Folklorist Rosa Medina investigates a purported government agency that is cloning monsters--a combination of ChupaCabras and aliens--intended to take over the world.

Looking across the cultural landscape of the twenty-first century, its literature, film, television, comic books, and other media, we can see multiple examples of what Shelley S. Rees calls a "changeling western," what others have called "weird westerns," and what Michael K. Johnson refers to as "speculative westerns"--that is, hybrid western forms created by merging the western with one or more speculative genres or subgenres, including science fiction, fantasy, horror, and alternate history. Speculative Wests investigates both speculative westerns and other speculative texts that feature western settings. Just as "western" refers both to a genre and a region, Johnson's narrative involves a study of both genre and place, a study of the "speculative Wests" that have begun to emerge in contemporary texts such as the zombie-threatened California of Justina Ireland's Deathless Divide (2020), the reimagined future Navajo nation of Rebecca Roanhorse's Sixth World series (2018-19), and the complex temporal and geographic borderlands of Alfredo Véa's time travel novel The Mexican Flyboy (2016). Focusing on literature, film, and television from 2016 to 2020, Speculative Wests creates new visions of the American West.

Among the monsters said to roam the world’s jungles and desolate deserts, none is more feared than the chupacabra—-the blood-sucking beast blamed for the mysterious deaths of thousands of animals since the 1990s. To some it is a joke; to many it is a very real threat and even a harbinger of the apocalypse. Originating in Latin America yet known worldwide, the chupacabra is a contradictory and bizarre blend of vampire and shapeshifter, changing its appearance and characteristics depending on when and where it is seen. Rooted in conspiracy theory and anti-American sentiment, the beast is said to be the result of Frankenstein-like secret U.S. government experiments in the Puerto Rican jungles. Combining five years of careful investigation (including information from eyewitness accounts, field research, and forensic analysis) with a close study of the creature’s cultural and folkloric significance, Radford’s book is the first to fully explore and try to solve the decades-old mystery of the chupacabra.

From vampires and demons to ghosts and zombies, interest in monsters in literature, film, and popular culture has never been stronger. This concise Encyclopedia provides scholars and students with a comprehensive and authoritative A-Z of monsters throughout the ages. It is the first major reference book on monsters for the scholarly market. Over 200 entries written by experts in the field are accompanied by an overview introduction by the editor. Generic entries such as 'ghost' and 'vampire' are cross-listed with important specific manifestations of that monster. In addition to monsters appearing in English-language literature and film, the Encyclopedia also includes significant monsters in Spanish, French, Italian, German, Russian, Indian, Chinese, Japanese, African and Middle Eastern traditions. Alphabetically organized, the entries each feature suggestions for further reading. The Ashgate Encyclopedia of Literary and Cinematic Monsters is an invaluable resource for all students and scholars and an essential addition to library reference shelves.

In 1995, Puerto Rico was seized with mass hysteria over a new menace lurking in the rainforests, gruesomely killing livestock, leaving strange holes in their necks, and draining their bodies of blood. Described by eyewitnesses as a devilish creature three feet tall with spikes along its back and a mouth full of razor-sharp fangs, the strange animal was given the name Chupacabra—Spanish for “goat-sucker.” Join noted monster hunter Nick Redfern and his spirited crew as they traverse the rugged backcountry of Puerto Rico, Mexico, and Texas investigating the continuing legacy of this fearsome beast. Whether he’s interviewing locals, analyzing physical evidence, or sorting out the facts from the legends, Nick’s journey into the realm of the Chupacabra will make you wonder just what’s out there lurking in the night. Praise: “Gonzo-style investigator and author Nick Redfern again plunges into the mysterious thickets that shroud the world’s unknown animals, this time surfacing with an eye-opening look at the much-feared, bloodsucking thing known as the Chupacabra. It’s a breathless road trip . . . no adventurous spirit will want to miss.”—Linda Godfrey, author of American Monsters and Real Wolfmen

Robo Sacer engages the digital humanities, critical race theory, border studies, biopolitical theory, and necropolitical theory to interrogate how technology has been used to oppress people of Mexican descent—both within Mexico and in the United States—since the advent of the North American Free Trade Agreement (NAFTA) in 1994. As the book argues, robo-sacer identity emerges as transnational flows of bodies, capital, and technology become an institutionalized state of exception that relegates people from marginalized communities to the periphery. And yet the same technology can be utilized by the oppressed in the service of resistance. The texts studied here represent speculative stories about this technological empowerment. These texts theorize different means of techno-resistance to key realities that have emerged within Mexican and Chicano/a/x communities under the rise and reign of neoliberalism. The first three chapters deal with dehumanization, the trafficking of death, and unbalanced access to technology. The final two chapters deal with the major forms of violence—feminicide and drug-related violence—that have grown exponentially in Mexico with the rise of neoliberalism. These stories theorize the role of technology both in oppressing and in providing the subaltern with necessary tools for resistance. Robo Sacer builds on the previous studies of Sayak Valencia, Irmgard Emmelhainz, Guy Emerson, Achille Mbembe, and of course Giorgio Agamben, but it differentiates itself from them through its theorization on how technology—and particularly cyborg subjectivity—can amend the reigning biopolitical and necropolitical structures of power in potentially liberatory ways. Robo Sacer shows how the cyborg can denaturalize constructs of zoē by providing an outlet through which the oppressed can tell their stories, thus imbuing the oppressed with the power to combat imperialist forces.

The What Do We Know About? series explores the mysterious, the unknown, and the unexplained. Is there really a mysterious, blood-sucking creature called the Chupcabra? Early one morning in 1995, a rancher in Humacao, Puerto Rico, found three of his goats dead. The blood seemed to have been drained from their bodies. As dozens more farm animals were found dead across the island, the fear of the so-called Chupacabra -- the "goat sucker" -- grew. But was a mysterious cryptid really responsible for all of these deaths? And if so, where would it go next? Follow the trail of the Chupacabra in this exciting new title.