WINNER OF THE 2022 PULITZER PRIZE "A compelling and important history that this nation desperately needs to hear." -Bryan Stevenson, New York Times bestselling author of Just Mercy and executive director of the Equal Justice Initiative Chasing Me to My Grave presents the late artist Winfred Rembert's breathtaking body of work alongside his story, as told to Tufts Philosopher Erin I. Kelly. Rembert grew up in a family of Georgia field laborers, joined the Civil Rights Movement as a teenager, survived a near-lynching at the hands of law enforcement, and spent seven years on chain gangs. There he learned the leather tooling skills that became the bedrock of his autobiographical paintings. Years later, encouraged by his wife, Patsy, Rembert brought his past to vibrant life in scenes of joy and terror, from the promise of southern Black commerce to the brutality of chain gang labor. Vivid, confrontational, revelatory, and complex, Chasing Me to My Grave is a searing memoir in prose and painted leather that celebrates Black life and summons readers to confront painful and urgent realities at the heart of American society. Booklist #1 Nonfiction Book of the Year * African American Literary Book Club (AALBC) #1 Nonfiction Bestseller * Named a Best Book of the Year by: NPR, Publishers Weekly, BookPage, Barnes & Noble, Hudson Booksellers, ARTnews, and more * Amazon Editors' Pick * Carnegie Medal of Excellence Longlist

WINNER OF THE 2022 PULITZER PRIZE IN BIOGRAPHY Booklist #1 Nonfiction Book of the Year * African American Literary Book Club (AALBC) #1 Nonfiction Bestseller * Named a Best Book of the Year by: NPR, Publishers Weekly, BookPage, Barnes & Noble, Hudson Booksellers, ARTnews, and more * Amazon Editors’ Pick * Carnegie Medal of Excellence in Nonfiction Longlist "A compelling and important history that this nation desperately needs to hear." —Bryan Stevenson, New York Times bestselling author of Just Mercy and executive director of the Equal Justice Initiative Winfred Rembert grew up in a family of Georgia field laborers and joined the Civil Rights Movement as a teenager. He was arrested after fleeing a demonstration, survived a near-lynching at the hands of law enforcement, and spent seven years on chain gangs. During that time he met the undaunted Patsy, who would become his wife. Years later, at the age of fifty-one and with Patsy’s encouragement, he started drawing and painting scenes from his youth using leather tooling skills he learned in prison. Chasing Me to My Grave presents Rembert’s breathtaking body of work alongside his story, as told to Tufts Philosopher Erin I. Kelly. Rembert calls forth vibrant scenes of Black life on Cuthbert, Georgia’s Hamilton Avenue, where he first glimpsed the possibility of a life outside the cotton field. As he pays tribute, exuberant and heartfelt, to Cuthbert’s Black community and the people, including Patsy, who helped him to find the courage to revisit a traumatic past, Rembert brings to life the promise and the danger of Civil Rights protest, the brutalities of incarceration, his search for his mother’s love, and the epic bond he found with Patsy. Vivid, confrontational, revelatory, and complex, Chasing Me to My Grave is a searing memoir in prose and painted leather that celebrates Black life and summons readers to confront painful and urgent realities at the heart of American history and society.

Winfred Rembert grew up in the 1950s in rural Georgia as the child of sharecroppers whose lives were little better than slavery. As a young man, he was nearly lynched, and served seven years in jail and on a chain gang. Yet he constantly found ways to create, to invent, to uplift. As a child, he made toys from pieces of junk at the town dump. In prison, he watched a leather worker and learned to carve and paint the leather himself. Now, in his own voice and through his powerful paintings, he shares with a new generation of young people his story and his passionate commitment to self-improvement. Reminiscent of the work of Jacob Lawrence and Horace Pippin, the paintings? rich, deep colors and poignant details powerfully narrate a story of personal courage and exceptional talent. At the same time, Rembert shows how the civil rights movement was not just a matter of famous speechs and marches, but was a product of the bonds of the black community and the unbreakable spirit of individuals

Family, obsession, and privilege boiled down by the icy-hot Swiss-Italian master stylist Fleur Jaeggy Even among Fleur Jaeggy’s singular and intricate works, The Water Statues is a shiningly peculiar book. Concerned with loneliness and wealth’s odd emotional poverty, this early novel is in part structured as a play: the dramatis personae include the various relatives, friends, and servants of a man named Beeklam, a wealthy recluse who keeps statues in his villa’s flooded basement, where memories shiver in uncertain light and the waters run off to the sea. Dedicated to Ingeborg Bachmann and fleshed out with Jaeggy’s austere yet voluptuous style, The Water Statues—with its band of deracinated, loosely related souls (milling about as often in the distant past as in the mansion’s garden full of intoxicated snails)—delivers like a slap an indelible picture of the swampiness of family life.

A debut author unearths the long-buried secrets of a small New England town in the 1850s in this richly atmospheric Gothic tale of murder, guilt, redemption, and finding love where it's least expected.

Look out for the original series—starring Peyton List, Brent Rivera, Liana Liberato, Ajiona Alexus, and Dylan Sprayberry—now streaming on Hulu! McKenna’s mission to save her friends from their predicted deaths concludes in the third and final installment in the Light as a Feather series that is Riverdale meets The Chilling Adventures of Sabrina! It’s not a game anymore… McKenna has managed to rid Violet of the curse claiming the lives of so many in Willow, Wisconsin, but evil still plagues the town. McKenna’s friend Mischa now carries the curse, and when it comes for her family, she pledges revenge on those she deems responsible for their deaths...including McKenna and everyone she holds dear.