In Cicero in Heaven: The Roman Rhetor and Luther’s Reformation, Carl Springer traces the historical outlines of Cicero’s rhetorical legacy, paying special attention to the momentous impact that he had on Luther, his colleagues at the University of Wittenberg, and later Lutherans. While the revival of interest in Cicero’s rhetoric is more often associated with the Renaissance than with the Reformation, it would be a mistake to overlook the important role that Luther and other reformers played in securing Cicero’s place in the curricula of schools in modern Europe (and America). Luther’s attitude towards Cicero was complex, and the final chapter of the book discusses negative reactions to Cicero in the Reformation and the centuries that followed.

Gershom Carmichael (1672-1729) was the first professor of moral philosophy at the University of Glasgow, preceding Hutcheson, Smith, and Reid. He defended a strong theory of rights and drew attention to Grotius, Pufendorf, and Locke. James Moore is Professor of Political Science at Concordia University in Montreal. Michael Silverthorne is Honorary University Fellow in the School of Classics at the University of Exeter. Please note: This title is available as an ebook for purchase on Amazon, Barnes and Noble, and iTunes.

A comprehensive and authoritative account of one of the greatest and most prolific writers of classical antiquity.

Cicero's The Republic is an impassioned plea for responsible government written just before the civil war that ended the Roman Republic in a dialogue following Plato. This is the first complete English translation of both works for over sixty years and features a lucid introduction, a table of dates, notes on the Roman constitution, and an index of names.

A search for traces of the voice before the phonograph, reconstructing a series of ancient soundscapes from Aristotle to Augustine. Long before the invention of musical notation, and long before that of the phonograph, the written word was unrivaled as a medium of the human voice. In The Ancient Phonograph, Shane Butler searches for traces of voices before Edison, reconstructing a series of ancient soundscapes from Aristotle to Augustine. Here the real voices of tragic actors, ambitious orators, and singing emperors blend with the imagined voices of lovesick nymphs, tormented heroes, and angry gods. The resonant world we encounter in ancient sources is at first unfamiliar, populated by texts that speak and sing, often with no clear difference between the two. But Butler discovers a commonality that invites a deeper understanding of why voices mattered then and why they have mattered since. With later examples that range from Mozart to Jimi Hendrix, Butler offers an ambitious attempt to rethink the voice—as an anatomical presence, a conceptual category, and a source of pleasure and wonder. He carefully and critically assesses the strengths and limits of recent theoretical approaches to the voice by Adriana Cavarero and Mladen Dolar and makes a rich and provocative range of ancient material available for the first time. The Ancient Phonograph will appeal not only to classicists and to voice theorists but to anyone with an interest in the verbal arts—literature, oratory, song—and the nature of aesthetic experience.