Looking for intriguingly beautiful early-intermediate violin holiday duets? Sailing into Bethlehem: Christmas Duets for Two Violins gives you a chance to play the carols you love with your teacher, your students, or your friends. Weaving melodies with accompaniment, Myanna Harvey has created a Christmas book in the style of Flying Fiddle Duets for Two Violins. Playable, enjoyable, performable: these duets are a welcome addition to the Christmas chamber music repertoire. Know any violists or cellists? You can pick up a copy of theviola book or the cello book and play with those instruments as well; the viola book is fully compatible with the viola and cello books! Here's the technical nitty-gritty: -all in first position -in keys of G, C, and D

(String Duet). 30 holiday classics arranged in unique arrangements for two violins: Blue Christmas * The Christmas Song (Chestnuts Roasting on an Open Fire) * Do You Hear What I Hear * Frosty the Snow Man * Grown-Up Christmas List * A Holly Jolly Christmas * It's Beginning to Look like Christmas * The Little Drummer Boy * The Most Wonderful Time of the Year * Silver Bells * White Christmas * and more.

21 favourite Traditional Christmas Carols arranged for two equal players of intermediate standard. This collection will be enjoyed year after year. Ideal for diving into the Christmas spirit, playing with friends, entertaining the family or even busking. A great incentive for holiday practice. Includes: Jingle Bells, Silent Night, Good King Wenceslas, We Wish You a Merry Christmas, Sussex Carol, O Come All Ye Faithful, God Rest Ye Merry Gentlemen, In the Bleak Midwinter, While Shepherds Watched, Hark the Herald Angels Sing, Deck the Halls, I Saw Three Ships, Joy to the World, Deck the Halls, Ding Dong Merrily,The First Nowell, The Holly and the Ivy and more.Look out for music arranged for mixed instruments: Flute, Clarinet, Bassoon, Oboe, Saxophone, Recorder, Trumpet, Trombone, Tuba, Violin, Cello and Double Bass! We have a spectacular variety of duet books, a gargantuan selection of festive books (including Halloween!) and even downloadable playalong and backing tracks and sheet music on our website. Just visit http://WildMusicPublications.com

This collection of intermediate level Advent and Christmas pieces for violin(s) and piano includes some well-loved classics as well as pieces that will be new discoveries. While both beautiful and fun to play as duets, these pieces can also be performed as solo works using the Violin I part with the piano accompaniment. Each piece goes beyond a straightforward presentation of the main melody to bring a sense of joy and wonder to both the musicians and the listeners. These arrangements provide excellent opportunities for expression and collaborative playing; the melody often moves from part to part, and original material and fiddle tunes enhance the original melodies. Perfect for use in church settings or in recitals, as solos, or as ensemble repertoire in group classes, this collection will bring joy to your holiday season. Angels We Have Heard on High • Gabriel’s Message / Cold Frosty Morning • Joy to the World / The Ashplant • O Come, O Come Emmanuel • O Holy Night • Pat-a-Pan • Silent Night • Snowfall • St. Basil’s Hymn • What Child Is This?

Celebrate the winter season with these concert-ready arrangements influenced by a variety of folk traditions such as Celtic, old-time, bluegrass and Scandinavian fiddle. This collection of time-honored and original melodies is written with a modern string crossover twist to keep both the listener and performer engaged. All tunes are arranged by the Wires String Duo, including their original piece “Campbell Street”. The audio is a stereo recording of each of the arrangements inside this collection. Includes access to online audio.

Incorporating skills taught in many popular violin methods, these tuneful solo pieces offer a fresh alternative for teachers who would like a stimulating supplement to their usual method. These entertaining and whimsical compositions reinforce and develop violin skills through repetition disguised as lyrical musical phrases. They strengthen the left hand, exercise the fourth finger, and use rests in musically compelling ways that keep the student attentive. They also present mixed meter and double-stops, and offer a practical introduction to musical form and phrase structure. Slurs and dynamics are incorporated immediately, along with right-hand pizzicato on stopped strings and left-hand pizzicato on all open strings. These pieces are written specifically to encourage interpretive creativity, even at the most elementary levels. As twenty-first-century pieces for solo violin, they are meant to be performed as well as studied.