Autry exposes the horrendous damage that dangerous organizations are doing toAmerica. Prior to this work, political correctness has not been considered asunderlying malice. (Social Issues)

From the snake in the garden to that devil on your shoulder, Malice is very much alive. This anthology explores the evil behind the branded "Bad Seeds" of society, and the misunderstood wretches amongst us harboring that not-so-nice streak. Malice, however doesn't always present itself on the stage of a deranged mind-sometimes it plays out very differently, birthing Anti-Heroes with a thirst for justifiable villainy. This horror anthology, revolves mostly around YA characters, allowing readers a glimpse into the way in which evil can infect even the youngest of minds, malevolence injected into already tarnished souls...all riding the rails to the same final destination. Many fatalities arise from these twisted tales. Let's get started.

The first book in acclaimed epic fantasy author John Gwynne's Faithful and Fallen series, Malice is a tale of blind greed, ambition, and betrayal set in a world where ancient monsters are reawakening -- and a war to end all wars is about to begin. The world is broken. . .and it can never be made whole again. Corban wants nothing more than to be a warrior under King Brenin's rule -- to protect and serve. But that day will come all too soon. And the price he pays will be in blood. Evnis has sacrificed -- too much it seems. But what he wants -- the power to rule -- will soon be in his grasp. And nothing will stop him once he has started on his path. Veradis is the newest member of the warband for the High Prince, Nathair. He is one of the most skilled swordsman to come out of his homeland, yet he is always under the shadow of his older brother. Nathair has ideas -- and a lot of plans. Many of them don't involve his father, the High King Aquilus. Nor does he agree with his father's idea to summon his fellow kings to council. The Banished Lands has a violent past where armies of men and giants clashed in battle, the earth running dark with their heartsblood. Now, the stones weep red and giant wyrms stir, and those who can still read the signs see a danger far worse than all that has come before. . .

There's nothing Maddie loves more than fabulous vintage clothes, but the visions she gets while touching them are starting to wear her down. Even so, when a beautifully dressed girl comes to Vintage Magic in search of her past, Maddie isn't about to turn her away, especially since she bears a striking resemblance to her good friend Dolly Sweet. When Maddie touches Paisley Skye's exquisitely crafted child's cloak, the vision she receives is of the ugliest sort: a decades-old case of kidnapping and murder. To give herself more time to investigate, Maddie enlists the help of her FBI Agent boyfriend Nick and takes Paisley into her home. But when Dolly suddenly skips town, Maddie realizes that uncovering the folds of Paisley's past will reveal more than one vintage crime...

The twenty-first century is characterized by the global circulation of cultures, norms, representations, discourses, and human rights claims; the arising conflicts require innovative understandings of decision making. Deliberative Acts develops a new, cogent theory of performative deliberation. Rather than conceiving deliberation within the familiar frameworks of persuasion, identification, or procedural democracy, it privileges speech acts and bodily enactments that constitute deliberation itself, reorienting deliberative theory toward the initiating moment of recognition, a moment in which interlocutors are positioned in relationship to each other and so may begin to construct a new lifeworld. By approaching human rights not as norms or laws, but as deliberative acts, Lyon conceives rights as relationships among people and as ongoing political and historical projects developing communal norms through global and cross-cultural interactions.

Explores the possibility of a postmodern liberation rhetoric. Stull (English, Indiana U.-East) uses rhetoric to address the question of how humans can imagine better worlds when surrounded by unspeakable pain. Defines terms such as postmodern, pain, imagination, and religion, and discusses the theory and practice of four contemporary rhetoricians--postmoderns Kenneth Burke and Thomas Merton, and liberationists Paulo Freire of Brazil and Oscar Romero of El Salvador. Annotation copyright by Book News, Inc., Portland, OR