In 14th century England, the brutal murder of Edward II comes to light. Joanna, his exiled daughter, commissions the writer to find out what happened. Revealed is a sordid history of duplicity, cruel intention and a medieval struggle for power. Using sixteen written accounts from survivors, Jane Lane brings this fascinating true story to life.

A character sourcebook for Vampire: The Masquerade

“A novelistic mosaic that simultaneously reads like a thriller and like a strange, dreamlike excursion into the subconscious.” —The New York Times Years ago, when House of Leaves was first being passed around, it was nothing more than a badly bundled heap of paper, parts of which would occasionally surface on the Internet. No one could have anticipated the small but devoted following this terrifying story would soon command. Starting with an odd assortment of marginalized youth -- musicians, tattoo artists, programmers, strippers, environmentalists, and adrenaline junkies -- the book eventually made its way into the hands of older generations, who not only found themselves in those strangely arranged pages but also discovered a way back into the lives of their estranged children. Now this astonishing novel is made available in book form, complete with the original colored words, vertical footnotes, and second and third appendices. The story remains unchanged, focusing on a young family that moves into a small home on Ash Tree Lane where they discover something is terribly wrong: their house is bigger on the inside than it is on the outside. Of course, neither Pulitzer Prize-winning photojournalist Will Navidson nor his companion Karen Green was prepared to face the consequences of that impossibility, until the day their two little children wandered off and their voices eerily began to return another story -- of creature darkness, of an ever-growing abyss behind a closet door, and of that unholy growl which soon enough would tear through their walls and consume all their dreams.

In a world where the sun is frozen and the moon burns, an unlikely hero rises to free the Earth Mother from her chains. His path lies in shadows, his enemies' legion.

Discover The Blackgaard Chronicles, a new book series that explores more of the story beyond the Adventures in Odyssey audio drama series! An evil genius launches his attack on the heart of Odyssey. A conniving city councilman is secretly carrying out plans against John Avery Whittaker and Whit’s End. Yet Philip Glossman is only a pawn in a dark game played by the mysterious Dr. Regis Blackgaard. Meanwhile, against Whit’s express orders, Eugene and Connie tamper with a top-secret computer room—and the destructive Applesauce program is unleashed. Can Whit counter the forces opposing him? What does Dr. Blackgaard really want?

In this, the first comprehensive book on Liliana Cavani, Gaetana Marrone redraws the map of postwar Italian cinema to make room for this extraordinary filmmaker, whose representations of transgressive eroticism, spiritual questing, and psychological extremes test the limits of the medium, pushing it into uncharted areas of discovery. Cavani's film The Night Porter (1974) created a sensation in the United States and Europe. But in many ways her critically renowned endeavors--which also include Francesco di Assisi, Galileo, I cannibali, Beyond Good and Evil, The Berlin Affair, and several operas and documentaries--remain enigmatic to audiences. Here Marrone presents Cavani's work as a cinema of ideas, showing how it takes pleasure in the telling of a story and ultimately revolts against all binding ideological and commercial codes. The author explores the rich visual language in which Cavani expresses thought, and the cultural icons that constitute her style and images. This approach affords powerful insights into the intricate interlacing of narrated events. We also come to understand the importance assigned to the gaze in the genesis of desire and the acquisition of knowledge. The films come to life in this book as the classical tragedies Cavani intended, where rebels and madmen experience conflict between historical and spiritual reality, the present and the past. Offering intertextual analyses within such fields as psychology, history, and cultural studies, along with production information gleaned from Cavani's personal archives, Marrone boldly advances our understanding of an intriguing, important body of cinematic work.

'An immersive novel, steeped in the history and folklore of Crete: transporting, historically informative story-telling' Sunday Times 'A moving, superbly written exploration of a family with dark secrets. Crete itself becomes one of the main characters in the story' Irish Times, Best Books 2021 ---------- This was my home. This harbour and sea. These golden alleys. But the town I grew up in has disappeared. Broken by the death of her husband, Ri, a successful international artist living in London, returns to her ancestral home of Crete. The Greek island is known for its ancient myth and mass tourism, but when Ri returns she finds a secret, darker history. As the home she left deals with a looming Brexit, and the home she rediscovered grapples with a refugee crisis, Ri confronts her changing identity. Unearthing stories from her family's past leaves a permanent mark on her understanding of herself, her relationship to her country, and her art. Lyrical, unsettling and evocative, Daughters of the Labyrinth explores the power of buried memory and the grip of the past on the present, and questions how well we can ever know our own family. ---------- 'Daughters of the Labyrinth is a novel about a daughter's passionate quest for the truth about what happened to her parents in Crete during the German occupation. It is also a sumptuous and sensuous evocation of Crete itself, its landscape and culture. Ruth Padel's brings a poet's eye to this world of great physical beauty and gnarled legacy' Colm Tóibín