During the second half of the 20th century, landmark works of the horror film genre were as much the product of enterprising regional filmmakers as of the major studios. From backwoods Utah to the Louisiana bayous to the outer boroughs of New York, independent, regional films like Night of the Living Dead, Last House on the Left, I Spit on Your Grave, The Texas Chain Saw Massacre, and The Evil Dead stood at the vanguard of horror cinema. This overview of regionally produced horror and science fiction films includes interviews with 13 directors and producers who operated far from mainstream Hollywood, along with a state-by-state listing of regionally produced genre films made between 1958 and 1990. Highlighting some of the most influential horror films of the past 50 years, this work celebrates not only regional filmmaking, but also a cultural regionalism that is in danger of vanishing.

Witness astounding feats of physics Hurry! Hurry! Come one, come all. Meet a man who can pull two railroad passenger cars with his teeth and a real-life human cannon ball. Come face to face with a dead rattlesnake that still bites. And unlock the secrets to the magician's bodiless head. Welcome to Jearl Walker's Flying Circus of Physics, 2nd Edition, where death-defying stunts, high-flying acrobatics, strange curiosities, and mind-bending illusions are all part of everyday life. You don't need a ticket; you only need to look to the world around you to uncover these fascinating feats of physics. Completely updated and expanded, this Second Edition of Jearl Walker's best-selling book features more than 700 thoroughly intriguing questions about relevant, fun, and completely real physical phenomena. Detailed explanations and references to outside sources guide your way through the problems. You'll discover answers to such questions as: * Can you start a fire with ice? * Why does the sky turn green just before a tornado? * Why do wintergreen LifeSavers glow in the dark when you bite them? * If you are falling in an elevator, should you try to jump up at the last second or lay flat against the floor? * How do electric eels produce their electric field? * Why is wet sand darker than dry sand? * What causes an oasis mirage? * Why do stars twinkle? * Could you drive a car on a ceiling?

Music is often our companion when dealing with the incomprehensibility of loss. This edited collection speaks to the multifarious and complex ways in which music accompanies, supplements, and complements aspects of death and dying, whether this is the death of a loved one, or a celebrity from popular culture.

George Gittoes defies categorisation as his life defies belief. One thing is certain: Gittoes is the greatest Australian hero working today and his epic story must be told. Equal parts artist and warrior, George is world-famous for waging war on war with art, circus, photography and film. "Soldiers die for flags. For me it is art," he says. George has been shot, stabbed, bombed, beaten, tortured, drowned and jailed. He has worked with Andy Warhol, dined with Fidel Castro, plotted with Julian Assange, been feted by Mandela, blessed by Mother Theresa, sneezed on by the Dalai Lama. Blood Mystic begins with George flying back to Jalalabad carrying a letter from the Taliban threatening to chop off his head and show the decapitation on live TV. George's mission is to film with street kids in the most dangerous city on earth - the Ghostbuster street exorcists, the Snow Monkey ice cream boys, the urchin girls and kuchi kids, the child gangsters with razor blades under their lips. As the danger grows, George reflects deeply on a life less ordinary - his boyhood being groomed as a gangster, his escape to New York, the Yellow House art revolutions, crazy brave adventures in outback Australia, ghetto America, jungle Nicaragua, war-torn Cambodia, badlands Baghdad, hollow Bosnia... and beyond. This is a specially formatted fixed layout ebook that retains the look and feel of the print book.

With a billion-dollar industry centred in Montreal, the province of Quebec has established itself as a major hub for contemporary circus. Cirque du Soleil has a global presence, and troupes such as Cirque Éloize and 7 doigts de la main are state-of-the-art innovators. The National Circus School of Montreal - the only state-funded elite training facility in North America - is an influential leader in artistry and technique. Montreal-based Cirque du Soleil’s Cirque du Monde supports arts for social change on many continents and is renowned for its social-circus training and research. Cirque Global is the first book-length study of this new variety of circus and its international impact. The contributors offer critical perspectives on this rapidly developing art form and its aesthetics, ethics, business practices, pedagogical implications, and discursive significations. Essays explore creative, entrepreneurial, and cultural forces that are shaping Quebec’s dynamic nouveau cirque. Lavishly illustrated with photographs from circus performances, the volume showcases Quebec circus’s hybrid forms, which have merged the ethos and aesthetics of European circuses with American commercial and industrial creativity. Cirque Global is the definitive study of the phenomenon of Quebec circus and is an important model for future research on contemporary circus.

Hello Troj is a book that took over three decades to experience and 12 years to write. It is a book about growing up as a young female arts protégé during the last decade of Communism in Eastern Europe, in a society shaped by a rapidly disintegrating censorship apparatus struggling to sustain itself, in the world of the so-called “Intelligencia” governed by middle-aged white men, many of them prone to predatory behavior and accustomed to getting their own way. It is a deeply personal and unapologetic coming-of-age story that circles around the suicide of a younger brother and trying to figure oneself out in the context of dystopia and chaos. But this is also a book about growing up in a family of heroes and madmen, all of them insanely creative but never recognized as anything but average, invisible, “just regular folks”. There is nothing “regular” or “average” about them.