Westerners seeking to appreciate and understand Chinese art have long felt the need of a fundamental book that explains both the technical means used by Chinese artists and the traditional stylistic modes of artistic expression. In Chinese Painting Style Jerome Silbergeld addresses this need, beginning with a discussion of basic materials and methods and continuing with in-depth studies of the complex paintings created by these methods. No other work so thoroughly or systematically describes the Chinese artistic processes, ranging from the distinctively Chinese manner of handling the brush to the blending of brushlines, wash, color, and texture into a painted composition. The final chapters examine Chinese composition in terms of naturalistic representation and of abstract expression. Throughout the book, artistic problems are set against a background of Chinese history, ideas, and geography. The illustrations include drawings that reveal the principles of Chinese brushwork, together with a broad range of Chinese paintings and calligraphy. A unique feature is the precise coding of text and illustrations, by which the reader is invited to inspect the specific turn of the brush or adjustment of composition by which the artist achieves his effects. Chinese Painting Style provides a penetrating look into the formal basis of this age-old art, and one that will be useful and engaging both to the general reader and to the serious student.

Over thousands of years, the art of Chinese paintings has been refined into an exquisitely developed system of visual representation. But until the publication of this volume, there was no single source that bridged the gap between the philosophical and imitative methods of instruction. Alison Stilwell Cameron, daughter of famed World War II General Joseph Stilwell, spent her early childhood and teenage years in China where she studied under two renowned Chinese artists — Yu Fei-am and Prince P'u Ju of the imperial family. Having achieved wide recognition for her mastery of Chinese painting, she distilled her knowledge in this book, providing step-by-step instruction for those with no art training at all. Starting with an explanation of the physical tools of the art, she describes the basic strokes and the creation of Chinese characters before moving on to demonstrate the use of these strokes to represent trees, flowers, rocks, boats, insects, birds, and other subjects. These elements are then combined to produce finished Chinese paintings, "the kind of pleasing and satisfying pictures that thousands of amateurs have been producing in China for centuries." Enhanced with hundreds of illustrations, including 36 in full color, this handsome volume also contains a chapter on the mounting process, a valuable bibliography, and an index. It is an invaluable guide to an art, which — once mastered — will not only delight viewing audiences but will bring satisfaction throughout the artist's lifetime.

Beyond Representation surveys Chinese painting and calligraphy from the eighth to the fourteenth century, a period during which Chinese society and artistic expression underwent profound changes. A fourteenth-century Yuan dynasty (1279 - 1368) literati landscape painting presents a world that is totally different from that portrayed in the monumental landscape images of the early Sung dynasty (960 - 1279). To chronicle and explain the evolution from formal representation to self-expression is the purpose of this book. Wen C. Fong, one of the world's most eminent scholars of Chinese art, takes the reader through this evolution, drawing on the outstanding collection of Chinese painting and calligraphy in The Metropolitan Museum of Art, New York. Focusing on 118 works, each illustrated in full color, the book significantly augments the standard canon of images used to describe the period, enhancing our sense of the richness and complexity of artistic expression during this six-hundred-year era.

Written by a team of eminent international scholars, this book is the first to recount the history of Chinese painting over a span of some 3000 years.

A second addition, also known as Ning Yeh's "Gold Edition" updates his original guide of step-by-step instructions for Chinese Brush Painting.

Essential Terms of Chinese Painting provides a comprehensive coverage of the broad spectrum of Chinese painting. Through an array of some 900 terms, it exhibits the history of Chinese culture, as interpreted by artists and portrayed in their work. In masterful detail, it describes not only the artistic implements and drawing styles, but also how these are influenced by changing cultural considerations over time such as religion, philosophy, intellectual ideas, and political developments. From the broad view of how the change of dynasties affected painting trends in both format and subject, to the smallest detail of the methods used to paint different styles of tree branches, this is a full compendium of the scope and depth of artwork from China. This volume features twelve chapters which • explore all major areas of art including techniques, implements and materials, inscriptions and seals, painting and mounting formats for all categories including landscape, bird-and-flower, figure and auspicious paintings; • provide a helpful resource for readers to enjoy Chinese art with over 500 full-colour illustrations and pictures to further elaborate the terms discussed; • serve as an introduction to begin a true understanding of traditional Chinese painting.

Capture the essence of animals like never before! Using Chinese and watercolor techniques and materials, you can create animals with elegance and grace. Let award-winning artist Lian Quan Zhan show you how with his clear and basic step-by-step instructions. Artists at all levels will benefit from Lian's deep understanding of both art forms. He guides you through the process by beginning with the basic properties of Chinese materials such as rice paper and ink, and leading to more advanced techniques such as loading a brush with multiple colors. He also teaches watercolor pouring techniques so you can create vibrant animals and beautiful backgrounds. So much of Chinese painting stems from observation and interpretation of nature. Apply these principles by painting cats, birds, tigers, and many other animals in seventeen step-by-step demonstrations. Find your inspiration within the animals of this book, and breathe the spirit of the East and West into your own art.