The articles here aim to develop and expand Professor Garsoïan's earlier research on the bilateral influences on Early-Christian Armenia, between Byzantium and the Sasanians. On the one hand, they continue her examination of Armenia's essentially Iranian society and institutions in the 4th-7th centuries; on the other, they are directed to an investigation of its autocephalous Church. This maintained relations with the Antiochene Christological school it shared with the Church of Persia longer than has been generally admitted, but simultaneously brought about an ideological transformation through which Christianity came to define the Armenian identity in the national tradition.

This book opens to the reader the world of early medieval Armenia: its sacred landscapes, striking churches, and rich literary and religious traditions. Examination of three sculpted and inscribed monuments, produced during the global wars of the seventh century, demonstrates the close engagement of Armenia with Byzantine imperial interests and with contemporary events in the Holy Land. The dramatic context of the military frontier, and the apocalyptic expectations of its contemporaries, shaped a vibrant visual culture with ties to both the Byzantine and Sasanian worlds. The seventh-century monuments of Armenia are important not just as an extraordinary moment of local cultural production; they fill a crucial gap in our knowledge about the medieval traditions of the Christian East at a time from which little survives from Constantinople and the imperial heartland. East of Rome, North of Jerusalem is the first English-language book devoted to the subject.

This latest volume in The Metropolitan Museum of Art symposia series reprises The Met’s blockbuster exhibition Armenia! (2018–19)—the first major exhibition on the art of this highly influential culture at the crossroads of the eastern and western worlds. Building on the pioneering work of those who first established Armenian studies in America, these essays by a new generation of scholars address Armenia’s roles in facilitating exchange with the Mongol, Ottoman, and Persian empires to the East and with Byzantium and European Crusader states to the West. Contributors explore the effects of this tension in the history of Armenian art and how those histories persist into the present, as Armenia continues to grapple with the legacy of genocide and counters new threats to its sovereignty, integrity, and culture.

At the foot of Mount Ararat on the crossroads of the eastern and western worlds, medieval Armenians dominated international trading routes that reached from Europe to China and India to Russia. As the first people to convert officially to Christianity, they commissioned and produced some of the most extraordinary religious objects of the Middle Ages. These objects—from sumptuous illuminated manuscripts to handsome carvings, liturgical furnishings, gilded reliquaries, exquisite textiles, and printed books—show the strong persistence of their own cultural identity, as well as the multicultural influences of Armenia’s interactions with Romans, Byzantines, Persians, Muslims, Mongols, Ottomans, and Europeans. This unprecedented volume, written by a team of international scholars and members of the Armenian religious community, contextualizes and celebrates the compelling works of art that define Armenian medieval culture. It features breathtaking photographs of archaeological sites and stunning churches and monasteries that help fill out this unique history. With groundbreaking essays and exquisite illustrations, Armenia illuminates the singular achievements of a great medieval civilization. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

The articles here aim to develop and expand Professor Garsoïan's earlier research on the bilateral influences on Early-Christian Armenia, between Byzantium and the Sasanians. On the one hand, they continue her examination of Armenia's essentially Iranian society and institutions in the 4th-7th centuries; on the other, they are directed to an investigation of its autocephalous Church. This maintained relations with the Antiochene Christological school it shared with the Church of Persia longer than has been generally admitted, but simultaneously brought about an ideological transformation through which Christianity came to define the Armenian identity in the national tradition.

This volume presents the results of the Leiden project on the identity formation of the Syrian Orthodox Christians, which developed from a religious association into an ethnic community. A number of specialists react to the findings and discuss the cases of the East Syrians, Armenians, Copts, and Ethiopians.

This is the third collection of articles by Nina Garsoïan on Early Armenian history and civilization. A number of articles included here continue earlier investigations of Iranian and Byzantine political and, especially, doctrinal and social influences on Medieval Armenia, precariously wedged between the two super-powers of the period, Byzantium and Sasanian Persia. A second theme is the development of the autocephalous Armenian Church as it freed itself from foreign pressures and achieved its own dogmatic position. Last, several studies consider some inadequacies in some recent historiography and suggest a more promising redirection in our approach to Armenian history and the formation of its national identity.