"Chosen Voices is the definitive survey of an often overlooked aspect of American Jewish history and ethnomusicology, and an insider's look at a profession that is also a vocation.Week after week, year after year, Jews turn to sacred singers for spiritual and emotional support. The job of the hazzan--much more than the traditional ""messenger to God""--is deeply embedded in cultural, social, and religious symbolism, negotiated between the congregation and its chosen voices. Drawing on archival sources, interviews with cantors, and photographs, Slobin traces the development of the American cantorate from the nebulous beginnings of the hazzan as a recognizable figure through the heyday of the superstar sacred singer in the early twentieth century to a diverse portrait of today's cantorate, which now includes women as well as men. Slobin's focus on the current nature of the profession includes careful consideration of the sacred singer's part in creating and maintaining the worship service, the recent relationship between the rabbi and the hazzan within the synagogue, and the music that contemporary cantors sing. This first paperback edition features a new preface by the author. A thirty-five-minute cassette for use with Chosen Voices is available separately from the University of Illinois Press."

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. To produce the song sequences that are central to Indian popular cinema, singers' voices are first recorded in the studio and then played back on the set to be lip-synced and danced to by actors and actresses as the visuals are filmed. Since the 1950s, playback singers have become revered celebrities in their own right. Brought to Life by the Voice explores the distinctive aesthetics and affective power generated by this division of labor between onscreen body and offscreen voice in South Indian Tamil cinema. In Amanda Weidman's historical and ethnographic account, playback is not just a cinematic technique, but a powerful and ubiquitous element of aural public culture that has shaped the complex dynamics of postcolonial gendered subjectivity, politicized ethnolinguistic identity, and neoliberal transformation in South India.

New York City’s magnificent Eldridge Street Synagogue was built in 1887 in response to the great wave of Jewish immigrants who fled persecution in eastern Europe. Finding their way to the Lower East Side, the new arrivals formed a vibrant Jewish community that flourished from the 1850s until the 1940s. Their synagogue served not only as a place of worship but also as a singularly important center in the development of American Judaism. A near ruin in the 1980s that was recently reopened after a massive twenty-year restoration, the Eldridge Street Synagogue has been named a National Historic Landmark. But as Bill Moyers tells us in his foreword, the synagogue is also “a landmark of the spirit, . . . the spirit of a new nation committed to the old idea of liberty.” Annie Polland uses elements of the building’s architecture—the façade, the benches, the grooves worn into the sanctuary floor—as points of departure to discuss themes, people, and trends at various moments in the synagogue’s history, particularly during its heyday from 1887 until the 1930s. Exploring the synagogue’s rich archives, the author shines new light on the religious life of immigrant Jews, introduces various rabbis, cantors and congregants, and analyzes the significance of this special building in the context of the larger American-Jewish experience. For more information, go to: www.EldridgeStreet.org

“The broken pieces of a Black woman. Shattered by the neglect of a Black man. It’s too much pressure to save her. So, he turns his head. Acting as if he don’t see her pain, While all she needed was his hand.” In her debut poetic memoir, “The Makings of a Project Queen,” Blossom relives a path of self-discovery, empowerment, and healing as she shines a light on key issues impacting inner-city Black girls today. She uses a collection of poems and short behind-the-scenes stories to take others on an inspirational journey of a hood scholar who forged her own path as a community-based educator and scholar-activist. Through the book, she emerges as a Project Queen. Growing up in South Sacramento, Denisha “Coco” Blossom had to navigate gang territories, drugs, poverty, hustle, and power plays. She survived immense heartbreak, broken relationships, body shaming, and hopelessness. At a young age, she internalized the notion that, as an impoverished fat Black girl, her choices in life were limited. Despite these adversities, through engagement with poetry, education, street literacy, and faith, she exceeded all of the low expectations – especially those that came from her teachers. Instead of succumbing to her circumstances, she grew into a Queen. She lifted her head, reclaimed her crown, and became the author of her own life. The makings of a Project Queen is a powerful story that will encourage women and girls everywhere to fix their crown, walk-in their queendom, and embark on their own journey to self-discovery and fulfilling their greatest life purpose.

At which moments and in which ways did Jews play a central role in the development of American capitalism? Many popular writers address the intersection of Jews and capitalism, but few scholars, perhaps fearing this question’s anti-Semitic overtones, have pondered it openly. Chosen Capital represents the first historical collection devoted to this question in its analysis of the ways in which Jews in North America shaped and were shaped by America’s particular system of capitalism. Jews fundamentally molded aspects of the economy during the century when American capital was being redefined by industrialization, war, migration, and the emergence of the United States as a superpower. Surveying such diverse topics as Jews’ participation in the real estate industry, the liquor industry, and the scrap metal industry, as well as Jewish political groups and unions bent on reforming American capital, such as the American Labor Party and the International Ladies’ Garment Workers’ Union, contributors to this volume provide a new prism through which to view the Jewish encounter with America. The volume also lays bare how American capitalism reshaped Judaism itself by encouraging the mass manufacturing and distribution of foods like matzah and the transformation of synagogue cantors into recording stars. These essays force us to rethink not only the role Jews played in American economic development but also how capitalism has shaped Jewish life and Judaism over the course of the twentieth century. Contributors: Marni Davis, Georgia State University Phyllis Dillon, independent documentary producer, textile conservator, museum curator Andrew Dolkart, Columbia University Andrew Godley, Henley Business School, University of Reading Jonathan Karp, executive director, American Jewish Historical Society Daniel Katz, Empire State College, State University of New York Ira Katznelson, Columbia University David S. Koffman, New York University Eli Lederhendler, Hebrew University, Jerusalem Jonathan Z. S. Pollack, University of Wisconsin—Madison Jonathan D. Sarma, Brandeis University Jeffrey Shandler, Rutgers University Daniel Soyer, Fordham University