With this new interpretation, Deborah Achtenberg argues that metaphysics is central to ethics for Aristotle and that the ethics can be read on two levels—imprecisely, in terms of its own dialectically grounded and imprecise claims, or in terms of the metaphysical terms and concepts that give the ethics greater articulation and depth. She argues that concepts of value—the good and the beautiful—are central to ethics for Aristotle and that they can be understood in terms of telos where 'telos' can be construed to mean 'enriching limitation' and contrasted with harmful or destructive limitation. Achtenberg argues that the imprecision of ethics for Aristotle results not simply from the fact that ethics has to do with particulars, but more centrally from the fact that it has to do with the value of particulars. She presents new interpretations of a wide variety of passages in Aristotle's metaphysical, physical, psychological, rhetorical, political, and ethical works in support of her argument and compares Aristotle's views to those of Plato, Marcus Aurelius, the Hebrew Bible, Hobbes, Rousseau, Kant, Freud, and twentieth-century object relations theorists. Achtenberg also responds to interpretations of Aristotle's ethics by McDowell, Nussbaum, Sherman, Salkever, Williams, Annas, Irwin, Roche, Gomez-Lobo, Burnyeat, and Anagnostopoulos.

This text looks at Aristotle's claims, particularly the much-maligned doctrine of the mean.

Should emotions play a role in our decisions, even if they are "just feelings" and not necessarily "imbued with reason" or cognitively penetrated? The author shows that such basic feelings as aversion and attraction can be important normative guides by disrupting engrained habits and beliefs, enabling us to reconsider our ways, which is important due to the ever-changing nature of ethical demands on us. Therefore, these feelings should guide our decisions, even if they are not cognitive. This book fi lls a gap in the philosophy of emotions, ethics, and virtue epistemology.

Most philosophers working in moral psychology and practical reason think that either the notion of "good" or the notion of "desire" have central roles to play in our understanding of intentional explanations and practical reasoning. However, philosophers disagree sharply over how we are supposed to understand the notions of "desire" and "good", how these notions relate, and whether both play a significant and independent role in practical reason. In particular, the "Guise of the Good" thesis -- the view that desire (or perhaps intention, or intentional action) always aims at the good - has received renewed attention in the last twenty years. Can one have desire for things that the desirer does not perceive to be good in any, or form intentions to act in way that one does not deem to be good? Does the notion of good play any essential role in an account of deliberation or practical reason? Moreover, philosophers also disagree about the relevant notion of good. Is it a purely formal notion, or does it involve a substantive conception of the good? Is the primary notion, the notion of the good for a particular agent, or the notion of good simpliciter? Does the relevant notion of good make essential appeal to human nature, or would it in principle extend to all rational beings? While these questions are central in contemporary work in ethics, practical reason, and philosophy of action, they are not new; similar issues were discussed in the ancient period. This volume of essays aims to bring together "systematic" and more historically-oriented work on these issues.

Ethics for Rational Animals presents a new account of practical wisdom, virtue, and akrasia (acting against one's best judgement) through an original study of the moral psychology at the basis of Aristotle's ethics. It ranges over his works on ethics, psychology, and biology, and defends a novel view concerning Aristotle's intellectualism.

This Handbook presents thirty-one state-of-the-art contributions from the most notable writers on philosophy of emotion today. Anyone working on the nature of emotion, its history, or its relation to reason, self, value, or art, whether at the level of research or advanced study, will find the book an unrivalled resource and a fascinating read.