On several counts, one particular collection of French lyrics made in France in the late fourteenth century, University of Pennsylvania MS 15, is the most likely repository of Chaucer's French poems. It is the largest manuscript anthology extant of fourteenth-century French lyrics in the formes fixes (balade, rondeaux, virelay, lay, and five-stanza chanson) with by far the largest number of works of unknown authorship. The known authors represented in the manuscript and the texts themselves have notable associations with England and with Chaucer. And intriguingly there are fifteen lyrics each headed by the initials Ch, very likely indications of authorship, neatly inserted between rubric and text. . . . [The] rubrics, together with other substantial manuscript evidence and the intrinsic worth of the poems, make them easily the best candidates among extant French lyrics for Chaucer's authorship, appropriate representatives of his French work. - from the Introduction

Specialists of Chaucer and his contemporaries will be the audience for this volume on the poet's use of Aristotelian psychology, Boethius, Dante, and French court poets to create aspects of courtly identity through language and experience. St. John (English, U. of Leicester, UK) provides detailed analyses of the Book of the Duchess, House of Fame, Parliament of Fowls, and Legend of Good Women to develop his case. He shows that Chaucer's use of the dream vision can be interpreted as an exploration of individual subjectivity in a social context, an expression of Chaucer's Christian beliefs, and his awareness of the dialogue courtly society engenders. Annotation copyrighted by Book News Inc., Portland, OR

This Norton Critical Edition presents Chaucer's four dream visions and selected shorter poems and is suitable for both beginning and advanced students.

Spanning Chaucer's working life, these four poems build on the medieval convention of 'love visions' - poems inspired by dreams, woven into rich allegories about the rituals and emotions of courtly love. In The Book of the Duchess, the most traditional of the four, the dreamer meets a widower who has loved and lost the perfect lady, and The House of Fame describes a dream journey in which the poet meets with classical divinities. Witty, lively and playful, The Parliament of Birds details an encounter with the birds of the world in the Garden of Nature as they seek to meet their mates, while The Legend of Good Women sees Chaucer being censured by the God of Love, and seeking to make amends, for writing poems that depict unfaithful women. Together, the four create a marvellously witty, lively and humane self-portrait of the poet.

No detailed description available for "The realism of dream visions".

New readings of Chaucer's dream visions, demonstrating his philosophical interests and learning.