The illustrated classic, complete with a new preface by Matt Groening. Winner of three Academy Awards and numerous other prizes for his animated films, Chuck Jones is the director of scores of famous Warner Bros. cartoons and the creator of such memorable characters as the Road Runner, Wile E. Coyote, Pepé Le Pew, and Marvin Martian. In this beguiling memoir, Chuck Jones evokes the golden years of life at "Termite Terrace," the Warner Bros. studio in which he and his now-famous fellow animators conceived the cartoons that delighted millions of moviegoers throughout the world and entertain new generations of fans on television. Not a mere history, Chuck Amuck captures the antic spirit that created classic cartoons-such as Duck Dodgers in the 241/2 Century, One Froggy Evening, Duck Amuck, and What's Opera, Doc?-with some of the wittiest insights into the art of comedy since Mark Twain.

Academy Award winning animator Chuck Jones looks back on his life and career, and explains how he and his fellow animators created cartoon characters.

The director of Bugs Bunny, Daffy Duck, and Road Runner cartoons discusses his childhood influences, gives advice on how to draw, and reveals how his characters were created

A backward skunk, whose stripe is on his front instead of his back, tries to correct the situation so the other animals will know who he is.

Chuck Jones is best known as the Academy Award-winning director of Duck Amuck, Rabbit of Seville, Dr. Seuss's How the Grinch Stole Christmas and other timeless classics. He created dozens of cartoon characters throughout his decades-long career. Pepé Le Pew, Marvin the Martian, Road Runner & Wile E. Coyote, and the star-crossed Crawford, an accident-prone nine-year-old boy who starred in his very own comic strip. This book follows Chuck Jones's twenty-seven-year journey to bring Crawford to the public, from conception to storyboard to newspaper strip. This incredible volume is replete with never-before-seen sketches, drawings, storyboards, and production notes, and the six-month run of the 1978 Crawford comic strip.

“A thoroughly captivating behind-the-scenes history of classic American animation . . . A must-read for all fans of the medium.” —Matt Groening In 1911, famed cartoonist Winsor McCay debuted one of the first animated cartoons, based on his sophisticated newspaper strip “Little Nemo in Slumberland,” itself inspired by Freud’s recent research on dreams. McCay is largely forgotten today, but he unleashed an art form, and the creative energy of artists from Otto Messmer and Max Fleischer to Walt Disney and Warner Bros.’ Chuck Jones. Their origin stories, rivalries, and sheer genius, as Reid Mitenbuler skillfully relates, were as colorful and subversive as their creations—from Felix the Cat to Bugs Bunny to feature films such as Fantasia—which became an integral part and reflection of American culture over the next five decades. Pre-television, animated cartoons were aimed squarely at adults; comic preludes to movies, they were often “little hand grenades of social and political satire.” Early Betty Boop cartoons included nudity; Popeye stories contained sly references to the injustices of unchecked capitalism. During WWII, animation also played a significant role in propaganda. The Golden Age of animation ended with the advent of television, when cartoons were sanitized to appeal to children and help advertisers sell sugary breakfast cereals. Wild Minds is an ode to our colorful past and to the creative energy that later inspired The Simpsons, South Park, and BoJack Horseman. “A quintessentially American story of daring ambition, personal reinvention and the eternal tug-of-war of between art and business . . . a gem for anyone wanting to understand animation’s origin story.” —NPR