What we think of our bodies and what we wear says something about who we are and how we belong. This was the same in the ancient world. Rosemary Canavan explores the imagery of clothing and body in the first century CE Christian writing. An examination of statuary, funerary monuments and coins in this geographical location contemporaneous with the letter's writing reveals how clothing and body images were understood. This is then placed in dialogue with the metaphorical use of clothing and body in other texts, especially the Letter to the Colossians. Social identity and rhetorical studies draw on archaeological, epigraphical, iconographical and literary sources to formulate a new approach to biblical interpretation aptly named "visual exegesis."

There are references to clothing throughout Paul's letters, and the metaphor constitutes a significant aspect of his theology. The imagery appears several times in his letters: clothing with Christ (Gal 3:27; Rom 13:14), clothing with the new man (Col 3:9-10; Eph 4:22-24), and clothing with the resurrection body (1 Cor 15:49, 50-54; 2Cor 5:1-4). In order to understand the background to this use of the clothing metaphor, Jung Hoon Kim examines similar imagery in the Old Testament, 1 and 2 Enoch, the Apocalypse of Moses, Philo, rabbinic literature, Joseph and Aseneth, the Hymn of the Pearl, and Apuleius's Metamorphoses. He also discusses the Roman custom of clothing and the baptismal praxis of the ancient church. Kim concludes that Paul's metaphor suggests the life and glory of the image of God, which were lost by Adam, have been restored by baptism in Christ, and will go on to be consummated at the parousia.

A critical study for those interested in the intersection of art and biblical interpretation With a special focus on biblical texts and images, this book nurtures new developments in biblical studies and art history during the last two or three decades. Analysis and interpretation of specific works of art introduce guidelines for students and teachers who are interested in the relation of verbal presentation to visual production. The essays provide models for research in the humanities that move beyond traditional disciplinary boundaries erected in previous centuries. In particular, the volume merges recent developments in rhetorical interpretation and cognitive studies with art historical visual exegesis. Readers will master the tools necessary for integrating multiple approaches both to biblical and artistic interpretation. Features Resources for understanding the relation of texts to artistic paintings and images Tools for integrating multiple approaches both to biblical and artistic interpretation Sixty images and fifteen illustrations

"Parable research has to a large degree ignored the Sermon on the Mount (SM) and for its part, research into the SM has likewise left the parables by the wayside. However, the use of parabolic language in more than one third of the SM influences its interpretation and indeed opens up a new approach to it. In the current volume, Ernst Baasland focuses on this important factor, whilst also taking the rhetoric of Jesus' teaching into consideration. The author maintains that rhetorical features have a great bearing on the interpretation of the text with the overall structure illuminating the entire composition of the sermon. Fresh insights into its oration therefore serve to challenge the source problem in a new way. The religious and philosophical settings of this most well-known of Christ's preachings are clarified by its parables and rhetoric; and the sermon's Jewish background has often been investigated. While the author continues with that particular task, he simultaneously affords more emphasis to the parallels in (Greek) Hellenistic literature. The combining of all these factors leads to a clearer comprehension of the Sermon on the Mount's philosophy of life and provides a better understanding of this classical text"--

"Ethnic values changed as Imperial Rome expanded, challenging ethnocentric values in Rome itself, as well as in Greece and Judea. Rhetorically, Roman, Greek, and Judean writers who eulogized their cities all claimed they would receive foreigners. Further, Greco-Roman narratives of urban tensions between rich and poor, proud and humble, promoted reconciliation and fellowship between social classes. Luke wrote Acts in this ethnic, economic, political context, narrating Jesus as a founder who changed laws to encourage receiving foreigners, which promoted civic, missionary growth and legitimated interests of the poor and humble. David L. Balch relates Roman art to early Christianity and introduces famous, pre-Roman Corinthian artists. He shows women visually represented as priests, compares Dionysian and Corinthian charismatic speech and argues that larger assemblies of the earliest, Pauline believers “sat” (1 Cor 14.30) in taverns. Also, the author demonstrates that the image of a pregnant woman in Revelation 12 subverts imperial claims to the divine origin of the emperor, before finally suggesting that visual representations by Roman domestic artists of “a category of women who upset expected forms of conduct” (Bergmann) encouraged early Christian women like Thecla, Perpetua and Felicitas to move beyond gender stereotypes of being victims. Balch concludes with two book reviews, one of Nicolas Wiater's book on the Greek biographer and historian Dionysius, who was a model for both Josephus and Luke-Acts, the second of a book by Frederick Brenk on Hellenistic philosophy and mystery religion in relation to earliest Christianity."--

Nicholas Ellis examines the interplay present in early Jewish literature between authors' theological assumptions on divine agency in evil and their readings of biblical testing narratives. Ellis takes as a starting point the Epistle of James, and compares this early Christian work against other examples of ancient Jewish interpretation. Ellis shows how varying perspectives on the divine, satanic, and human roles of testing exercised a direct influence on the interpretation of popular biblical testing narratives such as Abraham and Isaac, Job, and the Trials in the Wilderness. Read in light of the broader Jewish literature, Ellis argues that the theology and hermeneutic found in the Epistle of James as such relate to divine testing are closely paralleled by the so-called 'Rewritten Bible' tradition. Within James' cosmic drama, God stands as righteous judge, with the satanic prosecutor indicting both divine integrity and human religious loyalty.

The Letter to the Hebrews lies at the heart of a tradition that views repetition as a uniformly negative phenomenon. Nicholas Moore argues that repetition in fact has a variety of functions in the letter, including an essential role in the believer's appropriation of the eternally valid work of Christ. (Publisher).