Originally appearing as an issue of American Quarterly, these essays take a close look at American humor from revolutionary times to the present day, focusing in particular on the neglected trends of the past fifty years.

This book is the first full-length annotated bibliography of the works of humorist Robert Benchley. It contains chapters on his books, essays, newspaper writings, dramatic criticism, plus a filmography and a discography. Also included is a chapter on secondary sources about his life. When humorist Robert Benchley died in 1945 at the age of 56, he left behind a large body of little-known material. Some of this material was collected into book form during and after Benchley's lifetime, but much of it remains uncollected. This annotated bibliography brings together in one volume citations to most of Benchley's collected and uncollected works. The volume contains chapters on Benchley's books, essays, newspaper writings, dramatic criticism, secondary sources about him, a filmography, and a discography. The books chapter contains all of Benchley's major books and lists the contents of each. The chapters on his essays and newspaper writings detail his work for such publications as the New Yorker, Life, Liberty, Vanity Fair, the New York Tribune, New York World, and the Chicago Tribune. The dramatic criticism chapter contains all his theater reviews, for Life and the New Yorker, with the titles of the reviewed plays and the authors for each. Entries are numbered, cross-referenced, and indexed to assist the reader.

First published in 1988, this book contains entries on famous American Humorists. Humor has been present in American literature, from the beginning, and has developed characteristics that reflect the American character, both regional and national. Although American literature was, in the past, treated as inferior to British literature, there has always been a large popular audience for the genre, which this book shows. The figures with entries in this encyclopedia not only amuse in their writing, but also aim to enlighten- setting out to expose the foibles and foolishness of society and the individuals who compose it. It is the manner in which these authors try to accomplish this end that determines whether they appear in the volume. Indeed, the book will demonstrate that the best humor has at its base, a ready understanding of human nature.

This groundbreaking new source of international scope defines the essay as nonfictional prose texts of between one and 50 pages in length. The more than 500 entries by 275 contributors include entries on nationalities, various categories of essays such as generic (such as sermons, aphorisms), individual major works, notable writers, and periodicals that created a market for essays, and particularly famous or significant essays. The preface details the historical development of the essay, and the alphabetically arranged entries usually include biographical sketch, nationality, era, selected writings list, additional readings, and anthologies

All knowledge, the totality of all questions and answers, is contained in the dog. So wrote Franz Kafka, and those who cherish man' s best friend will find plenty to enjoy in this appealing, delightfully illustrated compilation. The quotations extend from Shakespeare and Sartre to Groucho Marx and Woodrow Wilson, and range from adoring to amusing.

We began as savages, and savagery has served us well—it got us where we are. But how do our tribal impulses, still in place and in play, fit in the highly complex, civilized world we inhabit today? This question, raised by thinkers from Freud to Lévi-Strauss, is fully explored in this book by the acclaimed anthropologist Robin Fox. It takes up what he sees as the main—and urgent—task of evolutionary science: not so much to explain what we do, as to explain what we do at our peril. Ranging from incest and arranged marriage to poetry and myth to human rights and pop icons, Fox sets out to show how a variety of human behaviors reveal traces of their tribal roots, and how this evolutionary past limits our capacity for action. Among the questions he raises: How real is our notion of time? Is there a human “right” to vengeance? Are we democratic by nature? Are cultural studies and fascism cousins under the skin? Is evolutionary history coming to an end—or just getting more interesting? In his famously informative and entertaining fashion, drawing links from Volkswagens to Bartók to Woody Guthrie, from Swinburne to Seinfeld, Fox traces our ongoing struggle to maintain open societies in the face of profoundly tribal human needs—needs which, paradoxically, hold the key to our survival.