The Book of the Duchess is a surreal poem that was presumably written as an elegy for Blanche, Duchess of Lancaster's (the wife of Geoffrey Chaucer's patron, the royal Duke of Lancaster, John of Gaunt) death in 1368 or 1369. The poem was written a few years after the event and is widely regarded as flattering to both the Duke and the Duchess. It has 1334 lines and is written in octosyllabic rhyming couplets.

"More than any other canonical English writer, Geoffrey Chaucer lived and worked at the centre of political life--yet his poems are anything but conventional. Edgy, complicated, and often dark, they reflect a conflicted world, and their astonishing diversity and innovative language earned Chaucer renown as the father of English literature. Marion Turner, however, reveals him as a great European writer and thinker. To understand his accomplishment, she reconstructs in unprecedented detail the cosmopolitan world of Chaucer's adventurous life, focusing on the places and spaces that fired his imagination. Uncovering important new information about Chaucer's travels, private life, and the early circulation of his writings, this innovative biography documents a series of vivid episodes, moving from the commercial wharves of London to the frescoed chapels of Florence and the kingdom of Navarre, where Christians, Muslims, and Jews lived side by side. The narrative recounts Chaucer's experiences as a prisoner of war in France, as a father visiting his daughter's nunnery, as a member of a chaotic Parliament, and as a diplomat in Milan, where he encountered the writings of Dante and Boccaccio. At the same time, the book offers a comprehensive exploration of Chaucer's writings, taking the reader to the Troy of Troilus and Criseyde, the gardens of the dream visions, and the peripheries and thresholds of The Canterbury Tales. By exploring the places Chaucer visited, the buildings he inhabited, the books he read, and the art and objects he saw, this landmark biography tells the extraordinary story of how a wine merchant's son became the poet of The Canterbury Tales." -- Publisher's description.

Spanning Chaucer's working life, these four poems build on the medieval convention of 'love visions' - poems inspired by dreams, woven into rich allegories about the rituals and emotions of courtly love. In The Book of the Duchess, the most traditional of the four, the dreamer meets a widower who has loved and lost the perfect lady, and The House of Fame describes a dream journey in which the poet meets with classical divinities. Witty, lively and playful, The Parliament of Birds details an encounter with the birds of the world in the Garden of Nature as they seek to meet their mates, while The Legend of Good Women sees Chaucer being censured by the God of Love, and seeking to make amends, for writing poems that depict unfaithful women. Together, the four create a marvellously witty, lively and humane self-portrait of the poet.

Geoffrey Chaucer was a spy, a diplomat, and England's finest poet, and yet nothing is known of his death; after 1400, his name simply disappears from the record. Was he the victim of a political murder? In this book, Terry Jones reassesses Chaucer's work and the turbulent times in which he lived.

Although widely beloved for its playfulness and comic sensibility, Chaucer's poetry is also subtly shot through with dark moments that open into obscure and irresolvably haunting vistas, passages into which one might fall head-first and never reach the abyssal bottom, scenes and events where everything could possibly go horribly wrong or where everything that matters seems, if even momentarily, altogether and irretrievably lost. And then sometimes, things really do go wrong. Opting to dilate rather than cordon off this darkness, this volume assembles a variety of attempts to follow such moments into their folds of blackness and horror, to chart their endless sorrows and recursive gloom, and to take depth soundings in the darker recesses of the Chaucerian lakes in order to bring back palm- or bite-sized pieces (black jewels) of bitter Chaucer that could be shared with others . . . an assortment, if you will. Not that this collection finds only emptiness and non-meaning in these caves and lakes. You never know what you will discover in the dark.Contents: Candace Barrington, "Dark Whiteness: Benjanim Brawley and Chaucer" -- Brantley L. Bryant & Alia, "Saturn's Darkness" -- Ruth Evans, "A Dark Stain and a Non-Encounter" -- Gaelan Gilbert, "Chaucerian Afterlives: Reception and Eschatology" -- Leigh Harrison, "Black Gold: The Former (and Future) Age" -- Nicola Masciandaro, "Half Dead: Parsing Cecelia" -- J. Allan Mitchell, "In the Event of the Franklin's Tale" -- Travis Neel & Andrew Richmond, "Black as the Crow" -- Hannah Priest, "Unravelling Constance" -- Lisa Schamess, "L'O de V: A Palimpsest" -- Myra Seaman, "Disconsolate Art" -- Karl Steel, "Kill Me, Save Me, Let Me Go: Custance, Virginia, Emelye" -- Elaine Treharne, "The Physician's Tale as Hagioclasm" -- Bob Valasek, "The Light has Lifted: Pandare Trickster" -- Lisa Weston, "Suffer the Little Children, or, A Rumination on the Faith of Zombies" -- Thomas White, "The Dark Is Light Enough: The Layout of the Tale of Sir Thopas." This assortment of dark morsels also features a prose-poem Preface by Gary Shipley.

A re-editing of F.N. Robinson's second edition of The works of Geoffrey Chaucer published in 1957 by the team of experts at the Riverside Institute who have greatly expanded the introductory material, explanatory notes, textual notes, bibliography and glossary. The result of many years' study. The Riverside Chaucer is the most authentic and exciting edition available of Chaucer's complete works.

This text analyzes the effect of Chaucer's poetry on his contemporary readers, examining how he and his audience understood their society and how this is reflected in the works. This book provides a fuller understanding of Chaucer's world and the social implications of literary styles and form.