This book systematically introduces readers to traditional Chinese handicrafts, which are original, distinct, and have had major impacts in China and around the globe. It explores 14 different types of handicraft, and provides a clear definition, detailed information on the techniques, and extensive discussion of each. Readers will not only learn the fascinating stories behind traditional Chinese handicrafts, but also be inspired by the great Chinese handicraftsmen’s inherent spirit of innovation and creativity.

China's art objects and traditionally manufactured products have long been sought by collectors--from porcelains and silk fabrics to furniture and even the lacquered chopsticks that are a distant relation to ones found in most Chinese restaurants. Things Chinese presents sixty distinctive items that are typical of Chinese culture and together open a special window onto the people, history, and society of the world's largest nation. Many of the objects are collectibles, and each has a story to tell. The objects relate to six major areas of cultural life: the home, the personal, arts & crafts, eating & drinking, entertainment, and religious practice. They include items both familiar and unfamiliar--from snuff bottles and calligraphy scrolls to moon cake molds and Mao memorabilia. Ronald Knapp's evocative text describes the history, cultural significance, and customs relating to each object, while Michael Freeman's superb photographs illustrate them. Together, text and photographs offer a unique look at the material culture of China and the aesthetics that inform it.

Investigates alleged communist control of the publications and international information exchange programs of the Institute of Pacific Relations. Also investigates alleged communist attempts to influence U.S. Far East policy. Includes discussion of Communist Party activities in Nazi Germany.

This penetrating study of China’s social and cultural contacts with the West, first published in 1979, analyses the early images that China and the West had of one another, and the illusions and misconceptions that arose from these images. The book centres on the question, why did China fail to become modernised through contact with the West before the 1930s? The author examines the roles played by the agents of change – emigrants, missionaries, traders, scholars and diplomats – and the political, economic, social and cultural developments which the transmission of their ideas set in motion. The book also looks at the ways in which change was frustrated by the rulers of the country, the leaders of the imperial government and later the warlords, politicians and followers of Chiang Kai-shek. Through the author's analysis of the complex factors involved, based on extensive original research into private archive material from all over the world, and his study of the influence of centuries of Chinese cultural tradition, China’s slow path to modernisation is explained and illuminated.

Are we aware of the values of craft? In this edited volume, cultural economists, researchers and professionals provide an interdisciplinary discussion of the relevance and contribution of the craft sector to the economy, as well as to society at large. Mignosa and Kotipalli bring together contributors to compare the craft sector across countries, analysing the role of institutions, educational bodies, organisations and market structure in its evolution and perception. The Western approach to craft and its subordinate position to the arts is contrasted with the prestige of craftmanship in Eastern countries, while the differing ways that craft has attracted the attention of policy agencies, museums, designers and private institutions across regions is also analysed. This volume is vital reading to those interested in the economic features of craft and craftsmanship around the world, as well as for those interested in the importance of policy in bringing about effective sustainable development.