Mc Namee's detailed and well illustrated new study is about eucharistic symbolism in Early Netherlandish painting. It focuses on the pervading presence of the vested angel in this school of painting and its eucharistic significance. These angels, dressed in every possible variation of the vestements of the subministers of the traditional Solemn High Mass, are represented as serving the Christ in each episode of His life. The history of the vested angel is traced through numerous paintings representing scenes from the life of Christ' from the Annunciation through the Last Judgement. The theological basis of this study is offered in a discussion of Maurice de la Taille's Mysterium Fidei, a theory of Mass that best parallels the concept of Eucharistic symbolism in Early Netherlandish painting. Colour illustrations and over a hundred photographs of the original paintings help the reader to follow this fascinating analysis.

Over two decades this art historical tour de force has consistently proved the classic introduction to humanity's artistic heritage. From our paleolithic past to our digitised present, every continent and culture is covered in an articulate and well-balanced discussion. In this Seventh Edition, the text has been revised to embrace developments in archaeology and art historical research, while the renowned contemporary art historian Michael Archer has greatly expanded the discussion of the past twenty years, providing a new perspective on the latest developments. The insight, elegance and fluency that the authors bring to their text are complemented by 1458 superb illustrations, half of which are now in colour. These images, together with the numerous maps and architectural plans, have been chosen to represent the most significant chronological, regional and individual styles of artistic expression.

An anthology offering a chronological assessment of a whole range of technical documents on art written by and for clerks, laymen, churchmen, lawyers, city magistrates, and guilds, this text reveals differences in milieu, customs , resources and psychology during different periods. First Published in 1971 by Prentice Hall.

Grounded in archival sources, this interdisciplinary study explores the profound historical significance of the mausoleum of the Valois Dukes of Burgundy - the Chartreuse de Champmol. Although the monument is well known as the site of pivotal works of art by Claus Sluter, Melchior Broederlam, Jean de Beaumetz and others, until now art historians have not considered how these works functioned at the center of a complex social matrix. Sherry Lindquist here considers the sacred subjects of the various sculptures and paintings not merely as devotional tools or theological statements, but as profoundly influential social instruments that negotiated complex interactions of power. Lindquist's sophisticated discussion coordinates analysis of primary sources with the most up-to-date scholarship in the field of art history, not only with respect to late medieval Burgundian art, but also to more theoretical questions pertaining to reception.

The Renaissance was a fantastic period of rebirth in terms of art and culture. This book recounts the struggles and victories of the most celebrated artists who lived and worked at this time. The masterpieces of Leonardo da Vinci, Pieter Bruegel, Sandro Botticelli, and others are highlighted.

Grief binds the worshipers together in an adagio of sorrow as they encounter the sculptural representation of the Entombment of Christ. Located in funerary chapels, parish churches, cemeteries, and hospitals, these works embody the piety of the later Middle Ages. In this book, Donna Sadler examines the sculptural Entombments from Burgundy and Champagne through a variety of lenses, including performance theory, embodied perception, and the invocation of the absent presence of the Holy Sepulcher. The author demonstrates how the action of Joseph of Arimathea and Nicodemus entombing Christ in the presence of the Marys and John operates in a commemorative and collective fashion: the worshiper enters the realm of the holy and becomes a participant in the biblical event.