A professional newspaperman, Clifford Donald Simak was a major figure both in and beyond the ‘Golden Age’ of science fiction. Active for more than fifty years, he published some 140 short stories and (depending on how you count) at least 27 novels. The many Awards he received – three Hugos, a Nebula, a Jupiter, a Locus, an Analog, and an International Fantasy Award – to say nothing of many nominations, show that his contemporaries recognised his qualities. It is no surprise that the Science Fiction Writers of America elected him as their third SWFA Grand Master. This book considers what he achieved. CDS grew up in Grant County, Wisconsin, just south of where the Wisconsin flows into the Mississippi. Many of his tales reflect the ‘Simak country’ of his youth, regularly drawing on the characteristics of the residents of that area. They are high value entertainment. Some are extremely amusing. Others lead you on to explore many ideas: what does it mean to be sentient, to be human, how should/can we cope with technology, has life a purpose, and if so what, and, what about aliens? Francis Lyall, a retired academic lawyer, has been enjoying Simak stories since he was a teenager. Preface 5 Introduction 8 Chapter I Clifford Donald Simak 15 Chapter II Simak Country 40 Chapter III Trees and Houses 68 1. Trees 68 2. Houses 72 Chapter IV Simak Folk 79 1. General 79 2. Dogs 85 3. Names 86 Chapter V Androids, Robots, Aliens and Others 101 1. Androids 101 2. Robots 103 3. Aliens and Others 113 Chapter VI Gadgets, Gates et al. 125 1. Technology 125 2. Time Travel 128 3. Other Worlds 130 4. Parallel and Alternate Worlds 131 5. Access to Worlds: Machines 134 6. Gates and Doors 134 7. Roads and Tunnels 135 8. Other Artificial Aids 135 9. Equations and Longing 136 Chapter VII Of Man 139 1. Mental Powers 139 2. Knowledge and Education 142 3. Multiple Minds 147 4. Mind-swap 148 5. Telepathy and Parakinesis 150 6. Symbiotes 150 Chapter VIII Mysticism and Mistiness 153 1. Dark Tales 153 2. Controllers 157 3. Purpose 158 4. Creator? 159 5. A Journey? 160 6. Helpers and Monitors 164 7. Faith and Truth 169 8. Ethics: Life: Caring 173 Chapter IX An Evaluation 180

Hugo Award Winner: In backwoods Wisconsin, an ageless hermit welcomes alien visitors—and foresees the end of humanity . . . Enoch Wallace is not like other humans. Living a secluded life in the backwoods of Wisconsin, he carries a nineteenth-century rifle and never seems to age—a fact that has recently caught the attention of prying government eyes. The truth is, Enoch is the last surviving veteran of the American Civil War and, for close to a century, he has operated a secret way station for aliens passing through on journeys to other stars. But the gifts of knowledge and immortality that his intergalactic guests have bestowed upon him are proving to be a nightmarish burden, for they have opened Enoch’s eyes to humanity’s impending destruction. Still, one final hope remains for the human race . . . though the cure could ultimately prove more terrible than the disease. Winner of the Hugo Award for Best Novel, Way Station is a magnificent example of the fine art of science fiction as practiced by a revered Grand Master. A cautionary tale that is at once ingenious, evocative, and compassionately human, it brilliantly supports the contention of the late, great Robert A. Heinlein that “to read science-fiction is to read Simak.”

Long before Under the Dome, this novel of a town trapped within an invisible force field earned a Nebula Award nomination for the author of Way Station. Nothing much ever happens in Millville, a small, secluded Middle-American community—until the day Brad Carter discovers he is unable to leave. And the nearly bankrupt real estate agent is not the only one being held prisoner; every resident is confined within the town’s boundaries by an invisible force field that cannot be breached. As local tensions rapidly reach breaking point, a set of bizarre circumstances leads Brad to the source of their captivity, making him humanity’s reluctant ambassador to an alien race of sentient flora, and privy to these jailers’ ultimate intentions. But some of Millville’s most powerful citizens do not take kindly to Carter’s “collaboration with the enemy,” even under the sudden threat of global apocalypse. Decades before Stephen King trapped an entire town in Under the Dome, science fiction Grand Master Clifford D. Simak explored the shocking effects of communal captivity on an unsuspecting population. Nominated for the Nebula Award, All Flesh Is Grass is a riveting masterwork that brilliantly reinvents the alien invasion story.

Walter Clarke comes to Minton to research in a library collection of 19th century glass-plate photographs. The evening he arrives he is invited to a party for bajans. He knows not why, but a party is a party. There he meets a variety of people, including a couple who leave following a guide. From a window he observes them gallop off into a landscape that cannot lie within the city. Later, while reviewing the library’s holdings he finds a similar scene. Puzzled, and as a result careless of time, he finds himself locked in the library basement. He tries a fire door and falls onto a riverbank, where, to his confusion, a mail-box directs him to catch up with the others. What others? Along the way he finds accommodation has been arranged for him at a series of inns, but is unsettled by their strange architecture. He is commissioned to help protect the new earth he has been taken to from unauthorized intruders. As he travels he is captured by an indigenous group, hunted, aided by some and hindered by others, comes across some strange steles, and sees an enigmatic ritual. He does find congenial companions, but will he have enough time? In the ancient Scottish universities a bajan is a first-year student …

The classic guide for Zen students pursuing the true way. “Somebody comes into the Zen center with a lighted cigarette, walks up to the Buddha-statue, blows smoke in its face and drops ashes on its lap. You are standing there. What can you do?” This is a problem that Zen Master Seung Sahn was fond of posing to his American students who attended his Zen centers. Dropping Ashes on the Buddha is a delightful, irreverent, and often hilariously funny living record of the dialogue between Korean Zen Master Seung Sahn and his American students. Consisting of dialogues, stories, formal Zen interviews, Dharma speeches, and letters using the Zen Master’s actual words in spontaneous, living interaction, this book is a fresh presentation of the Zen teaching method of “instant dialogue” between Master and student which, through the use of astonishment and paradox, leads to an understanding of ultimate reality.