A study of the involvement of the Catholic Church in the cultural life of France in the seventeenth century.

This wide-ranging and authoritative book fully synthesizes the French experience of religious change in the period stretching between the Reformation and the early Enlightenment.

Fathers, Pastors and Kings is a first-class research monograph on an important issue in the history of the Catholic Church, exploring the conceptions of episcopacy that shaped the identity of the bishops of France in the wake of the reforming Council of T.

This lucid and wide-ranging survey is the first study in English to identify a distinctive urban phase in the history of the early modern crowd. Through close analysis of the behaviour of protesters and authorities in more than fifteen seventeenth-century French cities, William Beik explores a full spectrum of urban revolt from spontaneous individual actions to factional conflicts, culminating in the dramatic Ormee movement in Bordeaux. The 'culture of retribution' was a form of popular politics with roots in the religious wars and implications for future democratic movements. Vengeful crowds stoned and pillaged not only intrusive tax collectors but even their own magistrates, whom they viewed as civic traitors. By examining in depth this interaction of crowds and authorities, Professor Beik has provided a central contribution to the study of urban power structures and popular culture.

A vivid account of the belief system of early-modern France as expressed in different writing genres from sermons to martyr tragedies, lyric poetry to spiritual autobiography. Parish considers the distinctive doctrines that the heritage of the Catholic Reformation brought to light.

A magisterial history of French society between the end of the middle ages and the Revolution by one of the world's leading authorities on early modern France. Using colorful examples and incorporating the latest scholarship, William Beik conveys the distinctiveness of early modern society and identifies the cultural practices that defined the lives of people at all levels of society. Painting a vivid picture of the realities of everyday life, he reveals how society functioned and how the different classes interacted. In addition to chapters on nobles, peasants, city people, and the court, the book sheds new light on the Catholic church, the army, popular protest, the culture of violence, gendered relations, and sociability. This is a major new work that restores the ancien régime as a key epoch in its own right and not simply as the prelude to the coming Revolution.

In a richly layered and beautifully illustrated narrative, Raymond Jonas tells the fascinating and surprisingly little-known story of the Sacré-Coeur, or Sacred Heart. The highest point in Paris and a celebrated tourist destination, the white-domed basilica of Sacré-Coeur on Montmartre is a key monument both to French Catholicism and to French national identity. Jonas masterfully reconstructs the history of the devotion responsible for the basilica, beginning with the apparition of the Sacred Heart to Marguerite Marie Alacoque in the seventeenth century, through the French Revolution and its aftermath, to the construction of the monumental church that has loomed over Paris since the end of the nineteenth century. Jonas focuses on key moments in the development of the cult: the founding apparition, its invocation during the plague of Marseilles, its adaptation as a royalist symbol during the French Revolution, and its elevation to a central position in Catholic devotional and political life in the crisis surrounding the Franco-Prussian War. He draws on a wealth of archival sources to produce a learned yet accessible narrative that encompasses a remarkable sweep of French politics, history, architecture, and art.