South African agriculture is characterized by growing labour unrest, evinced in recent years by high-profile strikes, but little is known about the sources and forms of day-to-day struggle. In Chiefs of the Plantation Lincoln Addison examines how labour conflict is fuelled by changing management practices and how workers respond and resist across spatial, sexual, and spiritual domains. Depicting, in rich ethnographic detail, daily life on a plantation, Addison describes how agriculture has been restructured in the post-apartheid era through a delegation of authority from white landowners to black intermediaries. He explains that while this labour regime enables the profitability of plantations, it gives rise to a fragile moral economy in which perceptions of what is tolerable and what is exploitation frequently clash. In this environment, transactional sex and Christian worship emerge as important terrains of gendered and spiritual contestation where women and low-ranking workers remain resilient in the face of unequal power relations. Meanwhile, plantations project an appearance of benevolent paternalism, particularly in the narratives and self-identity of white landowners. This book reveals how, in the everyday life of the community, both the plantation and the compound where the workers live serve as central grounds for the negotiation of labour relations. A groundbreaking study that uncovers how migrant plantation workers challenge their exploitation, Chiefs of the Plantation is a rare glimpse into the often hidden world of labour struggle on contemporary plantations.

This is the premier work of its kind on the planting of Brittish and Scottish families in Ireland, and the plans set forth to undermine the power base of the old Irish in Ireland. From the noted work by Rev. Geroge Hill, this book comprises the entire first section of his work on the plantation of Ulster. It is volume 1 of 4 that completes Rev. Hills work in full.

In Dissimilar Coffee Frontiers Sven Van Melkebeke compares the divergent development of coffee production in eastern Congo and western Rwanda during the colonial period. The Lake Kivu region offers a remarkable case-study to investigate diversity in economic development. In Rwanda, on the eastern side of the lake, coffee was mainly cultivated by smallholder families, while in the Congo, on the western side of the lake, European plantations were the dominant mode of production. Making use of a wide array of largely untapped archival sources, Sven Van Melkebeke convincingly succeeds in moving the manuscript beyond a case-study of colonizers to a more nuanced history of interaction and in presenting an innovative new social history of labor and land processes.

Set in the same universe as Le Guin’s The Left Hand of Darkness and The Dispossessed, these five linked Hainish stories follow far-future human colonies living in the distant solar system Here for the first time is the complete suite of five linked stories from Ursula K. Le Guin’s acclaimed Hainish series, which tells the history of the Ekumen, the galactic confederation of human colonies founded by the planet Hain. First published as Four Ways to Forgiveness, and now joined by a fifth story, Five Ways to Forgiveness focuses on the twin planets Werel and Yeowe—two worlds whose peoples, long known as “owners” and “assets,” together face an uncertain future after civil war and revolution. In “Betrayals” a retired science teacher must make peace with her new neighbor, a disgraced revolutionary leader. In “Forgiveness Day,” a female official from the Ekumen arrives to survey the situation on Werel and struggles against its rigidly patriarchal culture. Embedded within “A Man of the People,” which describes the coming of age of Havzhiva, an Ekumen ambassador to Yeowe, is Le Guin’s most sustained description of the Ur-planet Hain. “A Woman’s Liberation” is the remarkable narrative of Rakam, born an asset on Werel, who must twice escape from slavery to freedom. Joined to them is “Old Music and the Slave Women,” in which the charismatic Hainish embassy worker, who appears in two of the four original stories, returns for a tale of his own. Of this capstone tale Le Guin has written, “the character called Old Music began to tell me a fifth tale about the latter days of the civil war . . . I’m glad to see it joined to the others at last.”

The Kenya Gazette is an official publication of the government of the Republic of Kenya. It contains notices of new legislation, notices required to be published by law or policy as well as other announcements that are published for general public information. It is published every week, usually on Friday, with occasional releases of special or supplementary editions within the week.