This is Volume 6 of Samuel Richardson's classic novel; Clarissa. Pressured by her unscrupulous family to marry a wealthy man she detests, the young Clarissa Harlowe is tricked into fleeing with the witty and debonair Robert Lovelace and places herself under his protection. Lovelace, however, proves himself to be an untrustworthy rake whose vague promises of marriage are accompanied by unwelcome and increasingly brutal sexual advances. And yet, Clarissa finds his charm alluring, her scrupulous sense of virtue tinged with unconfessed desire. Told through a complex series of interweaving letters, Clarissa is a richly ambiguous study of a fatally attracted couple and a work of astonishing power and immediacy. A huge success when it first appeared in 1747, it remains one of the greatest of all novels.

Excerpt Miss Clarissa Harlowe, to Miss Howe Wednesday Afternoon, April 26 At length, my dearest Miss Howe, I am in London, and in my new lodgings. They are neatly furnished, and the situation, for the town, is pleasant. But I think you must not ask me how I like the old gentlewoman. Yet she seems courteous and obliging.--Her kinswomen just appeared to welcome me at my alighting. They seemed to be genteel young women. But more of their aunt and them, as I shall see more. Miss Sorlings has an uncle at Barnet, whom she found so very ill, that her uneasiness, on that account, (having large expectations from him,) made me comply with her desire to stay with him. Yet I wished, as her uncle did not expect her, that she would see me settled in London; and Mr. Lovelace was still more earnest that she would, offering to send her back again in a day or two, and urging that her uncle's malady threatened not a sudden change. But leaving the matter to her choice, after she knew what would have been mine, she made me not the expected compliment. Mr. Lovelace, however, made her a handsome present at parting. His genteel spirit, on all occasions, makes me often wish him more consistent. As soon as he arrived, I took possession of my apartment. I shall make good use of the light closet in it, if I stay here any time. One of his attendants returns in the morning to The Lawn; and I made writing to you by him an excuse for my retiring. And now give me leave to chide you, my dearest friend, for your rash, and I hope revocable resolution not to make Mr. Hickman the happiest man in the world, while my happiness is in suspense. Suppose I were to be unhappy, what, my dear, would this resolution of yours avail me? Marriage is the highest state of friendship: if happy, it lessens our cares, by dividing them, at the same time that it doubles our pleasures by a mutual participation. Why, my dear, if you love me, will you not rather give another friend to one who has not two she is sure of? Had you married on your mother's last birth-day, as she would have had you, I should not, I dare say, have wanted a refuge; that would have saved me many mortifications, and much disgrace. Here I was broke in upon by Mr. Lovelace; introducing the widow leading in a kinswoman of her's to attend me, if I approved of her, till my Hannah should come, or till I had provided myself with some other servant. The widow gave her many good qualities; but said, that she had one great defect; which was, that she could not write, nor read writing; that part of her education having been neglected when she was young; but for discretion, fidelity, obligingness, she was not to be out-done by any body. So commented her likewise for her skill at the needle. As for her defect, I can easily forgive that. She is very likely and genteel--too genteel indeed, I think, for a servant. But what I like least of all in her, she has a strange sly eye. I never saw such an eye; half-confident, I think. But indeed Mrs. Sinclair herself, (for that is the widow's name,) has an odd winking eye; and her respectfulness seems too much studied, methinks, for the London ease and freedom. But people can't help their looks, you know; and after all she is extremely civil and obliging,--and as for the young woman, (Dorcas is her name,) she will not be long with me. I accepted her: How could I do otherwise, (if I had had a mind to make objections, which, in my present situation, I had not,) her aunt present, and the young woman also present; and Mr. Lovelace officious in his introducing them, to oblige me? But, upon their leaving me, I told him, (who seemed inclinable to begin a conversation with me,) that I desired that this apartment might be considered as my retirement: that when I saw him it might be in the dining-room, (which is up a few stairs; for this back-house, being once two, the rooms do not all of them very conveniently communicate with each ...

Suimei is finally reunited with Hatsumi, but it seems that demons aren’t all they have to worry about these days. Who is this mysterious dragonnewt, and what does he want with the hero? Suimei isn’t willing to let her go without a fight, but Eanru might not be the only one after her. Meanwhile, Reiji and his newly expanded group take up their quest to locate a legendary weapon that might help in the war against the demons. With enemies all around them, there just might be a strange new ally on the horizon, too.

As Captain Jack Aubrey sails away from the hated Australian prison colonies he soon becomes aware that he is out of touch with the mood of the ship. What he doesn't know is that there is a potentially dangerous stranger aboard ship.

For twelve years he rode as an officer of the United States Army. For one year he served as an apprentice warrior of the Apaches. Torn between two loyalties, Nathanial Barrington prays he has found the peace he sought for so long. By the side of Clarissa, his star-crossed mate, he marks his stake as a rancher on land no one else dares claim, deep in Apache territory. But Barrington’s respite is short-lived. For the Apache nation is caught between the pincers of the bluecoats from the north and the Mexicans from the south. And under the fiery leadership of Geronimo, Barrington’s brother warrior, the tribe is ready to break free. Bloodshed, abduction, and revenge strike close to Barrington’s home and heart. Now, taking the name Sunny Bear, the White Apache Nathanial Barrington will don the skin of a cougar and venture out on a hunting foray that will leave him prey to every man’s greatest fear… Night of the Cougar. The spectacular sixth novel of the authentic Apache Wars Saga series that includes Desert Hawks, War Eagles, Savage Frontier, White Apache, and Devil Dance.

In all six of its volumes The Broadview Anthology of British Literature presents British literature in a truly distinctive light. Fully grounded in sound literary and historical scholarship, the anthology takes a fresh approach to many canonical authors, and includes a wide selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to issues of race, gender, class, and sexual orientation. It includes comprehensive introductions to each period, providing in each case an overview of the historical and cultural as well as the literary background. It features accessible and engaging headnotes for all authors, extensive explanatory annotations throughout, and an unparalleled number of illustrations and contextual materials, offering additional perspectives both on individual texts and on larger social and cultural developments. Innovative, authoritative, and comprehensive, The Broadview Anthology of British Literature embodies a consistently fresh approach to the study of literature and literary history. The full Broadview Anthology of British Literature comprises six bound volumes, together with an extensive website component; the latter has been edited, annotated, and designed according to the same high standards as the bound book component of the anthology, and is accessible through the broadviewpress.come website by using the passcode obtained with the purchase of one or more of the bound volumes. Highlights of Volume 6: The Twentieth Century and Beyond include: Joseph Conrad’s “The Secret Sharer,” “An Outpost of Progress,” an essay on the Titanic, and a substantial range of background materials, including documents on the exploitation of central Africa that set “An Outpost of Progress” in vivid context; and a large selection of late twentieth and early twenty-first century writers such as Ian McEwan, Kazuo Ishiguro, and Zadie Smith. For the convenience of those whose focus does not extend to the full period covered in the Volume 6: The Twentieth Century and Beyond, that volume is now available either in its original one-volume format or in this alternative two-volume format, with Volume 6a (The Early Twentieth Century) extending to the end of WWII, and Volume 6b (The Late Twentieth Century and Beyond) covering from WWII into the present century. Please see the Volume 6 Table of Contents for the exact location of the split.