Dr Harding demonstrates in this study the importance of human relationship in Coleridge's thought and writing. The first three chapters explore Coleridge's idea of relationship as it developed throughout his creative life, and show how Coleridge's own relationships influenced his thinking about morality. One section is devoted to a fresh interpretation of Coleridge's major poetry. The final chapter traces the idea of relationship in Coleridge's social and political philosophy. Dr Harding uses previously unpublished Coleridge manuscripts in support of his analysis, and assesses the nature of Coleridge's originality as a thinker by viewing him in the context of his own time and through comparison with other writers. This evaluation of a major poet and thinker will appeal not only to those whose interests are literary, but also to students of philosophy and politics.

This study describes in detail the development of Coleridge's attitude to nature as it is reflected in his poetry. It analyses the different stages of Coleridge's search for a meaningful relation to nature from an uncritical adoption of the eighteenth century conventions in his early poetry to a projectionist view in his poems of 1802. It offers challenging new readings of some of Coleridge's major poems like 'The Ancient Mariner' and 'Dejection: an Ode', and tries to rehabilitate some minor ones, like 'The Picture'. Attention is also paid to his relation with Wordsworth. It discusses in detail the philosophical background of Coleridge's views and considers the contribution of German thought to his development. As a whole this study affords a new insight into the genesis of romanticism in England.

Interweaving past and present texts, The Challenge of Coleridge engages the British Romantic poet, critic, and philosopher Samuel Taylor Coleridge in a &"conversation&" (in Hans-Georg Gadamer&’s sense) with philosophical thinkers today who share his interest in the relationship of interpretation to ethics and whose ideas can be both illuminated and challenged by Coleridge&’s insights into and struggles with this relationship. In his philosophy, poetry, theology, and personal life, Coleridge revealed his concern with this issue, as it manifests itself in the relation between technical and ethical discourse, between fact and value, between self and other, and in the ethical function of aesthetic experience and the role of love in interpretation and ethical action. Relying on Gadamer&’s hermeneutics to supply a framework for his approach, Haney connects Coleridge&’s ideas with, among others, Emmanuel Levinas&’s other-oriented notion of ethical subjectivity, Paul Ricoeur&’s view about the other&’s implication in the self, reinterpretations of Greek drama by Bernard Williams and Martha Nussbaum, and Gianni Vattimo's post-Nietzschean hermeneutics. Coleridge is treated not as a product of Romantic ideology to be deconstructed from a modern perspective, but as a writer who offers a &"challenge&" to our modern tendency to compartmentalize interpretive issues as a concern for literary theorists and ethical issues as a concern for philosophers. Looking at the two together, Haney shows through his reading of Coleridge, can enrich our understanding of both.

Grounded in the thought of Samuel Taylor Coleridge, Romanticism and Transcendence explores the religious dimensions of imagination in the Romantic tradition, both theoretically and in the poetry of Wordsworth and Coleridge. J. Robert Barth suggests that we may look to Coleridge for the theoretical grounding of the view of religious imagination proposed in this book, but that it is in Wordsworth above all that we see this imagination at work. Barth first argues that the Romantic imagination--with its profound symbolic import--of its very nature has religious implications, and notes parallels between Coleridge's view of the imagination and that of Ignatius Loyola in his Spiritual Exercises. He then turns to the role of religious experience in Wordsworth, using The Prelude as a privileged source. Next, after comparing the conception of humanity and God in Wordsworth and Coleridge, Barth considers the role of religious experience and imagery in two of Coleridge's central poetic texts, The Rime of the Ancient Mariner and Christabel. Finally, Barth examines the continuing role of the Romantic idea of the religious imagination today, in literature and all the arts, linking it with the thought of theologian Karl Rahner and literary critic George Steiner. Romanticism and Transcendence brings together literary theory, poetry, and religious experience, areas that are interrelated but are often not seen in relationship. By exploring levels of Wordsworth's and Coleridge's poetry that are often ignored, Barth provides insight into how and why the imagination was so important to their work. He also demonstrates how rich with religious value and meaning poetry and the arts can be. The interdisciplinary nature of this important new study will make it useful not only to Wordsworth and Coleridge scholars and other Romantic specialists, but also to anyone concerned with the intellectual history of the nineteenth century and to theologians in general.

Traces the life of Samuel Coleridge, looks at her marriage to the difficult English poet and critic, and discusses how Coleridge's opium addiction affected their lives

For every day from Shrove Tuesday to Easter Day, the bestselling poet Malcolm Guite chooses a favourite poem from across the Christian spiritual and English literary traditions and offers incisive reflections on it. A scholar of poetry and a renowned poet himself, his knowledge is deep and wide and he offers readers a soul-food feast for Lent.