"This book is published in conjunction with the exhibition, Christianity in Asia: sacred art and visual splendour, presented at the Asian Civilisations Museum, Singapore, from 27 May to 11 September 2016"--Title page verso.

This colourful catalogue features paintings and statements by five leading contemporary Asian artists, Sawai Chinnawong (Thailand), He Qi (China), Nalini Jayasuriya (Sri Lanka), Nyoman Darsane (Bali) and Wisnu Sasongko (Thailand), which highlight the very different ways artists of diverse cultures today perceive Biblical tales. Over 40 new paintings are explored showing how the Judeo-Christian narrative has been adapted for both western and indigenous audiences. Though greatly influenced by regional and cultural traditions, many of these artists have also been exposed to western Judeo-Christian teachings, and it is this mixture of influences which is so striking in their work. The book considers the importance of these works to the development and exportation of Asian Biblical Art to the West and its reception, audience and patronage.

Named by the International Bulletin of Missionary Studies as an Outstanding Book of 2014 for Mission Studies Despite the ongoing global expansion of Christianity, there remains a lack of comprehensive scholarship on its development in Asia. This volume fills the gap by exploring the world of Asian Christianity and its manifold expressions, including worship, theology, spirituality, inter-religious relations, interventions in society, and mission. The contributors, from over twenty countries, deconstruct many of the widespread misconceptions and interpretations of Christianity in Asia. They analyze how the growth of Christian beliefs throughout the continent is linked with the socio-political and cultural processes of colonization, decolonization, modernization, democratization, identity construction of social groups, and various social movements. With a particular focus on inter-religious encounters and emerging theological and spiritual paradigms, the volume provides alternative frames for understanding the phenomenon of conversion and studies how the scriptures of other religious traditions are used in the practice of Christianity within Asia.

How are Chinese Catholic identities expressed through images? In this cross-disciplinary study which engages with history, theology and art, Fr. Jeremy Clarke explores paintings and sculptures of the Virgin Mary and the communities that produced them over several centuries. He argues for the emergence of distinctly Chinese Catholic identities as artistic representations of the Virgin Mary sometime absorbed representations of such Chinese figures as Guanyin while at other times were diluted by Western influences following the influx of European missionaries. The book offers a new view of Cathol.

Jesus in the sutras, stele, and suras -- The heavenly elder brother -- A Judean jnana-guru -- The non-existent Jesus -- A Jaffna man's Jesus -- Jesus as a Jain tirthankara -- An Upanishadic mystic -- A minjung messiah -- Jesus in a kimono -- Conclusion: Our Jesus, their Jesus

Taking the analysis of worldwide Christianity to a deeper level of detail, this volume focuses on Christianity in East and Southeast Asia, covering every country and offering both reliable demographic information and original interpretative essays by indigenous scholars and practitioners. It maps patterns of growth and decline, assesses major traditions and movements, analyses key themes, and examines current trends. As a comprehensive account of the presence of Christianity in every country in East and Southeast Asia, this volume is set to become a standard work of reference in its field.