This book brings together the many aspects involved in full and accurate control of the instruments. It gives the reader all the information and explanations which enable instrumental failings to be understood and remedied. It is hoped that they will offer a new approach to eliminating playing hazards encountered by musically proficient players as well as by the less experienced. The basic relationship between the sound-producing unit and other instrument parts is commonly given insufficient consideration. Important dimensions therefore are reviewed for matching parts to each other and to the notes of the instruments. Fine tuning, specific keywork positions for personal needs and other essential adjustments are dealt with and illustrated. The adjustments quoted enable players to appreciate what degree of improvement these might give to their instrumental ability, whether choosing to direct an instrument adjuster or to undertake adjustments themselves. The respective chapters include tables and examples of alternative and extended-range fingerings, transposition and playing effects, which all facilitate performance of the highest standard. -- Preface.

Discusses the history of the clarinet and saxophone, how they are made, music that has been composed for them, outstanding performers on these instruments, and advice for the would-be student.

Basic guide to proper methods of playing the saxophone.

Many woodwind players come from a classical background which may not have taught you how to play by ear. While this can provide an excellent grounding in music, it doesn't teach you how to improvise, and often it's difficult for classically trained musicians to learn Jazz soloing. Beginner Jazz Soloing For Saxophone & Clarinet is the perfect guide to bridge the gap. Devised by Buster Birch (visiting jazz professor at Trinity Conservatoire), this book teaches a creative method for improvisation that's been road-tested at hundreds of workshops.

Woodwind Basics: Core concepts for playing and teaching flute, oboe, clarinet, bassoon, and saxophone is a fresh, no-nonsense approach to woodwind technique. It outlines the principles common to playing all of the woodwind instruments, and explains their application to each one.The ideas in this book are critical for woodwind players at all levels, and have been battle-tested in university woodwind methods courses, private studios, and school band halls. Fundamental questions answered with newfound clarity include:- What should I listen for in good woodwind playing?- Why is breath support so important, and how do I do and teach it?- What is voicing? How does it relate to ideas like air speed, air temperature, and vowel shapes?- What things does an embouchure need to accomplish?- How can I (or my students) play better in tune?- What role does the tongue really play in articulation?- Which alternate fingering should I choose in a given situation?- How do I select the best reeds, mouthpieces, and instruments?- How should a beginner choose which instrument is the best fit?Woodwind Basics by Bret Pimentel is the new go-to reference for woodwind players and teachers.

A trusted training method for aspiring and serious players, "The Saxophone Bible" covers tuning, tone production, fingering, breath control, playing low and high ranges, scales, intervals, and much more.