An exhaustive study of Claudian's unfinished mythological epic, with a text, apparatus criticus, and commentary. The long introduction begins with a catalogue of manuscripts; and this leads to an investigation into the manuscript tradition and the history of the poem's transmission. Dr Hall then surveys the most important printed editions of the poem. He examines various theories of dating and discusses the sources of the story. He concludes the introduction with a brief critical assessment of the form and style of the poem. Dr Hall establishes his text after an examination of all the extant manuscripts. The apparatus, though very full, is selective in that it records readings of younger manuscripts only when they offer something new. It also ignores trifling corruptions. The commentary is similarly selective. In general, it discusses everything relevant to the establishing of the text and ignores points of purely mythological and literary interest.

An exhaustive study of Claudian's unfinished mythological epic, with a text, apparatus criticus, and commentary. The long introduction begins with a catalogue of manuscripts; and this leads to an investigation into the manuscript tradition and the history of the poem's transmission. Dr Hall then surveys the most important printed editions of the poem. He examines various theories of dating and discusses the sources of the story. He concludes the introduction with a brief critical assessment of the form and style of the poem. Dr Hall establishes his text after an examination of all the extant manuscripts. The apparatus, though very full, is selective in that it records readings of younger manuscripts only when they offer something new. It also ignores trifling corruptions. The commentary is similarly selective. In general, it discusses everything relevant to the establishing of the text and ignores points of purely mythological and literary interest.

This comprehensive reassessment of the carmina maiora of the fourth-century poet Claudian contributes to the growing trend to recognize that Late Antique poets should be approached as just that: poets. Its methodology is developed from that of Michael Roberts' seminal The Jeweled Style. It analyzes Claudian's poetics and use of story telling to argue that the creation of a story world in which Stilicho, his patron, becomes an epic hero, and the barbarians are giants threatening both the borders of Rome and the order of the very universe is designed to convince his audience of a world-view in which it is only the Roman general who stands between them and cosmic chaos. The book also argues that Claudian uses the same techniques to promote the message that Honorius, young hero though he may seem, is not yet fit to rule, and that Stilicho's rightful position remains as his regent.

Claudian is often called the last poet of the classical tradition. This edition of his last extant work offers a newly edited text with facing English translation. A superb example of the literature of late antiquity, it records in exquisite verse the splendor of the western imperial court and serves as a historical witness to the events and attitudes of the last years of the Roman empire. The introduction and commentary analyze the historical background and, more importantly, Claudian's language, style, imagery, and use of other Greek and Latin sources.

The uses and effects of repetition, imitation, and appropriation in Latin epic poetry.