Starting from the premise that movie trailers can be considered a film genre, this study explores conventions as features of the genre & offers a primer for reading the rhetoric of movie trailers.

A comparative and trans-national study of urban culture in Britain and the United States from the late nineteenth to the twentieth century

Battery Park City in Manhattan has been hailed as a triumph of urban design, and is considered to be one of the success stories of American urban redevelopment planning. The flood of praise for its design, however, can obscure the many lessons from the long struggle to develop the project. Nothing was built on the site for more than a decade after the first master plan was approved, and the redevelopment agency flirted with bankruptcy in 1979. Taking a practice-oriented approach, the book examines the role of planning and development agencies in implementing urban waterfront redevelopment. It focuses upon the experience of the central actor - the Battery Park City Authority (BPCA) - and includes personal interviews with executives of the BPCA, former New York mayors John Lindsay and Ed Koch, key public officials, planners, and developers. Describing the political, financial, planning, and implementation issues faced by public agencies and private developers from 1962 to 1993, it is both a case study and history of one of the most ambitious examples of urban waterfront redevelopment.

For decades, the federal government's failure to provide decent and affordable housing to very low-income families has given rise to severely distressed urban neighborhoods that defeat the best hopes of both residents and local officials. Now, however, there is cause for optimism. From Despair to Hope documents the evolution of HOPE VI, a federal program that promotes mixed-income housing integrated with services and amenities to replace the economically and socially isolated public housing complexes of the past. As one of the most ambitious urban development initiatives in the last half century, HOPE VI has transformed the landscape in Atlanta, Baltimore, Louisville, Seattle, and other cities, providing vivid examples of a true federal-urban partnership and offering lessons for policy innovators. In From Despair to Hope, Henry Cisneros and Lora Engdahl collaborate with public and private sector leaders who were on the scene in the early 1990s when the intolerable conditions in the nation's worst public housing projects—and their devastating impact on inhabitants, neighborhoods, and cities—called for drastic action. These eyewitnesses from the policymaking, housing development, and architecture fields reveal how a program conceived to address one specific problem revolutionized the entire public housing system and solidified a set of principles that guide urban policy today. This vibrant, full-color exploration of HOPE VI details the fate of residents, neighborhoods, cities, and public housing systems through personal testimony, interviews, case studies, data analyses, research summaries, photographs, and more. Contributors examine what HOPE VI has accomplished as it brings disadvantaged families into more economically mixed communities. They also turn a critical eye on where the program falls short of its ideals. This important book continues the national conversation on poverty, race, and opportunity as the country moves ahead under a new president. Contributors: Richard D. Baron (McCormack Baron Salazar), Peter Calthorpe (Calthorpe Associates), Sheila Crowley (National Low-Income Housing Coalition), Mary K. Cunningham (Urban Institute), Richard C. Gentry (San Diego Housing Commission), Renée Lewis Glover (Atlanta Housing Authority), Bruce Katz (Brookings Institution), G. Thomas Kingsley (Urban Institute), Alexander Polikoff (Business and Professional People for the Public Interest), Susan J. Popkin (Urban Institute), Margery Austin Turner (Urban Institute), and Ronald D. Utt (Heritage Foundation). Poverty & Race

From the explosive contexts of Nairobi, Mexico City, Los Angeles, and Madras burst fresh insights on the mission of the church for the city. Jude Tiersma and Charles Van Engen worked closely with an international team of experienced urban practitioners to explore the most urgent issues facing those who minister in today's cities. From each particular urban setting, a team member contributed a story from ministry in the city. Each story uniquely illustrates a different challenge of urban ministry in the face of injustice, marginalization, and urban structures. This book brings you these stories, then retells them in light of Scripture, introducing new hope to each one. From these stories emerge new ideas about the nature of cities and how to practice ministry in them. The new methodology employed by Van Engen and Tiersma's team leads us in the first steps toward a theology of mission for the city. God So Loves the City is a must for pastors, seminary students, missiologists, congregation members, and all who are concerned about urban ministry.

In Resurrection City Peter Heltzel paints a prophetic picture of an evangelical Christianity that eschews a majority mentality and instead fights against racism, inequality, and injustice, embracing the concerns of the poor and marginalized, just as Jesus did. Placing society's needs front and center, Heltzel calls for radical change and collective activism modeled on God's love and justice. In particular, Heltzel explores the social forms that love and justice can take as religious communities join together to build "beloved cities." He proclaims the importance of "improvising for justice" -- likening the church's prophetic ministry to jazz music -- and develops a biblical theology of shalom justice. His vision draws inspiration from the black freedom struggle and the lives of Sojourner Truth, Howard Thurman, and Martin Luther King Jr. Pulsing with hope and beauty, Resurrection City compels evangelical Christians to begin "a global movement for love and justice" that truly embodies the kingdom of God.

Manhattan’s Public Spaces: Production, Revitalization, Commodification analyzes a series of architectural works and their contribution to New York’s public space over the past few decades. By exploring a mix of urban mechanisms, supportive frameworks, legal systems, and planning guidelines for the transformation of the city’s collective realm, the text frames Manhattan as a controversial landscape of interests and concerns to authorities, communities, and, very importantly, developers. The production, revitalization, and commodification of Manhattan’s public spaces, as a phenomenon and as a subject of study, also highlights the vicissitudes of the reconciliation of the many different agents, which are part of the process. The challenge of the book does not only lie in the analysis of good design but, more importantly, in how to understand the functional mechanisms for the current trends in the production of space for public use. A complex framework of actors, governance, and market monopolies, which invites the reader to participate in the debate of how these interventions contribute, or not, to an inclusive environment anchored in the existing built fabric. Manhattan’s Public Spaces invites reflection on the revitalization of the city’s shared space from all dimensions. Beautifully illustrated in black and white, with over 50 images, this book will be of interest to scholars and students in architecture, planning, and urban design.