"This book takes up the question of whether and how to tell the story of the law's infamy. It examines when and why the word infamy should be used to characterize legal decisions or actions taken in the name of the law. It does so while acknowledging that law's infamy by no means a familiar locution. More commonly the stories we tell of law's failures talk of injustices not infamy. Labelling a legal decision infamous suggests a distinctive kind of injustice, one which is particularly evil or wicked. Doing so means that such a decision cannot be redeemed or reformed; it can only be repudiated"--

This book traces the roots of modern notions of celebrity, fame, and infamy back to the Hellenistic period of classical antiquity, when sensational personages like Cleopatra of Egypt and Alexander the Great became famous world-wide.

In two novels by the USA Today–bestselling author: Will London’s most notorious rogues be outmatched in the game of love by two clever young ladies? When Lady Gillian Carnaby reads of her own betrothal to a hitherto unknown Baron Hopwood in the London Times, she is shocked to learn that the man is real. Worse, Hopwood is merely a minor title for Josiah Hawtrey, Marquess of Thorne, a man with such a scandalous reputation that London society is quite willing to believe he would become affianced to a noblewoman he has never met. To save her reputation, Gillian and the Marquess must go through the motions of a betrothal. But when Gillian sees that Thorne desires her as a woman, if not a wife, she must play a most challenging game of love with one of London’s most notorious rakes. The Marquess of Thorne’s friend, handsome Lord Edward Crawley, seeks to wed a wealthy heiress to shore up his faltering estate—and pay off his gambling debts. When Felicia Adlam realizes that her breathtakingly beautiful younger sister, Theodosia, is the seductive fortune-hunter’s target, she vows to protect Theo from him, no matter what it takes. But Crawley is charmingly honest about his intentions, and undeniably appealing, so Felicia soon discovers that she risks surrendering to the accomplished rake’s seductive charms herself.

Set in and around New York City in the early 19th Century, Victoria Woodhull and sister, Tennessee Celeste Claflin take the city by storm as they challenge morality, fashion, economics, social justice, and equal pay for equal work. Leveraging their wealth as the sisters become famous on the lecture circuit, they fight for women’s rights, suffrage and enter into the political arena as Victoria is nominated by the American Equal Rights Party to run for President of the United States and Tennessee runs for Congress. In this rags to riches saga, the reader experiences Historical Fiction at its best. Filled with facts, articles, and actual speeches by some of the most prominent figures of Victorian America, like Elizabeth Cady Stanton, Susan B. Anthony, Reverend Henry Ward Beecher “the Most Famous Man in America,” Cornelius Vanderbilt “the Richest Man in America,” J. P. Morgan, Frederick Douglass, Karl Marx, among others, the course of events lead to the “Trial of the Century,” and retribution. Scandalous engages the reader as the strong female leading characters change the course of history in America—at enormous personal and financial expense. Scandalous is Volume 2 of The Victoria Woodhull Saga. Volume 1, Outrageous: Rise to Riches earned twelve awards and high acclaim.

Discusses the raucous journalism of the Revolutionary era, showing how it helped build a nation that endured and offering new perspectives on today's media wars.

The countless retellings and reimaginings of the private and public lives of Phillis Wheatley, Sally Hemings, Sarah Baartman, Mary Seacole, and Sarah Forbes Bonetta have transformed them into difficult cultural and black feminist icons. In Infamous Bodies, Samantha Pinto explores how histories of these black women and their ongoing fame generate new ways of imagining black feminist futures. Drawing on a variety of media, cultural, legal, and critical sources, Pinto shows how the narratives surrounding these eighteenth- and nineteenth-century celebrities shape key political concepts such as freedom, consent, contract, citizenship, and sovereignty. Whether analyzing Wheatley's fame in relation to conceptions of race and freedom, notions of consent in Hemings's relationship with Thomas Jefferson, or Baartman's ability to enter into legal contracts, Pinto reveals the centrality of race, gender, and sexuality in the formation of political rights. In so doing, she contends that feminist theories of black women's vulnerable embodiment can be the starting point for future progressive political projects.