With useful lists of featured houses by style and by neighborhood, this essential resource is both an important portrait of the city and an invaluable guide to a rich chapter in the history of residential architecture in the Pacific Northwest."--BOOK JACKET.

Sometimes people aren't who you think they are. Everyone knew what was going on in Ballard, Washington: developers were building a giant shopping mall, but a house belonging to a feisty octogenarian named Edith Wilson Macefield was in the way. They offered her a million dollars. She told them to take a hike. Everyone knew that Barry Martin, head of the construction project, was involved in the push to get her out of the house so that the project could proceed without further delay. Everyone was wrong. When Barry took the job as construction supervisor for the shopping mall that was being erected around Edith's little house, he determined to make things as easy for her as he could. He didn't expect that she'd ask him to drive her to a hair appointment—but he did offer to help, after all. And it was in that one small gesture that an unlikely friendship was sparked, one that changed them both forever. The story of Barry Martin and Edith Macefield is a tale of balance and compassion, of giving enough without giving too much, of helping our elderly loved ones through the tough times without taking away their dignity. In the end, Under One Roof is a tale of grace, and one from which all of us can take solace and strength. From Barry and Edith we have much to learn about love and letting go and, just possibly, about seeing through fading light to find great joy.

Takes a close-up look at the design, architectural details, decorating possiblities, furnishings, and accessories of a wide array of cottages throughout North America, along with 170 full-color photographs and a host of historical and cultural trivia about the cottage home.

Betty Bard MacDonald (1907–1958), the best-selling author of The Egg and I and the classic Mrs. Piggle-Wiggle children’s books, burst onto the literary scene shortly after the end of World War II. Readers embraced her memoir of her years as a young bride operating a chicken ranch on Washington’s Olympic Peninsula, and The Egg and I sold its first million copies in less than a year. The public was drawn to MacDonald’s vivacity, her offbeat humor, and her irreverent take on life. In 1947, the book was made into a movie starring Fred MacMurray and Claudette Colbert, and spawned a series of films featuring MacDonald's Ma and Pa Kettle characters. MacDonald followed up the success of The Egg and I with the creation of Mrs. Piggle-Wiggle, a magical woman who cures children of their bad habits, and with three additional memoirs: The Plague and I (chronicling her time in a tuberculosis sanitarium just outside Seattle), Anybody Can Do Anything (recounting her madcap attempts to find work during the Great Depression), and Onions in the Stew (about her life raising two teenage daughters on Vashon Island). Author Paula Becker was granted full access to Betty MacDonald’s archives, including materials never before seen by any researcher. Looking for Betty MacDonald, a biography of this endearing Northwest storyteller, reveals the story behind the memoirs and the difference between the real Betty MacDonald and her literary persona. Watch the book trailer: https://www.youtube.com/watch?v=_Lr6iVK4zWk

In the early twentieth century, the appearance of new houses across the United States shifted dramatically. Rejecting the elaborate decoration and complexity of Victorian homes, these new houses featured open, parlorless interiors and a minimalist aesthetic, radiating an aura of warmth, coziness, and naturalness. Nowhere were such residences more evident than in West Coast cities, especially Seattle, where explosive growth generated entire neighborhoods of this new house type--the bungalow. It was the nation's first modern home, and it established the essential characteristics of popular housing for the rest of the twentieth century. In The Seattle Bungalow, Janet Ore modifies the common notion that architectural change flows only from the design elite--the architects, domestic reformers, and planners who advocate for changes in domestic architecture--and argues that ordinary people played a crucial role in creating the bungalow. Through their growing power as consumers, modest-income families influenced the physical form of early twentieth-century houses and suburban landscapes. Still operating within a nineteenth-century labor and contracting system, small home builders responded to rising consumer demand for new conveniences such as electricity and central heating by simplifying their structures. Ambitious salespeople-real estate agents, plan book purveyors, and builders--created a new market for affordable small houses through astute advertising and financing. And once families acquired their homes, they used them flexibly, adapting their lives to their domestic spaces and refashioning their homes when necessary. From such efforts sprang the Seattle bungalow, an artifact of ordinary people's part in creating modern culture. Janet Oreis assistant professor of history at Colorado State University and has been a contributing writer toPacific Northwest QuarterlyandPerspectives in Vernacular Architecture. "Janet Ore's subject - the origins, marketing, development, and legacy of working-class housing in Seattle - offers an opportunity not only to explore architectural history but to characterize the economic, aesthetic, moral, and social dimensions of such housing." - Dennis Andersen, co-author ofDistant Corner: Seattle Architects and the Legacy of H. H. Richardson "A valuable record of the housing boom that transformed the American suburban landscape in the first decades of the twentieth century." - Kingston Heath, Director, Graduate Program in Historic Preservation, University of Oregon

A house is considered historic if it is typical of its period, usually more that 50 years old, and significant in either design, materials, workmanship, setting, and/or association. This work provides advice on the ongoing care and maintenance of such properties, and in the preservation of the qualities which make such homes unique.

PETER DONAHUE’S DEBUT NOVEL MADISON HOUSE, which won the Langum Prize for Historical Fiction 2005, chronicles turn-of-the-century Seattle’s explosive transformation from frontier outpost to major metropolis. Maddie Ingram, owner of Madison House, and her quirky and endearing boarders find their lives inextricably linked when the city decides to re-grade Denny Hill and the fate of Madison House hangs in the balance--Maddie’s albino handyman and furtive love interest, a muckraking black journalist who owns and publishes the Seattle Sentry newspaper, and an aspiring stage actress forced into prostitution and morphine addiction while working in the city’s corrupt vaudeville theater, all call Madison House home. Had E.L. Doctorow and Charles Dickens met on the streets of Seattle, they couldn’t have created a better book.