Theatrical producer Andre Charlot brought Parisian revue to Great Britain in 1912 and dominated his field for 25 years. He greatly influenced American musical theater with Charlot's London Revue in New York in 1924. He created the kind of intimate revue the world came to identify as British, and was known for discovering and nurturing some of the greatest personalities in the century's theater, including Beatrice Lillie, Gertrude Lawrence, Jack Buchanan, and Noel Coward. This biography, researched from sources including his personal memoirs, covers Charlot's life and career from his youth in Paris to his time in Edwardian and interwar London, concluding with his final years in Hollywood playing all-purpose Europeans in B-movies and his death in 1956. Two unpublished essays by Andre Charlot are included as appendices: "Beverly Hills, 1937" and "A Quiet Game of Bridge." The work is illustrated with family photographs from all periods of Charlot's life, production photographs from his revues, contemporary charicatures from Tatler Magazine, and production stills of Charlot as an actor from Hollywood films.

Edward Weston (1886–1958) was one of the most celebrated photographers of the twentieth century. Jean Charlot (1898–1979), a classically trained French artist best known for his murals, woodcuts, and paintings celebrating Mexican culture, played a key role as a participant and chronicler of the Mexican Renaissance. This book, based on letters that Weston and Charlot exchanged from the early 1920s until Weston’s death in 1958, documents a friendship that says as much about art—about photography and fresco, practice, criticism, and history—as it does about the intersection of a number of fascinating characters, the ups and downs of the correspondents’ daily lives, the pursuit of their dreams and aspirations, and the support and encouragement they gave each other. Lew Andrews crafts a multivalent narrative that reconfigures our understanding of Weston, Charlot, and their era, shedding new light on specific events and artwork. While giving us rare insight into the everyday life of these artists, this work also supplies an important chapter in the history of twentieth-century art and photography, seen close up and from the inside.

Featuring more than fifty works by artists such as José Guadalupe Posada, Diego Rivera, José Clemente Orozco, and Leopoldo Méndez, this issue of the Bulletin explores the rich artistic legacy of printmaking in Mexico from the mid-eighteenth to mid-twentieth century. Curator Mark McDonald traces the origins of The Met’s remarkable holdings of nearly two thousand Mexican prints first collected by the French-born artist Jean Charlot, who had been active in Mexico when the art form rose in prominence amid concerns of national identity following the Mexican Revolution (1910-1920). Highlighting a variety of styles and techniques, including silkscreen, letterpress, and woodcut, this vibrantly illustrated publication offers a richer understanding of Mexican prints through an analysis of how they were used as modes of political expression, education, and resistance in Mexico.

Adam and Farai are an interracial couple that have been together for two years. Farai has finally persuaded Adam to introduce her to his parents, but the visit to the in-laws turns out to be a horrible experience for Farai. Several situations during the introductory dinner make her feel uneasy and ostracised. When confronted about this experience Adam tries to play down the whole situation and does not show any understanding for his partner's concern. This puts a further strain on their relationship and Farai starts to wonder if she can be with a man who's family does not accept her and who is not willing to face the difficulties related to an interracial relationship. Examining important contemporary issues of race, bigotry and the difficulties that interracial couples face, What We Don't Talk About is the debut graphic novel from a burgeoning new comics talent.