This volume critically examines the notion of a 'new' India by acknowledging that India is changing remarkably and by indicating that in the overzealous enthusiasm about the new India, there is collective amnesia about the other, older India. The book argues that the increasing consolidation of capitalist markets of commodity production and consumption has unleashed not only economic growth and social change, but has also introduced new contradictions associated with market dynamics in the material and social as well as intellectual spheres.

Discusses the specific ways in which jewelry fashions reflected the socio-political changes of the last century, citing such periods as the affluent 1920s, the war years, and the technological advances that enabled new design innovations.

This groundbreaking book explores the evolving concept of unfinishedness as essential to understanding art movements from the Renaissance to the present day. Unfinished features more than 200 works, created in a variety of media, by artists ranging from Leonardo, Titian, Rembrandt, Turner, and Cézanne to Picasso, Warhol, Twombly, Freud, Richter, and Nauman. What unites these works, across centuries and media, is that each one displays some aspect of being unfinished. Essays and case studies by major contemporary scholars address this key concept from the perspective of both the creator and the viewer, probing the impact that this long artistic trajectory—which can be traced back to the first century—has had on modern and contemporary art. The book investigates the degrees to which instances of incompleteness were accidental or intentional experimental or conceptual. Also included are illuminating interviews with contemporary artists, including Tuymans, Celmins, and Marden, and parallel considerations of the unfinished in literature and film. The result is a multidisciplinary approach and thought-provoking analysis that provide valuable insight into the making, meaning, and critical reception of the unfinished in art.

Works of modern painter with special reference to the depiction of Bombay, India in them; covers the period, 1975-2004; includes introduction.

Tuli S Auction Catalogues Have Become Essential Reference Publications For Those Seriously Interested In Indian Modern And Contemporary Art. Their Quality Of Research, Design And Pictorial Reproduction Has Set New Standards For Such Catalogues. India: A H