The decidedly eccentric staff of "Tripping Magazine," a low-budget periodical of the paranormal, goes to Manitou Springs, Colorado, to investigate a ghostly Chihuahua spotted by the rich founder of a clothing catalog for small dogs.

"Forty years ago, Maureene Pinter painted a portrait of her twin sister, Doreene. In an eerie turn of events, Doreene hasn't aged, although her portrait has. When Doreene decides to sell the portrait, the Tripping team travel to Doreene's mansion in Port Townsend, Washington, a Victorian town wreathed in mists and mysteries, to get the scoop on this intriguing story" -- Cover insert.

"A little bit X-Files, a little bit Agatha Christie and a whole lotta charming. If you like your mysteries baffling, bizarre and, above all, fun, you're going to love it." --Steve Hockensmith, author of Holmes on the Range In this laugh-out-loud-funny mystery, Angus MacGregor and the zany staff of Tripping Magazine, a travel magazine that covers paranormal destinations, investigate a bizarre story in a town brimming with secrets. Forty years ago, Maureene Pinter painted a portrait of her twin sister, Doreene. In an eerie turn of events, Doreene hasn't aged, although her portrait has. When Doreene decides to sell the portrait, the Tripping team travel to Doreene's mansion in Port Townsend, Washington, a Victorian town wreathed in mists and mysteries, to get the scoop on this intriguing story. When strange strips of paper appear in her soup, Doreene invites Tripping to stay and solve the town's many puzzles. Why does a man named Enrico Russo sit in a white Impala outside the mansion? And what does Lupita, the housekeeper, fear? Soon, it becomes clear that while Doreene has kept her youthful looks, the past is catching up with her. Packed with laughs and featuring a mystery with a delightful literary twist, Esri Allbritten's The Portrait of Doreene Gray is a fabulously entertaining tale.

From queen cat lady Yasmine Surovec comes a cuddly new chapter book series about a cat in need of a pet human. Oliver is an independent kitty. He has his run of the neighborhood and looks at his animal friends with their fussing humans with pity. But when a freckle-faced girl moves into town, Oliver sees the opportunity to train a human to provide him with a few creature comforts. And if he can help her adjust to her life and make a new friend, that's just all in a day's work. The real surprise comes, however, when Oliver needs Freckles just as much as she needs him. Not a comic book and not a traditional illustrated chapter book, My Pet Human is truly a hybrid of text and art that could only come from the whimsical and brilliant mind of Yasmine Surovec.

Chicken Soup for the Pet Lover's Soul spoke directly to the hearts of all readers whose lives have ever been changed by the love of a pet. Now the coauthors bring readers this volume, honoring the unique and enduring love that people share with their cats and dogs.

A comedy that follows the misadventures of Sherry Wickman, a young woman who has recently earned her masters degree in art therapy only to find herself moving back home. Unemployed and overwhelmed, Sherry retreats to her childhood bed and remains there until an unexpected employment opportunity gives her a renewed sense of purpose and hope.

How did beloved movie dogs become man-killers like Cujo and his cinematic pack-mates? For the first time, here is the fascinating history of canines in horror movies and why our best friends were (and are still) painted as malevolent. Stretching back into Classical mythology, treacherous hounds are found only sporadically in art and literature until the appearance of cinema's first horror dog, Sherlock Holmes' Hound of the Baskervilles. The story intensifies through World War II's K-9 Corps to the 1970s animal horror films, which broke social taboos about the "good dog" on screen and deliberately vilified certain breeds--sometimes even fluffy lapdogs. With behind-the-scenes insights from writers, directors, actors, and dog trainers, here are the flickering hounds of silent films through talkies and Technicolor, to the latest computer-generated brutes--the supernatural, rabid, laboratory-made, alien, feral, and trained killers. "Cave Canem (Beware the Dog)"--or as one seminal film warned, "They're not pets anymore."