Tham Trach was startled, let go of the hand holding Dong That's hand to pick up a group of white objects, and only after holding it did he realize that it had clearly turned into a little fox So Niem. Tham Trach sadly put the little fox on the ground and said: "Isn't it fun to scare people?" The little fox transformed into human form, standing aggrievedly to one side with his head bowed...................

Twelve-year-old Henry Coffin, the son of a private investigator, helps a gorgeous high school girl in her dangerous attempt to find her kidnapped mother.

A blunt request by Toru results in both the end of Dominica Skoda's hospitality...and a battle over the remains of Arthur Gaz in her posession! Can Toru and his companions defeat a woman invulnerable to swords and magic? And could there be more to Dominica's true motivations than meets the eye...? The manga adaptation of Chaika: The Coffin Princess reaches its grand finale!!

Now a major television series starring Russel Hornsby, Arielle Kebbel, and Michael Imperioli, “Lincoln Rhyme is more relentless than ever” (People) and Jeffery Deaver delivers “supercharged tension” (USA TODAY) in this New York Times bestselling suspense masterwork. NYPD criminalist Lincoln Rhyme joins his brilliant protégé Amelia Sachs, in the hunt for the Coffin Dancer—an ingenious killer who changes his appearance even faster than he adds to his trail of victims. They have only one clue: the madman has a tattoo of the Grim Reaper waltzing with a woman in the front of a coffin. Rhyme must rely on his wits and intuition to track the elusive murderer through New York City—knowing they have only forty-eight hours before the Coffin Dancer strikes again. Coffin Dancer is a “heart-stopping” (Booklist) thriller from #1 international bestselling author Jeffery Deaver’s “simply outstanding” (San Jose Mercury News) Lincoln Rhyme series.

Tieu Ho is a child named Vuong in Thanh Moc alley, with a handsome and plump appearance. In the deepest part of Thanh Moc alley, there is a peach tree. The tree is so big and sturdy that four or five grown men are lucky enough to circle around it. Several older men all said that the peach tree is probably already a star. Customers who need a refund, or are not satisfied with the service, please give feedback to the application's customer team or send feedback to: [email protected] Partners and authors who need to cooperate, or need a refund or payment, please send a letter to: [email protected] Please give TRAM DOAN your bank account number - or method of receiving money, and send the content to Email, we will return it to you. 请向TRAM DOAN提供您的银行帐号-或收款方式，并将内容发送到电子邮件，我们会将其退还给您。 Пожалуйста, сообщите TRAM DOAN номер своего банковского счета или способ получения денег и отправьте контент на электронную почту, мы вернем его вам. โปรดแจ้งหมายเลขบัญชีธนาคารของคุณกับ TRAM DOAN - หรือวิธีการรับเงิน และส่งเนื้อหาไปที่อีเมล เราจะคืนให้คุณ.

The coffin published in this book represents a type that had some popularity in southern Upper Egypt in the early Middle Kingdom, but which, despite its extraordinary decoration had not attracted attention so far. The most striking feature of the decoration is that the object friezes - the pictorial rendering of ritual implements usually found on coffin interiors of the period - also include complete ritual scenes, some of which are attested only here. Apart from this, the decoration includes an extensive selection of the religious texts know as the Coffin Texts. The author first studies the archaeological context and dating of the coffin and attempts a reconstruction of the construction procedures from his technical description of the monument. The detailed account of the decoration in the rest of the book interprets the ritual iconography and offers fresh translations and interpretations of the Coffin Texts. A methodological innovation is that he regards the scenes and texts not as individual decoration elements, but as components of an integral composition. The background of this composition is argued to be a view of life in the hereafter in which the deceased is involved in an unending cycle of ritual action which reflects the funerary rituals that were actually performed on earth. On the one hand, these netherworldly rituals aim at bringing the deceased to new life by mummification, on the other the newly regenerated deceased partakes in embalming rituals for gods representing his dead father (Osiris or Atum). These gods, in their turn, effectuate the deceased's regeneration. The entire process results in a cycle of resuscitation in which the afterlife of the deceased and of the 'father gods' are interdependent. The sociological bias of this interpretation, with its emphasis on kinship relations, differs significantly from earlier attempts to explain Egyptian funerary religion.

Kuro's journey continues as she searches for the witch who cursed her. Before "that time" comes, will Kuro truly be able to have her body returned to its original state? Meanwhile, the witch too stalks onward, seeking her own quarry...Is a sudden encounter in the cards?!