After the tumultuous events of last winter, Kate, Michael, and Emma long to continue the hunt for their missing parents. But they themselves are now in great danger, and so the wizard Stanislaus Pym hides the children at the Edgar Allan Poe Home for Hopeless and Incorrigible Orphans. There, he says, they will be safe. How wrong he is. The children are soon discovered by their enemies, and a frantic chase sends Kate a hundred years into the past, to a perilous, enchanted New York City. Searching for a way back to her brother and sister, she meets a mysterious boy whose fate is intricately—and dangerously—tied to her own. Meanwhile, Michael and Emma have set off to find the second of the Books of Beginning. A series of clues leads them into a hidden world where they must brave harsh polar storms, track down an ancient order of warriors, and confront terrible monsters. Will Michael and Emma find the legendary book of fire—and master its powers—before Kate is lost to them forever? Exciting, suspenseful, and brimming with humor and heart, the next installment of the bestselling Books of Beginning trilogy will lead Kate, Michael, and Emma closer to their family—and to the magic that could save, or destroy, them all.

Drama. Poetry. Performance Studies. LGBTQIA Studies. Hybrid Genre. Introduction by Amina Cain. A quietly heartbreaking play that grounds epic themes--unabated longing, violence and imperialism, and the bond between mother and son--in the small ways we hurt and love one another and decide where to go on vacation. In BRIEF CHRONICLE, BOOKS 6-8, Alexander Borinsky delivers a play in a single column that reads as poetry, critique, and philosophy for the practice of everyday life in America. "BRIEF CHRONICLE, BOOKS 6-8 is a remarkable creature of our shattered and shuttered time. Borinsky's theater examines everything that it encounters--including the various artifices of theater itself, i.e. character, costumes, boxes, supposed emotions (real or imagined), action as it would have its way, place/s, and all the supposed ends and means of the theater making apparatus--with a scrupulous but loving attentiveness. There is no one quite like him writing and making theater today."--Mac Wellman "If the world feels a little unknowable after reading this play, if you feel unknowable to yourself, how do you talk about that, how do you narrate what it was like? Still, I will tell you what I thought about when I finished Alexander Borinsky's BRIEF CHRONICLE, BOOKS 6-8 though it changed when I read it again, and it may be different for you too. Intimacy. The many ways (sometimes strange or uncomfortable) in which it's possible to know another person. What it means to appear. What it means to live. When the play opens, it seems we are encountering something that has already been happening, without us, and this is surprisingly relaxing (we are allowed to be 'late'). The ghost will arrive, but in a sense we are making an entrance too. This is not just about the one who watches and the one who is watched; in Borinsky's play, those formalities have been emptied of their meaning. We are all here in this room for whatever will unfold."--Amina Cain 3 Hole Press is a small press bringing new audiences to new plays in printed formats. The Press publishes titles that expand notions of what a play is, the possibilities that emerge for drama on the page, and the connection between plays and other mediums. Interdisciplinary by design, these books belong outside the drama section.

The Art of Alice and Martin Provensen is the first-ever monograph on this beloved midcentury husband-and-wife illustration team. This award-winning pair created more than 40 beloved children's books over the span of seven decades, many of which appeared on the New York Times,/i> Best Illustrated Books of the Year lists. From early favorites for Golden Books such as The Color Kittens by Margaret Wise Brown, 1949, to their Caldecott-winning title The Glorious Flight: Across the Channel with Louis Bleriot, 1983, the Provensens' books inspired generations of young readers. Original paintings for their beloved classics such as A Child's Garden of Verses, 1951, The Iliad and the Odyssey, 1959, Myths and Legends, 1960 and many others, are beautifully reproduced and included here. This comprehensive volume showcases hundreds of their well-known illustrations, as well as many never-before-seen paintings, drawings, and exquisite sketchbooks from their travels around the world. An interview with their daughter Karen Provensen Mitchell illuminates their life and career and includes many personal photographs, quotes, speeches, and memorabilia from their archive. An introduction by Leonard S. Marcus, a leading historian in children's literature, underscores the Provensen's importance and influence as illustrators and authors. Additionally, noted publisher and close family friend Robert Gottlieb, provides a personal essay that shares many of his memories with this cherished couple. The Provensens' colorful, inimitable artwork is a treasure trove that has influenced generations of children, designers, illustrators, historians, and all who cherish classic children's books.

Featuring delightfully irreverent phrases, lovely calligraphy, and illustrated backgrounds, this coloring book invites adults to color their f*cking stress away! With a range of profanity from upbeat sweary affirmations to hilariously sassy sayings, 30 different expletives offer creative stimulation and cathartic release for any mood. Designs are printed on thick, removable, frame-worthy pages—with metallic ink patterns on the back of each page—making them easy to share and display.