When Emperor Constantine triggered the rise of a Christian state, he opened a new chapter in the history of Constantinople and Jerusalem. In the centuries that followed, the two cities were formed and transformed into powerful symbols of Empire and Church. For the first time, this book investigates the increasingly dense and complex net of reciprocal dependencies between the imperial center and the navel of the Christian world. Imperial influence, initiatives by the Church, and projects of individuals turned Constantinople and Jerusalem into important realms of identification and spaces of representation. Distinguished international scholars investigate this fascinating development, focusing on aspects of art, ceremony, religion, ideology, and imperial rule. In enriching our understanding of the entangled history of Constantinople and Jerusalem in Late Antiquity, City of Caesar, City of God illuminates the transition between Antiquity, Byzantium, and the Middle Ages.

DieMillennium-Studien wollen Grenzen überschreiten, Grenzen zwischen den Epochen und regionalen Räumen wie auch Grenzen zwischen den Disziplinen. Millennium ist international, transdisziplinär und epochenübergreifend ausgerichtet. Das Herausgebergremium und der Beirat repräsentieren ein breites Spektrum von Fächern: Kunst- und literaturwissenschaftliche Beiträge kommen ebenso zu ihrem Rechtwie historische, theologische und philosophische, Beiträge zu den lateinischen und griechischen Kulturen ebenso wie zu den orientalischen.

Why is the city a battleground of hostile principalities and powers? What is the mission of the church in the city? How can the church be supported in accomplishing that mission? These are the questions that Robert Linthicum treats in his comprehensive and probing biblical theology of the city. In the Bible the city is depicted both as a dwelling place of God and his people and as a center of power for Satan and his minions. The city is one primary stage on which the drama of salvation is played out. And that is no less the case at the end of this pivotal century as megacities become the focal point of most human activity and aspirations around the world. This is a timely theology of the city that weaves the theological images of the Bible and the social realities of the contemporary world into a revealing tapestry of truths about the urban experience. Its purpose is to define clearly the mission of the church in the midst of the urban realities and to support well the work of the church in the urban world.

'City of God' explores the role of neo-Pentecostal Christian sects in the religious, social & political life of Guatemala. O'Neill examines one such church, looking at how its practices have become acts of citizenship in a new, politically relevant era for Protestantism.

This volume brings together respected biblical scholars to evaluate the turn toward "empire criticism" in recent New Testament scholarship. While praising the movement for its deconstruction of Roman statecraft and ideology, the contributors also provide a salient critique of the anti-imperialist rhetoric pervading much of the current literature.

Étienne Gilson (1884-1978) was a French philosopher and historian of philosophy, as well as a scholar of medieval philosophy. In 1946 he attained the distinction of being elected an "Immortal" (member) of the Académie française. He was nominated for the Nobel Prize in Literature in 1959 and 1964. The appearance of Gilson's Metamorphosis of the City of God, which were originally delivered as lectures at the University of Louvain, Belgium, in the Spring of 1952, coincided with the first steps toward what would become the European Union. The appearance of this English translation coincides with the upheaval of Brexit. Gilson traces the various attempts of thinkers through the centuries to describe Europe's soul and delimit its parts. The Scots, Catalonians, Flemings, and probably others may nod in agreement in Gilson's observation on how odd would be a Europe composed of the political entities that existed two and a half centuries ago. Those who think the European Union has lost its soul may not be comforted by the difficulty thinkers have had over the centuries in defining that soul. Indeed the difficulties that have thus far prevented integrating Turkey into the EU confirm Gilson's description of the conundrum involved even in distinguishing Europe's material components. And yet, the endeavor has succeeded, so that the problem of shared ideals remain inescapable. One wonders which of the thinkers in the succession studied by Gilson might grasp assent and illuminate the EU's path.

A captivating account of the legendary empire that made Western civilization possible Byzantium. The name evokes grandeur and exoticism—gold, cunning, and complexity. In this unique book, Judith Herrin unveils the riches of a quite different civilization. Avoiding a standard chronological account of the Byzantine Empire's millennium—long history, she identifies the fundamental questions about Byzantium—what it was, and what special significance it holds for us today. Bringing the latest scholarship to a general audience in accessible prose, Herrin focuses each short chapter around a representative theme, event, monument, or historical figure, and examines it within the full sweep of Byzantine history—from the foundation of Constantinople, the magnificent capital city built by Constantine the Great, to its capture by the Ottoman Turks. She argues that Byzantium's crucial role as the eastern defender of Christendom against Muslim expansion during the early Middle Ages made Europe—and the modern Western world—possible. Herrin captivates us with her discussions of all facets of Byzantine culture and society. She walks us through the complex ceremonies of the imperial court. She describes the transcendent beauty and power of the church of Hagia Sophia, as well as chariot races, monastic spirituality, diplomacy, and literature. She reveals the fascinating worlds of military usurpers and ascetics, eunuchs and courtesans, and artisans who fashioned the silks, icons, ivories, and mosaics so readily associated with Byzantine art. An innovative history written by one of our foremost scholars, Byzantium reveals this great civilization's rise to military and cultural supremacy, its spectacular destruction by the Fourth Crusade, and its revival and final conquest in 1453.