Chikankari is one of the finest traditional embroideries of India, a symbol of Lucknawi culture and elegant courts of the nawabs of Awadh. Chikankari appeared in Lucknow in the late 18th century and its exquisite aesthetic and craftsmanship has sustained the tradition to this day, through changing patronage and market trends. Chikankari is not just about embroidery. Its legendary finesse is based on a creative blend of the delicate embroidery with very fine dressmaking and sewing techniques. This beautifully illustrated book showcases unknown gems from personal and public collections, and brings to life the history of this unique craft tradition. The various chapters describe the mysterious origins of the craft, the range of costumes, the inspirations behind it motifs, the time-honoured elaborate production process, and the bewildering array of stitches that raised this craft to a truly exceptional art form.

A group of writers familiar with the diversity of experiences available in North India offer their views on accommodations, restaurants, shopping, and sights.

The saree represents the vital spirit of India – the cultural heritage and the history; the variety and the uniqueness; the weaving of warp and weft to create a strong, resilient fabric. It represents a unique common identity, which subsumes the incredible melange of designs and motifs, displaying the magic of being a seamless length of social fabric that takes on the individual character of its wearer. A creation that has a thousand-year history that has endeavoured significant changes over time and still relates to every woman with an echoing name called SAREE Tana Bana unveils the world of sarees that is expressed by the artisans and weavers displaying their wondrous skills through traditional and ingenious sarees of the different regions of India – the stunning kanjeevarams; the intricate ikats; the rustling ornate banarasis; the vibrant bandhanis; the precious patolas and many more. Every saree is an unspoken representation of the place and people who wove the masterpiece, the dyes and the motifs, aesthetics and distinctiveness that is exclusive to each of them. Come unravel the timeless journey of sarees and celebrate its elegance, beauty and strength.

Traditional Indian textiles are an embodiment of artistic expression, cultural heritage, and centuries-old craftsmanship. They serve as a tapestry of colors, patterns, and techniques that reflect the rich diversity and intricate tapestry of India's cultural landscape. Each textile tells a story, weaving together the threads of history, tradition, and creativity that have shaped the vibrant tapestry of Indian textile traditions. This preface aims to delve into the captivating world of traditional Indian textiles, exploring their significance, beauty, and enduring legacy. It invites readers to embark on a journey through time, unraveling the captivating tales spun by skilled artisans and weavers across the length and breadth of India. India's textile heritage is a treasure trove of techniques and designs that have been nurtured for generations. From the delicate handwoven silk sarees of Varanasi to the intricate block prints of Rajasthan, from the vibrant tie-dye textiles of Gujarat to the ornate embroidery of Lucknow, each region boasts its own distinct textile tradition. These traditions not only bear witness to the artistic prowess of the artisans but also serve as a testament to the deep-rooted connection between textiles and Indian culture. Throughout history, Indian textiles have not only adorned the bodies of its people but have also played a pivotal role in religious rituals, social ceremonies, and daily life. The harmonious blend of colors, the meticulous craftsmanship, and the profound symbolism embedded in the textiles are a testament to the profound reverence for aesthetics and the interplay between tradition and innovation. In recent times, there has been a renewed appreciation for traditional Indian textiles, both within India and on the global stage. Designers, artists, and connoisseurs of textile arts are rediscovering the beauty and cultural significance of these textiles, incorporating them into contemporary fashion, interior design, and artistic creations. This revival not only brings these art forms into the limelight but also ensures the preservation of traditional skills and empowers the communities involved in their creation. Yet, as we celebrate the beauty and legacy of traditional Indian textiles, it is essential to acknowledge the challenges they face in a rapidly changing world. Globalization, modernization, and the relentless pursuit of mass production pose significant threats to the sustainability and preservation of these precious traditions. It is our collective responsibility to protect and promote these invaluable art forms, ensuring that future generations can continue to appreciate the legacy of traditional Indian textiles. This preface sets the stage for an immersive exploration of the world of traditional Indian textiles, delving into their historical significance, cultural context, craftsmanship, and the efforts being made to preserve and promote them. Through this journey, we hope to foster a deep appreciation for the intricacies and beauty of these textiles, inspiring a renewed commitment to their preservation and promotion. Join us on this captivating voyage through the realms of traditional Indian textiles, where heritage meets artistry, and the threads of the past intertwine with the present to create an enduring legacy of beauty, culture, and tradition.

Chikankari is the term for the white cotton thread embroidery stitched on white cotton cloth in the Lucknow area of India. The subtle interplay of tonal and textural nuances produced through the varied, finely worked-out patterns -- workmanship once taken for granted but now collected by connoisseurs -- is beautifully demonstrated here by two acknowledged masters of textile design.

Asian Embroidery Is The Result Of An International Seminar Held By Crafts Council Of India, Which Was Coordinated By The Well-Known Authority On Textiles, Jasleen Dhamija. Writers, Researchers, Professors, Who Have Spent A Life Time Researching In Different Regions Of Asia Came Together To Share Their Know Ledge. Besides Well-Known Subjects As Phulkari, Bagh, The Central Asian Suzani, There Are The Little Known Embroideries Of The Philippines, Of Kyrgyzstan, Of The Chinese Settlers In Indonesia, The Beadwork Of Sarawak. There Is The Brilliant Work Of The Symbolic Significance Of Light And Shining Surfaces And A Broad Sweep Of The Creative Expressions Of Different Regions. The Contributors Are Well- Known Authorities Padma Shri Jagdish Mittal, Prof. Joanne Eicher, Prof. Victoria Rivers, John Gillow, Prof. Shehnaz Ismail, Dr. Judy Frater, Ruby Ghuznavi, Edric Ong And Many Others.