Chinese Porcelain and Hard Stones

Chinese Porcelain and Hard Stones
Title Chinese Porcelain and Hard Stones PDF eBook
Author Edgar Gorer
Publisher
Pages 876
Release 1911
Genre Glyptics
ISBN

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Fine and Rare Chinese Works of Art and Ceramics

Fine and Rare Chinese Works of Art and Ceramics
Title Fine and Rare Chinese Works of Art and Ceramics PDF eBook
Author Roger Keverne
Publisher
Pages 124
Release 2003
Genre Art objects
ISBN

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Ko-sometsuke

Ko-sometsuke
Title Ko-sometsuke PDF eBook
Author Luísa Vinhais
Publisher
Pages 109
Release 2013
Genre Japanese tea ceremony
ISBN 9780957354708

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Orientalia

Orientalia
Title Orientalia PDF eBook
Author
Publisher
Pages 708
Release 1926
Genre Middle Eastern philology
ISBN

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Arts and Art Crafts of Ancient China

Arts and Art Crafts of Ancient China
Title Arts and Art Crafts of Ancient China PDF eBook
Author American Woman's Club, Shanghai, China
Publisher
Pages 242
Release 1921
Genre Art, Chinese
ISBN

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Fine Chinese Decorative Works of Art

Fine Chinese Decorative Works of Art
Title Fine Chinese Decorative Works of Art PDF eBook
Author Sotheby's (Firm)
Publisher
Pages 840
Release 1987
Genre Art, Chinese
ISBN

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Chinese-Islamic Works of Art, 1644–1912

Chinese-Islamic Works of Art, 1644–1912
Title Chinese-Islamic Works of Art, 1644–1912 PDF eBook
Author Emily Byrne Curtis
Publisher Routledge
Pages 130
Release 2019-11-27
Genre Art
ISBN 1000752798

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Chinese-Islamic studies have concentrated thus far on the arts of earlier periods with less attention paid to works from the Qing Dynasty (1644-1912). This book focuses on works of Chinese-Islamic art from the late seventeenth century to the present day and bring to the reader’s attention several new areas for consideration. The book examines glass wares which were probably made for a local Chinese-Muslim clientele, illustrating a fascinating mixture of traditional Chinese and Muslim craft traditions. While the inscriptions on them can be related directly to the mosque lamps of the Arab world, their form and style of decoration is characteristically that of Han Chinese. Several contemporary Chinese Muslim artists have succeeded in developing a unique fusion of calligraphic styles from both cultures. Other works examined include enamels, porcelains, and interior painted snuff bottles, with emphasis on either those with Arabic inscriptions, or on works by Chinese Muslim artists. The book includes a chapter written by Dr. Shelly Xue and an addendum written by Dr. Riccardo Joppert. This book will appeal to scholars working in art history, religious studies, Chinese studies, Chinese history, religious history, and material culture.