This is an authoritative and comprehensive reference for understanding clinical photography and improving the reader's ability to hone their skills and knowledge. The book first explores the rationale for clinical photography before going on to provide a practical guide to equipment selection, standardized techniques and digital workflows in a range of settings, from the professional studio to the DIY enthusiast, whilst also including telemedicine. Written and edited by three of the UK’s most experienced and qualified clinical photographers, with additional chapters written by other specialists, it is richly illustrated with numerous example images and suggested protocols and covers basic photographic theory, suitable equipment, digital image workflow and a major chapter on standardized representational photography, the cornerstone of professional clinical photography. Some medical specialties are covered in detail, including dermatology, dental and oral medicine, pediatrics, orthopedics, telemedicine and photography in surgery and the operating room. As well as a practical guide to clinical photography, the book also discusses the legal, moral and ethical contexts within which photography in medicine operates and, for the first time, explores the societal, cultural and religious factors for practicing in today’s digitally literate, multicultural world. This book will provide a valuable resource for biomedical photography students, practitioners and clinicians interested in developing their photography skills and applying them to medicine.

"Image Studies provides an engaging introduction to visual studies analysis and an account of existing and emergent visual culture debates, along with chapters on a range of topics, including: consumer culture and identity; photography and digital imaging; painting and drawing; the moving image; the relationship between image and text (including reference to text in art, comics and animation); and scientific imaging. Written in an engaging and accessible way, the text will also include extracts of existing critical materials. Each chapter will include key set readings, including short extracts from existing literatures with accompanying study notes and questions. The chapters will also include a range of critical and creative tasks, designed to bring the academic study of visual culture into direct contact with practical aspects of visual culture and image-making. Image Studies is a new text aimed predominantly at undergraduate students in visual culture, but which will also be useful for media studies students and arts students more generally"--

Demonstrating the importance of theory for effective clinical practice, this thought-provoking volume brings together leading experts on a range of contemporary cognitive and behavioral approaches. The contributors probe the philosophical and theoretical underpinnings of each model—its assumptions about normal psychological processes, the development and maintenance of psychopathology, and the mechanisms by which therapeutic changes take place. The historical antecedents of the theories are examined and studies that have tested them are reviewed. Vivid case studies show practitioners how theory informs clinical decision making and technique in each of the respective approaches.

Since its development in the 1850s photography has played an important role in the practice of medicine, whether that be in recording the progress of a patient's response to treatment, in documenting research findings or developments in surgical techniques, or in educating generations of students and graduates. The fundamental techniques used in clinical photography, developed largely during the 1950s, remain relevant today. However, the advent of digital technology has made the photography element accessible to more than just the professional and enthusiastic amateur. Whilst this poses a challenge to the professional medical photographer, that same digital revolution has opened up new opportunities to make their skills and productivity more accessible and relevant to patient care and clinical education. The book will discuss the rationale for clinical photography before going on to provide a practical guide to equipment selection, standardized techniques and digital workflows in a range of settings from the professional studio to the DIY enthusiast, and including telemedicine. For the advanced practitioner the book will look beyond standardization, exploring opportunities for more creative application of techniques. Through reviewing the use of photography in various clinical specialties, such as dermatology, dentistry, surgery and wound healing for example, we will look at traditional advanced imaging modalities such as infra-red and ultraviolet and newer techniques including dermoscopy, 3-dimentional imaging and thermography. As well as a practical guide to clinical photography, the book will also discuss the legal, moral and ethical contexts within which photography in medicine operates, and for the first time explore the social, cultural and religious connotations for practicing in todays digitally literate, multi-cultural world. This book will provide a valuable resource for biomedical photography students, practitioners and clinicians interested in developing their photography skills and applying them to medicine.

"Chekhov's keen powers of observation have been remarked by both memoirists who knew him well and scholars who approach him only through the written record and across the distance of many decades. To apprehend Chekhov means seeing how Chekhov sees, and the author's remarkable vision is understood as deriving from his occupational or professional training and identity. But we have failed to register, let alone understand, just what a central concern for Chekhov himself, and how deeply problematic, were precisely issues of seeing and being seen."—from the Introduction Michael C. Finke explodes a century of critical truisms concerning Chekhov's objective eye and what being a physician gave him as a writer in a book that foregrounds the deeply subjective and self-reflexive aspects of his fiction and drama. In exploring previously unrecognized seams between the author's life and his verbal art, Finke profoundly alters and deepens our understanding of Chekhov's personality and behaviors, provides startling new interpretations of a broad array of Chekhov's texts, and fleshes out Chekhov's simultaneous pride in his identity as a physician and devastating critique of turn-of-the-century medical practices and ideologies. Seeing Chekhov is essential reading for students of Russian literature, devotees of the short story and modern drama, and anyone interested in the intersection of literature, psychology, and medicine.

This 25th Anniversary edition completely updates the powerful insights and policy recommendations of Not What the Doctor Ordered, first published in 1993 by renowned healthcare futurist and medical economist the author. It presents specific solutions to serious problems of cost, quality, access, and outcomes by allowing all Americans to purchase services directly from caregivers who provide an expanding array of medical services at least as well as physicians—at lower cost. Focusing on new realities of the 21st century, the authorshows not only why giving consumers the right to choose advanced practitioners is the top priority for improving our overpriced, underperforming medical care delivery system, but also how to make the necessary changes. As he clearly and concisely explains from medical and economic perspectives, the key is eliminating physicians’ monopoly powers over advanced practice nurses, clinical pharmacists, physical therapists, clinical psychologists, and other advanced practice (AP) health professionals who now rival physicians in scientific knowledge and caregiving skills within well-defined scopes of practice regulated by state governments.

This edited volume represents the best of the scholarship presented at the 18th National Communication Association/American Forensic Association Conference on Argumentation. This biennial conference brings together a lively group of argumentation scholars from a range of disciplinary approaches and a variety of countries. Disturbing Argument contains selected works that speak both to the disturbing prevalence of violence in the contemporary world and to the potential of argument itself, to disturb the very relations of power that enable that violence. Scholars’ essays analyze a range of argument forms, including body and visual argument, interpersonal and group argument, argument in electoral politics, public argument, argument in social protest, scientific and technical argument, and argument and debate pedagogy. Contributors study argument using a range of methodological approaches, from social scientifically informed studies of interpersonal, group, and political argument to humanistic examinations of argument theory, political discourse, and social protest, to creatively informed considerations of argument practices that truly disturb the boundaries of what we consider argument.