Against America, a novel grounded in the insight that “all the assurances are provisional, even here in a two-hundred-year-old democracy”; “Errata,” the unabridged version of the “Open Letter to Wikipedia” published on The New Yorker’s website in 2012 to counter the online encyclopedia’s egregious errors about his life and work; and “The Ruthless Intimacy of Fiction,” a speech delivered on the occasion of his eightieth birthday that celebrates the “refractory way of living” of Sabbath’s Theater’s Mickey Sabbath. Also included are two lengthy interviews given after Roth’s retirement, which take stock of a lifetime of work. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

From one of the great novelists of our day, a vital, brilliant new book of essays, speeches and articles essential for our times. Step Across This Line showcases the other side of one of fiction’s most astonishing conjurors. On display is Salman Rushdie’s incisive, thoughtful and generous mind, in prose that is as entertaining as it is topical. The world is here, captured in pieces on a dazzling array of subjects: from New York’s Amadou Diallo case to the Wizard of Oz, from U2 to fifty years of Indian writing, from a tribute to Angela Carter to the struggle to film Midnight’s Children. The title essay was originally delivered at Yale as the 2002 Tanner lecture on human values, and examines the changing meaning of frontiers in the modern world -- moral and metaphorical frontiers as well as physical ones. The collection chronicles Rushdie’s intellectual journeys, but it is also an intimate invitation into his life: he explores his relationship to India through a moving diary of his first visit there in over a decade, “A Dream of Glorious Return.” Step Across This Line also includes “Messages From the Plague Years,” a historic set of letters, articles and reflections on life under the fatwa. Gathered together for the first time, this is Rushdie’s humane, intelligent and angry response to a grotesque threat, aimed not just at him but at free expression itself. Step Across This Line, Salman Rushdie’s first collection of non-fiction in a decade, has the same energy, imagination and erudition as his astounding novels -- along with some very strong opinions.

A collection of essays and other non fiction from Terry Pratchett, spanning the whole of his writing career from his early years to the present day. Terry Pratchett has earned a place in the hearts of readers the world over with his bestselling Discworld series -- but in recent years he has become equally well-known and respected as an outspoken campaigner for causes including Alzheimer's research and animal rights. A Slip of the Keyboard brings together for the first time the finest examples of Pratchett's non fiction writing, both serious and surreal: from musings on mushrooms to what it means to be a writer (and why banana daiquiris are so important); from memories of Granny Pratchett to speculation about Gandalf's love life, and passionate defences of the causes dear to him. With all the humour and humanity that have made his novels so enduringly popular, this collection brings Pratchett out from behind the scenes of the Discworld to speak for himself -- man and boy, bibliophile and computer geek, champion of hats, orangutans and Dignity in Dying. Snuff was the bestselling adult hardcover novel of 2011. A Blink of the Screen, Terry's short fiction collection, was also one of the bestselling hardcovers of 2012.

Just as a basket’s purpose determines its materials, weave, and shape, so too is the purpose of the essay related to its material, weave, and shape. Editors Elissa Washuta and Theresa Warburton ground this anthology of essays by Native writers in the formal art of basket weaving. Using weaving techniques such as coiling and plaiting as organizing themes, the editors have curated an exciting collection of imaginative, world-making lyric essays by twenty-seven contemporary Native writers from tribal nations across Turtle Island into a well-crafted basket. Shapes of Native Nonfiction features a dynamic combination of established and emerging Native writers, including Stephen Graham Jones, Deborah Miranda, Terese Marie Mailhot, Billy-Ray Belcourt, Eden Robinson, and Kim TallBear. Their ambitious, creative, and visionary work with genre and form demonstrate the slippery, shape-changing possibilities of Native stories. Considered together, they offer responses to broader questions of materiality, orality, spatiality, and temporality that continue to animate the study and practice of distinct Native literary traditions in North America.

Colorful, riveting reportage from a one-of-a-kind Pulitzer Prize–winning journalist and New York Times–bestselling author. In his career as a legendary New York City newspaper columnist, Jimmy Breslin “leveled the powerful and elevated the powerless for more than fifty years with brick-hard words and a jagged-glass wit” (The New York Times). How the Good Guys Finally Won: Following the burglary of the Democratic National Committee headquarters at the Watergate Hotel, as evidence increasingly mounted against President Richard Nixon, Thomas “Tip” O’Neill, the Majority Leader in the House of Representatives, led the charge calling for impeachment. In this New York Times bestseller, Breslin’s blow-by-blow, conviction-by-conviction account is a gripping reminder of how O’Neill and his colleagues brought justice to those who abused their power, and revived America after the greatest political scandal in its history. “Breslin’s reporting is superb and so is his prose, his insights keen and often startling, his wit unceasing.” —Chicago Tribune The World According to Breslin: In an illustrious career that spanned decades, the seven years that Breslin spent at the New YorkDaily News sparked some of his finest work. When New York City tumbled into economic and social chaos at the end of the 1970s, Breslin was there. In this collection of classic columns, he looks at the city not from the top down but from the bottom up, heralding the heroism of average New Yorkers. “Superb . . . a master of the tough-talking, thoroughly researched, contentious, street-wise vignette.” —San Francisco Chronicle The World of Jimmy Breslin: In the 1960s, as the once-proud New York Herald Tribune spiraled into bankruptcy, the brightest light in its pages was an ebullient young columnist named Jimmy Breslin. While ordinary columnists wrote about politics, culture, or the economy, Breslin’s chief topics were the city and himself. He was chummy with cops, arsonists, and thieves, and told their stories with grace, wit, and lightning-quick prose. Whether covering the five boroughs, Vietnam, or the death of John F. Kennedy, Breslin managed to find great characters wherever he went. “Breslin’s touch is absolutely sure.” —The Washington Post Book World

The second of two hardcover volumes collecting the major nonfiction by the "father of American literature," including excerpts from The Innocents Abroad, Roughing It, A Tramp Abroad, and Life on the Mississippi. Twain’s playful exuberance and remarkable storytelling gifts are on full display as he regales readers with real-life adventures in these rollicking, shrewd, and hilarious autobiographical works. In these pages, we follow him through his stint as a fledgling reporter out West to his attempt to navigate a steamboat on the Mississippi River, and all during his experiences as an irreverent and skeptical traveler through Europe and the Holy Land. Gleefully iconoclastic, whether he is puncturing the pretensions of others or aiming his satirical barbs squarely at himself, Twain also proves to be deeply compassionate, as fierce in his condemnation of injustice as he is skillful in mining the humor in human folly. Long hailed as “the Lincoln of our literature,” Twain harbored as rich and fertile a blend of contradictions as the dynamic nation he came to embody—and define.