If you like Christopher Moore or Tom Holt, read HELL'S SUPER ... Hilarious! How can one damned handyman keep all Hell running when everything's always breaking, devils and demons plot against him ... and he's terrible at fixing things?Steve is Hell's Super, its handyman. Being Mr. Fixit to the Underworld keeps him and his assistant, Orson Welles (yes, that Orson Welles), pretty busy, since things go on the blink all the time down there.No malfunction has ever created so much inconvenience, though, as the malfunction of Hell's Escalator, which leads from the Pearly Gates to the depths of Hades. What's worse: the breakdown appears to be sabotage. Satan calls in Steve to investigate.But Steve is distracted these days. He's in love with Flo, a gorgeous, almost saintly figure who has come to Hell by choice to ease the suffering of the damned. What's more: she seems to like him, but romance in Hell? That could never be.Still, solving the mystery of the Escalator could earn him some points with Satan, maybe even a chance with Flo.Or maybe not.Hell's Super Is the first volume in the satire/fantasy comedy series, Circles in Hell. It has been compared to other works of "Hell Fiction" including The Screwtape Letters and Good Omens and to the paranormal humor of Tom Holt, Christopher Moore and Douglas Adams.Click on the book jacket to "Look inside." _______________________________________________ Comedy Fiction Book Categories Satire and Humor Fantasy Comedy Hell Fiction Devils and Demons Fiction Humor Paranormal Humor Paranormal Comedy Romance

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The hounds of hell are barking...and they want you to join the hunt. The Nine Circles of Hell has been a much-loved conception of the inferno, popularized by Italian poet Dante. This collection of horror and erotica is divided into the nine circles. Each of the nine sections tells the stories of those souls condemned to their respective circles. Here, you will see anthro-animal characters at their darkest and weakest moments: at the whorehouse, at the chopping block, in the morgue, in the dining room with the candlestick, and, of course, rotting in the fires of the Infurno. This collection features stories from Faolan, Weasel, Allison Thai, and more, with illustrations from Joseph Chou.

For thousands of years, people believed the Earth was flat. Similarly, everything we believe about hell, the devil and karma is based on centuries of dogma, illogical beliefs and foolish theories. In this book, Samael Aun Weor demonstrates how to confirm for yourself the reality of the inferior levels of life, and how to avoid them. Although modern culture laughs at the mere mention of the devil and hell while simultaneously indulging deeply in them via popular music, movies, and television, the practical reality remains completely unknown to the general public. Samael Aun Weor discusses his personal, conscious experiences of the inferior worlds and the beings who reside there. By application of ancient techniques preserved by the Gnostic tradition, anyone can confirm with certainty what exists in the subtle dimensions of nature, whether above or below. Learn the true identity of both the Devil and Lucifer, and how to harness the forces of nature in order to be propelled towards a higher way of life. Dispels centuries of beliefs and theories, while explaining the essential truths hidden in ancient symbols Provides practical steps towards acquiring your own experience of the truth Supported by solid science and authentic spiritual traditions

One of the greatest works of world literature, Dante Alighieri’s The Divine Comedy has, despite its enormous popularity and importance, often stymied readers with its multitudinous characters, references, and themes. But until now, students of the Inferno have lacked a suitable resource to guide their reading. Welcome to Danteworlds, the first substantial guide to the Inferno in English. Guy P. Raffa takes readers on a geographic journey through Dante’s underworld circle by circle—from the Dark Wood down to the ninth circle of Hell—in much the same way Dante and Virgil proceed in their infernal descent. Each chapter—or “region”—of the book begins with a summary of the action, followed by detailed entries, significant verses, and useful study questions. The entries, based on a close examination of the poet’s biblical, classical, and medieval sources, help locate the characters and creatures Dante encounters and assist in decoding the poem’s vast array of references to religion, philosophy, history, politics, and other works of literature. Written by an established Dante scholar and tested in the fire of extensive classroom experience, Danteworlds will be heralded by readers at all levels of expertise, from students and general readers to teachers and scholars.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.