Classic nature tale in art nouveau style. Perfect for fans of Cicely Mary Barker�s Flower Fairies

The fate of the Galkian Empire is in the hands of Prince Kerish-lo-Taan as he journeys into dangerous lands to find the seven keys that will release the savior of Galkis and thus save the Empire from destruction.

Packed with a colourful Slavic cast of tempestuous gods and frightening monsters, The Wind Child is above all a story about friendship, and how far you would go and what you would sacrifice to avoid saying goodbye to someone you love. No human has ever returned from Navia, the Slavic afterlife. But twelve-year-old Mara is not entirely human. She is the granddaughter of Stribog, the god of winter winds and she’s determined to bring her beloved father back from the dead. Though powerless, Mara and her best friend Torniv, the bear-shifter, set out on an epic journey to defy the gods and rescue her father. On their epic journey they will bargain with forest lords, free goddesses from enchantments, sail the stormy seas in a ship made of gold and dodge the cooking pot of the villainous Baba Latingorka. Little do the intrepid duo know of the terrible forces they have set in motion, for the world is full of darkness and Mara will have to rely on her wits to survive. Packed with a colourful Slavic cast of tempestuous gods and frightening monsters, The Wind Child is above all a story about friendship, and how far you would go and what you would sacrifice to avoid saying goodbye to someone you love. No human has ever returned from Navia, the Slavic afterlife. But twelve-year-old Mara is not entirely human. She is the granddaughter of Stribog, the god of winter winds and she’s determined to bring her beloved father back from the dead. Though powerless, Mara and her best friend Torniv, the bear-shifter, set out on an epic journey to defy the gods and rescue her father. On their epic journey they will bargain with forest lords, free goddesses from enchantments, sail the stormy seas in a ship made of gold and dodge the cooking pot of the villainous Baba Latingorka. Little do the intrepid duo know of the terrible forces they have set in motion, for the world is full of darkness and Mara will have to rely on her wits to survive.

Depicts traditional lifestyles of children in five different tribes of North American Indians through vignettes set in a time almost two hundred years ago. The tribes are the Muskogee, Dakota, Huron, Tlingit, and Nootka.

Unaware of her unusual parentage, Resshie grows up restless and longing to know the secrets of the wind and she uses her extraordinary ability as a weaver to help her achieve her dream.

On a scorching, dusty road in south-central Illinois in the late 1930s, Doc finds Cully, eleven, running from his fathers death in the fields. He takes Cully in, as he had taken in other stray creatures, and teaches him the life of a rural veterinarian. Thus the boy gains an understanding that death, a commonplace in natures cycle, reaches animals and people, young and old, by accident or intent. One day a letter from Connecticut, three-months delayed, arrives for the boy Cully from the mother who had abandoned him two years earlier. The letter, an old out-of-tune piano, a curling photograph, and some names buried deep in his vanished youth draw Doc with Cully eastward on the National Road, Cully toward his future and Doc toward his forgotten youth. With quiet, poetic force, the journal-told story emerges like the gradual focusing of an old stereopticon, the two pictures blending to reveal an unsuspected three-dimensional depth as the lost boy searches for his mother and Doc tries to piece together a repressed and catastrophic past. Cully and Docs odyssey of discovery is steeped in knowledge of and love for the land across which they journey. It is a true American myth, yet it reverberates with echoes of the Arthurian legend, of Henry Hudson, of the orphan trains, of traumatic conflagrations, and of the dying rooms where waifs bodies are sold for cash. The dramatic and surprising ending is at once a tearful defeat and a smile-producing victory.

Percy Jackson meets Arabian fairy tales in this epic middle grade fantasy series about a girl who becomes the keeper of Ali Baba's treasure — now back with a sequel! It’s been a year since Sahara Rashad came face to face with El Ghoula. And now that she's is back in Egypt for the summer, Sahara can’t shake the feeling the evil witch is plotting her next move. Thankfully, Sahara’s BFF, Vicky, is tagging along this year and can keep her mind off the sorceress. But Vicky seems distant, and for the first time ever, Sahara is noticing cracks in their friendship. When Sahara learns El Ghoula has attacked a family friend, she knows the witch is back to steal what she couldn’t last year—Ali Baba’s magic lamp. As the artifact’s safekeeper, Sahara must protect it at all costs. But how can she do this when El Ghoula’s wind powers know no end? Can Sahara master magic before the summer equinox, when the sorceress is said to strike again? And when her drama with Vicky reaches boiling point, can Sahara tend to her friendship while honoring her duty as treasure keeper?