A groundbreaking study of the life and times of a Renaissance magistrate

An intimate portrait, based on newly discovered archival sources, of one of the most famous Jewish artists of the Italian Renaissance who, charged with a scandalous crime, renounced his faith and converted to Catholicism. In 1491 the renowned goldsmith Salomone da Sesso converted to Catholicism. Born in the mid-fifteenth century to a Jewish family in Florence, Salomone later settled in Ferrara, where he was regarded as a virtuoso artist whose exquisite jewelry and lavishly engraved swords were prized by Italy’s ruling elite. But rumors circulated about Salomone’s behavior, scandalizing the Jewish community, who turned him over to the civil authorities. Charged with sodomy, Salomone was sentenced to die but agreed to renounce Judaism to save his life. He was baptized, taking the name Ercole “de’ Fedeli” (“One of the Faithful”). With the help of powerful patrons like Duchess Eleonora of Aragon and Duke Ercole d’Este, his namesake, Ercole lived as a practicing Catholic for three more decades. Drawing on newly discovered archival sources, Tamar Herzig traces the dramatic story of his life, half a century before ecclesiastical authorities made Jewish conversion a priority of the Catholic Church. A Convert’s Tale explores the Jewish world in which Salomone was born and raised; the glittering objects he crafted, and their status as courtly hallmarks; and Ercole’s relations with his wealthy patrons. Herzig also examines homosexuality in Renaissance Italy, the response of Jewish communities and Christian authorities to allegations of sexual crimes, and attitudes toward homosexual acts among Christians and Jews. In Salomone/Ercole’s story we see how precarious life was for converts from Judaism, and how contested was the meaning of conversion for both the apostates’ former coreligionists and those tasked with welcoming them to their new faith.

This early work by Mary Elizabeth Braddon was originally published in 1898 and we are now republishing it with a brand new biography of the author. 'Rough Justice' is one of Braddon's novels in the sensation literature genre. Mary Elizabeth Braddon was born in Soho, London, England in 1835. She was educated privately in England and France, and at the age of just nineteen was offered a commission by a local printer to produce a serial novel "combining the humour of Dickens with the plot and construction of G. P. R. Reynolds" What emerged was Three Times dead, or The Secret of the Heath, which was published five years later under the title The Trail of the Serpent (1861). For the rest of her life, Braddon was an extremely prolific writer, producing more than eighty novels, while also finding time to write and act in a number of stage plays.

What made a Dutchman escape to England in 1942 ostensibly to betray his country to the Germans? This story has remained a mysterious episode of the Second World War until now.

What is the difference between a stabbing in a tavern in London and one in a hostelry in the South of France? What happens when a spinster living in Paris finds knight in her bedroom wanting to marry her? Why was there a crime wave following the Black Death? From Aberdeen to Cracow and from Stockholm to Sardinia, Trevor Dean ranges widely throughout medieval Europe in this exiting and innovative history of lawlessness and criminal justice. Drawing on the real-life stories of ordinary men and women who often found themselves at the sharp end of the law, he shows how it was often one rule for the rich and another for the poor in a tangled web of judicial corruption.

In The Benefits of Peace: Private Peacemaking in Late Medieval Italy Glenn Kumhera offers the first comprehensive account of private peacemaking, weaving together its legal, religious, political and social meanings across several cities (13th-15th centuries). The ability of peacemaking to hinder criminal prosecution has often been considered the result of government powerlessness. Kumhera, however, examines the benefits of private peacemaking, detailing how its flexibility was crucial in creating a viable criminal justice system that emphasized violence prevention and recognition of jurisdiction while allowing space for friends, neighbors and clergy to intervene. Additionally, he explores the roles of women and clergy in peacemaking, how peace operated in a vendetta culture and how the medieval understanding of reconciliation affected the practice of peacemaking.