Cheryl Dunn has been shooting music festivals for over 20 years. She shoots from the pit or from the first row for the biggest rock stars in the world, but she is also a fan. These photographs celebrate what she has seen, who she has danced with, and who she made pictures with: kids crammed front and center who saved their money for a year to be there, older people sitting on tricked-out lawn chairs whose friends think they are crazy for still going, cross sections of nerds, jocks, babes, stoners, and outcasts letting it all hang out in unabashed glory, all sharing a common love of music.

Photographer and filmmaker Cheryl Dunn has been one of America's foremost chroniclers of the underground scene since the mid-1990s. This first retrospective looks at the worlds of street art, graffiti and life on the creative margins from an appreciative insider's point of view. It features documentary photographs of San Francisco artists like Barry McGee, Margaret Killgallen and Chris Johanson, with whom she shared a distinct and elusive sensibility, as well as others from Los Angeles and her home town of New York, including, like Phil Frost, Mike Mills and Ed Templeton. Also included is a rare, 60-minute film documenting the scene imported to Tokyo and focused on 13 artists in particular--including McGee, Johanson, Mills, Killgallen, Templeton, Frost, Thomas Campbell, Stephen Powers, Tommy Guerrero, Josh Lozcano, Brendon Fowler and Aaron Rose. Through candid interviews, riveting footage of art in action, and a massive demolition derby in the streets of Tokyo, the film captures these artists just before they broke through to the mainstream. It is about building things up, knocking them down and the simple enjoyment of making work with friends before the business of art takes hold. Features extra rare footage of all of the artists as well as short films about Johanson and Gonzales.

A catalog of an exhibition that surveys the history of international graffiti and street art.

Don't miss the JOE PICKETT series—now streaming on Paramount+ The first novel in the thrilling series featuring Wyoming game warden Joe Pickett from #1 New York Times bestselling author C. J. Box. Joe Pickett is the new game warden in Twelve Sleep, Wyoming, a town where nearly everyone hunts and the game warden—especially one like Joe who won't take bribes or look the other way—is far from popular. When he finds a local hunting outfitter dead, splayed out on the woodpile behind his state-owned home, he takes it personally. There had to be a reason that the outfitter, with whom he's had run-ins before, chose his backyard, his woodpile to die in. Even after the "outfitter murders," as they have been dubbed by the local press after the discovery of the two more bodies, are solved, Joe continues to investigate, uneasy with the easy explanation offered by the local police. As Joe digs deeper into the murders, he soon discovers that the outfitter brought more than death to his backdoor: he brought Joe an endangered species, thought to be extinct, which is now living in his woodpile. But if word of the existence of this endangered species gets out, it will destroy any chance of InterWest, a multi-national natural gas company, building an oil pipeline that would bring the company billions of dollars across Wyoming, through the mountains and forests of Twelve Sleep. The closer Joe comes to the truth behind the outfitter murders, the endangered species and InterWest, the closer he comes to losing everything he holds dear.

Part memoir, part lies, this imaginative tale is a story about loving a woman made of paper, about the wounds made by first love and sharp objects.

&“Allow all black nurses to enlist, and the draft won't be necessary. . . . If nurses are needed so desperately, why isn't the Army using colored nurses?&” &“My arm gets a little sore slinging a shovel or a pick, but then I forget about it when I think about all those boys over in the Solomons.&” Double Victory tells the stories of African American women who did extraordinary things to help their country during World War II. In these pages young readers meet a range of remarkable women: war workers, political activists, military women, volunteers, and entertainers. Some, such as Mary McLeod Bethune and Lena Horne, were celebrated in their lifetimes and are well known today. But many others fought discrimination at home and abroad in order to contribute to the war effort yet were overlooked during those years and forgotten by later generations. Double Victory recovers the stories of these courageous women, such as Hazel Dixon Payne, the only woman to serve on the remote Alaska-Canadian Highway; Deverne Calloway, a Red Cross worker who led a protest at an army base in India; and Betty Murphy Phillips, the only black female overseas war correspondent. Offering a new and diverse perspective on the war and including source notes and a bibliography, Double Victory is an invaluable addition to any student's or history buff's bookshelf.

From the acclaimed filmmaker, artist, and bestselling author of No One Belongs Here More Than You, a spectacular debut novel that is so heartbreaking, so dirty, so tender, so funny--so Miranda July--that readers will be blown away. Here is Cheryl, a tightly-wound, vulnerable woman who lives alone, with a perpetual lump in her throat. She is haunted by a baby boy she met when she was six, who sometimes recurs as other people's babies. Cheryl is also obsessed with Phillip, a philandering board member at the women's self-defense nonprofit where she works. She believes they've been making love for many lifetimes, though they have yet to consummate in this one. When Cheryl's bosses ask if their twenty-one-year-old daughter, Clee, can move into her house for a little while, Cheryl's eccentrically ordered world explodes. And yet it is Clee--the selfish, cruel blond bombshell--who bullies Cheryl into reality and, unexpectedly, provides her the love of a lifetime. Tender, gripping, slyly hilarious, infused with raging sexual obsession and fierce maternal love, Miranda July's first novel confirms her as a spectacularly original, iconic, and important voice today, and a writer for all time. The First Bad Man is dazzling, disorienting, and unforgettable.