A study of the conditions of being a citizen, belonging and democracy in suburban Britain, this book focuses on understanding how a community takes on the social responsibility and pressures of being a good citizen through what they call ‘stupid’ events, festivals and parades. Building a community is perceived to be an important and necessary act to enable resilience against the perceived threats of neoliberal socio-economic life such as isolation, selfishness and loss of community. Citizenship, Democracy and Belonging in Suburban Britain explores how authoritative knowledge is developed, maintained and deployed by this group as they encounter other ‘social projects’, such as the local council planning committee or academic projects researching participation in urban planning. The activists, who call themselves the ‘Seething Villagers’, model their community activity on the mythical ancient village of Seething where moral tales of how to work together, love others and be a community are laid out in the Seething Tales. These tales include Seething ‘facts’ such as the fact that the ancient Mountain of Seething was destroyed by a giant. The assertion of fact is central to the mechanisms of play and the refusal of expertise at the heart of the Seething community. The book also stands as a reflexive critique on anthropological practice, as the author examines their role in mobilising knowledge and speaking on behalf of others. Citizenship, Democracy and Belonging in Suburban Britain is of interest to anthropologists, urban studies scholars, geographers and those interested in the notions of democracy, inclusion, citizenship and anthropological practice.

Citizenship, Democracy and Belonging in Suburban Britain follows a group of community activists in suburban London, as they take on the responsibilities and pressures of being good citizens.

What graffiti says about contemporary society, and why it demands our urgent attention as a form of civic expression. What is graffiti—vandalism, ornament, art? What if, rather than any of those things, we thought of graffiti as a monument? How would that change our understanding of graffiti, and, in turn, our understanding of monument? In Monumental Graffiti, curator and anthropologist Rafael Schacter focuses on the material, communicative, and contextual aspects of these two forms of material culture to provide a timely perspective on public art, citizenship, and the city today. He applies monument as a lens to understand graffiti and graffiti as a lens to comprehend monument, challenging us to consider what the appropriate monument for our contemporary world could be. Monumental Graffiti unpacks today’s iconoclastic moment, showing us why graffiti demands our urgent attention as a form of expression that challenges power structures by questioning whose voices are included in—and whose are excluded from—public space. Written from twenty years of embedded research on graffiti, the book includes works from graffiti writers such as 10Foot, Delta, Egs, Honet, Mosa, Petro, Revok, and Wombat, alongside those of artists such as Francis Alÿs, Jeremy Deller, Thomas Hirschhorn, Jenny Holzer, Klara Liden, Gordon Matta-Clark, William Pope.L, Cy Twombly, and many more. Richly illustrated, this study of graffiti as monument and monument as graffiti is as fascinating as it is ethnographically expansive.

Citizenship is now widely discussed by the media, politicians and academics. This book presents the first comprehensive survey of citizenship in Britain. As well as presenting original data, the authors provide a sophisticated discussion of the concept of citizenship, and the consequences of a lack of civic engagement for democracy.

Who is entitled to be a citizen? What rights and duties does citizenship involve? These political questions are being asked today with a renewed urgency, both by practising politicians and by scholars. These essays by distinguished contributors examine the changing frontiers of modern citizenship. They look at the way citizenship is being reshaped within the nation state, in relations between women and the state, under the impact of economic crisis and recession, and in the face of new multinational political forces.

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