Circling Back Home is the story of one woman, at a time when values of home, family, and care of the land seem increasingly absent, looking to her past to create a life of significance for her family. Her search takes her back to the prairie of her grandmothers, who survived personal hardships and lived off what the land provided. Lipp-Acord mourns the loss of one child and celebrates the birth of others, all while balancing her own desire to put down roots with her husband's life as an itinerant ranch hand. Written over ten years, these essays compose a picture of endurance and grace as the author addresses her history and finds her way home. "[Darcy] Lipp-Acord is one woman, but she tells a dozen stories, her ancestors' voices mingling with her own: the farmer's daughter, the Catholic woman, the wife, the mother, the artist. . . . Circling Back Home reflects the life of a ranch woman in all its prismatic variety."—Linda M. Hasselstrom

Julie Tieu, an exciting new and diverse voice in contemporary romance, returns with a hilarious and sexy new novel about colleagues who decide to take their relationship outside the office. Cadence Lim has transformed from behind-the-scenes number cruncher to an integral part of the sales team at Prism Realty. But despite moving up the corporate ladder, her complicated relationship with her estranged elderly father weighs heavily and she can’t seem to shake the desire for a new beginning. At least Cadence can always lean on her favorite co-worker and co-conspirator, Matt Escanilla. A top broker with an unsuccessful love life, the forever single Matt is constantly being nagged by his loving Filipino family to settle down. Their relationship takes a turn when a business trip lands them both in their hometown and Matt enlists Cadence as a pretend girlfriend for a family gathering. The new after-hours setting forces the two friends to see each other in a new light, and their previously buried feelings rise quickly to the surface. When competing promotions threaten to separate Cadence and Matt, these office besties must work together to round up their ambitions and families to pursue their overdue romance.

The sequel to Secondhand Summer continues Sam Barger's story with the homecoming of his older brother, now wounded from war, and the struggle for the two to understand and find each other again. "Walker expertly explores how families live in the world at large, and how the ties that bind can be sorely tested by events far from home [. . .] Walker is one of those young adult novel authors writing for adults as well as kids. Intended or not, Back Home is a commentary on our times as well. It's a reminder that battle fatigue comes from more than just warfare. It comes from living in a society at odds with itself." --Anchorage Daily News "Back Home will appeal to young adult readers, those interested in an Alaskan setting, and fans of bildungsroman stories. Recommended." --Historical Novel Society "His big brother's return from Vietnam with wounds both physical and psychological shakes up a 16-year-old Alaskan's familiar world of girls, guns, and clueless grown-ups. . . occasionally powerful mix of family drama, late-'60s culture clashes, and wilderness adventure." --Kirkus Reviews It's 1968, and like any other junior in high school, Sam Barger's just trying to get by in classes and find a part-time job at the local pizza parlor, maybe chat up the pretty girl who also works there. But when his Marine Corps brother Joe comes back from the Vietnam War, life at home changes. By day Joe struggles with alcoholism and by night he battles night terrors. Sam just wants normalcy again but doesn’t know how to close the rift between the brothers, especially once he questions their country's involvement overseas. Set in Southcentral Alaska in the 1960s, Back Home is a heartfelt story about the brothers and their struggles to come and understand each other. The book reveals the lasting effects of war on young people and draws parallels between a pivotal moment in history then to the contemporary wars and struggles today.

Meetings in the round have become the preferred tool for moving individual commitment into group action. This book lays out the structure of circle conversation, based on the original work of the authors who have standardized the essential elements that constitute circle practice.

He's doing what he can to save the Prince Regent's life . . . but can he save his new marriage as well? Evan Eldridge never meant to be a war hero--he just wanted to fight Napoleon for the future of his country. And he certainly didn't think that saving the life of a peer would mean being made the Earl of Whitelock. But when the life you save is dear to the Prince Regent, things can change in a hurry. Now Evan has a new title, a manor house in shambles, and a stranger for a bride, all thrust upon him by a grateful ruler. What he doesn't have are all his memories. Traumatized as a result of his wounds and bravery on the battlefield, Evan knows there's something he can't quite remember. It's important, dangerous--and if he doesn't recall it in time, will jeopardize not only his marriage but someone's very life. Readers who enjoy Julie Klassen, Carolyn Miller, and Kristi Ann Hunter will love diving into this brand-new Regency series filled with suspense, aristocratic struggles, and a firm foundation of faith.

Hailey and her father haven’t always seen eye to eye, especially in running the failing family textile mill. Frustrated, Hailey leaves the mill and her hometown in North Carolina to start a new life near her sister in Colorado. Only months later her father calls to ask for a special favor. He needs heart surgery and asks Hailey to run the mill in his place. Moving back would devastate Hailey’s sister, Hope. Yet Hailey would have an opportunity to possibly save the mill, and at a time when her father needs her most. And maybe he’d even approve of her for the first time in her life. Filled with self-doubt, Hailey returns to North Carolina and struggles to make a difference at the mill, facing more challenges than she bargained for. Her attractive neighbor, Alex, is almost enough to outweigh the difficulties, but she doesn’t know that in the shadows lurks someone who wants to destroy both her and the mill.

An aching meditation on the cyclical nature of grief and memory’s limited capacity to preserve everything time takes from us. How does one make sense of loss—personal and collective? When language and memory are at capacity, where do we turn? Confronted with “a year meant to end all / those to come,” acclaimed poet Adam Clay questions whether anything is “wide enough to contain what’s left / of hope.” In the absence of a clear way forward, the poems of Circle Back wander grief’s strange and winding path. Along the way, the line between reality and dreams blurs: cows stare with otherworldly eyes, 78s play under cactus needles, a father becomes his own child, and the dead become something more complicated—a “sketch turned to painting / left in a room dusty from / lack of passing through.” But amidst these liminal landscapes, a “thread of promise” persists in poetry. As flawed as language is, we still turn to it for longevity, for love, like “Keats, / sketching himself back into place.” Vulnerable and nuanced, Clay details the difficult work of healing—and in doing so, captures those needful moments of reprieve in grief’s “strange circle.” Two friends dashing through a sprinkler. A garden of startled birds. Out for a run some gray morning: a sudden patch of wildflowers. Circle Back is a bared heart, one readers will find as thoughtful as it is tender.