This monograph focuses on "Christian Goddess Spirituality" (CGS), the phenomenon of (mostly) women who combine Christianity and Goddess Spirituality, including Wicca/Witchcraft. Mary Ann Beavis’s study provides ethnographic data and analysis on the lived religious experience of CGS practitioners, drawing on interviews of over 100 women who self-identify as combining Christianity and Goddess spirituality. Although CGS also has implications for Goddess Spirituality and related traditions (e.g., Neopaganism, Wicca), here, CGS is considered primarily as a phenomenon within Christianity. However, the study also shows that the fusion of Christian and Goddess spiritualties has had an impact on non-Christian feminist spirituality, since Goddess-worshippers have often constructed Christianity as the diametrical opposite and enemy of the Goddess, to the point that some refuse to admit the possibility that CGS is a valid spiritual path, or that it is even possible. In addition, biblical, Jewish and Christian images of the divine such as Sophia, Shekhinah, the Virgin Mary, and even Mary Magdalene, have found their way into the "Pagan" Goddess pantheon. The main themes of the study include: overlaps and differences between Christian feminist theology and CGS; the routes to CGS for individual practitioners, and their beliefs, practices and experiences; proto-denominational classifications ("spiritual paths") within CGS; CGS thealogy (Christian discourse about the female divine); and the future of CGS in social scientific and ecclesiological context. Christian Goddess Spirituality will be of interest to scholars of religion, especially those with interests in women and religion, feminist spiritualities, feminist theology/thealogy, alternative spiritualities, New Religious Movements, and emergent Christianities.

The Christian Goddess: Archetype and Theology in the Fantasies of George MacDonald, examines this British Victorian writer's employment of female figures to represent Deity. Such symbolism is extremely unusual for a Christian author of this period and anticipates the efforts of many modern theologians to develop an image of God as Mother. Bonnie Gaarden reads the goddess-figures in MacDonald's fantasies as both archetypes of the collective unconscious and as emblems articulating MacDonald's unique Christian theology, which is Trinitarian, Neo-Platonic, mystical and universalist. The goddesses become the central figures around which the author develops her interpretations of MacDonald's adult fantasy-novels, his children's books and some of his fairy tales. These readings discover MacDonald's ideas about God and the nature of good and evil, models of spiritual and psychological development that foreshadow the theories of Carl Jung and Eric Neumann, and acerbic commentary on the values and customs of Victorian society and religion. According to The Christian Goddess, MacDonald's Romantic belief in God's self-revelation in Nature led him to create Nature-mothers (such as the Green Lady in 'The Golden Key' and Lilith's Eve) which evoke both the Great Mother archetype described by Eric Neumann, and the modern neopagan Great Mother as developed in the works of James Frazer, Robert Graves, and Marija Gimutas. MacDonald dramatized his view of evil and its cure in the title character of Lilith, a Terrible Mother archetype historically embodied in the Hindu goddess Kali. MacDonald's notion of the world as Keat's 'vale of Soulmaking,' also elaborated by religious philosopher John Hick, is conveyed by Magic Cauldron archetypes in The Wise Woman, 'The Gray Wolf,' and Lilith. Muse-figures in Phantastes and At the Back of the North Wind express MacDonald's conviction that a 'right imagination' is the voice of God, while Divine Children in The Wise Woman and 'The Golden Key' communicate his belief that 'true childhood' is the Divine nature. The great-grandmother in the Princess books, a personification of the multi-dimensional activity of Divine Wisdom, springs from the Judeo-Christian Sophia and the classical Athena, while Kore figures in The Princess and the Goblin, Lilith, and Phantastes re-present the transforming descents of Persephone and Christ. This book shows MacDonald's fantasies as a chronological bridge, anchored in the traditions of the Hebrew Bible and the New Testament, incorporating the teachings of Christian mysticism and theistic Romanticism, and linking to the contemporary concerns in Western society that have given birth to the New Age. The Christian goddess portrayed in these fantasies may strike the reader as a Deity whose time has come.

The Goddess Revival is a Christianity Today Book Award Winner, 1996. "All of the authors are clearly sympathetic to the problems women have faced in the church throughout its history. They empathize with women who shun the patriarchal oppression of their churches to turn to goddess spirituality. They are also solidly grounded in the Scriptures, Christian theology and church history. They recognize the bondage imposed by goddess worship. This book presents a scholarly and clear consideration of the issues involved and builds a strong case for Christianity as the most woman-friendly alternative. While providing a comprehensive study of goddess spirituality and examining the roots of the movement, the authors focus primarily on God and the way people have understood God through the centuries--in both paganism and the Judeo-Christian tradition--as both male and female. They demonstrate how the uniqueness of God contrasts with the multiplicity of gods and goddesses in pagan spiritualities, while comparing the values in both traditions that are similar (that is, a search for what is good, inner empowerment, unity, positive social change). In the process of building a clear Christian theology, they gently counter the arguments of their pagan opponents. In the end, the reader is left with a glorious picture of the one true God and a clear apologetic for those in nursing who insist that the Christian God is too oppressive and patriarchal to merit our allegience. The appendixes provide a powerful case study of a young woman drawn into witchcraft. She explains why it appealed to her, then how it enslaved her and destroyed her marriage and other relationships. . . The two final appendixes offer some excellent biblical studies on the issues raised in the book. The total package provides an outstanding resource" -- Journal of Christian Nursing

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Why Were the Teachings of the Original Christians Brutally Suppressed by the Roman Church? • Because they portray Jesus and Mary Magdalene as mythic figures based on the Pagan Godman and Goddess • Because they show that the gospel story is a spiritual allegory encapsulating a profound philosophy that leads to mythical enlightenment • Because they have the power to turn the world inside out and transform life into an exploration of consciousness Drawing on modern scholarship, the authors of the international bestseller The Jesus Mysteries decode the secret teachings of the original Christians for the first time in almost two millennia and theorize about who the original Christians really were and what they actually taught. In addition, the book explores the many myths of Jesus and the Goddess and unlocks the lost secret teachings of Christian mysticism, which promise happiness and immortality to those who attain the state of Gnosis, or enlightenment. This daring and controversial book recovers the ancient wisdom of the original Christians and demonstrates its relevance to us today.

Here, archaeologically documented,is the story of the religion of the Goddess. Under her, women’s roles were far more prominent than in patriarchal Judeo-Christian cultures. Stone describes this ancient system and, with its disintegration, the decline in women’s status.

This anthology addresses the experiences of third-wave feminists in the construction and reformulation of spirituality. It is a useful resource for any course on women and/or feminism and religion.