Published to accompany a major exhibition of Jean-Baptiste-Camille Corot's paintings held in Paris and Ottawa during 1996, and forthcoming to New York. From nearly 3,000 paintings by this poetic 19th-century artist, the curators chose 163 works, which are reproduced here along with full art-historical discussions of each. Three major essays chronicle Corot's life and the development of his art; additional essays elucidate the subject of forgeries and describe the collecting of his works. Much original new scholarship is included along with a review of the scholarly literature, a concordance, and a chronology. 9.5x12.5"Annotation copyrighted by Book News, Inc., Portland, OR

A charming picture of a famous artist. This short biographical sketch on nineteenth-century French landscape painter Camille Corot was written by Elbert Hubbard as part of his endearing series, Little Journeys to the Homes of Eminent Artists (1902). And a wonderful 'little journey' it is. Only a few brief pages, but brimming with entertaining anecdote, thoughtful contemplation and rewarding insight. Perhaps most notable is the inclusion of a passionate, personality-filled letter Corot wrote to his friend Graham. An excerpt: "And if it should, I would be sorry, for nothing ever did stand still, except a bad picture. A good picture is full of motion. Clouds that stand still are not clouds--motion, activity, life, yes, life is what we want--life! Bam! A peasant comes out of the cottage and is coming to the meadow. Ding, ding, ding! There comes a flock of sheep led by a bell wether. Wait there a minute, please, sheepy-sheepy, and a great man will paint you. All right then, don't wait. I didn't want to paint you anyway." -- A perfect introduction to those new to the artist and his work, and a pleasant diversion for those already more familiar, this expanded, classic edition has been newly set, carefully edited, and fully optimized for e-book reading. Along with the main text, it includes select images of Corot's paintings from the Metropolitan Museum of Art, New York.

This book explores many issues raised by the range of ideas and images of the natural world in Western art since the Renaissance. The whole concept of landscape is examined as a representation of the relationship between the human and natural worlds. Featured artists include Claude, Freidrich, Turner, Cole and Ruisdael, and many different forms of landscape art are addressed, such as land art, painting, photography, garden design, panorama and cartography.

Drawing on the diverse efforts of scholars, dealers, and collectors, Galassi establishes here for the first time the coherence and significance of early outdoor painting in Italy. Building on this foundation, he explores in depth Corot's magnificent landscapes.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.

With Impression, Sunrise, exhibited in 1874, Claude Monet (18401926) took part in thecreation of the Impressionist movement that introduced the 19th century to modern art. All his life, he captured natural movements around him and translated them into visual sensations. A complex man and an exceptional artist, Monet is internationally famous for his poetic paintings of waterlilies and beautiful landscapes. He leaves behind the most wellknown masterpieces that still fascinate art lovers all over the world. In this twovolume illustrated work, Natalia Brodskaya and Nina Kalitina invite us on a journey across time to discover the history of Impressionism and Monet; a movement and an artist forever bound together. Specialists of 19th and 20th century art, the authors shed light on the birth of modernity in art, a true revolution responsible for the thriving art scene of the 20th century.